Grief Poetry

POWIEŚĆ O DOJRZEWANIU, BEZRADNOŚCI I ROZPACZY. Jakie tajemnice skrywa stary domek letniskowy? Mieszka w nim Sara, młoda, samotna kobieta. Od siedmiu lat niemal codziennie wkłada znoszone buty i przemierza wielokilometrową trasę w poszukiwaniu grzybów. W ten sposób zarabia na życie i... utrzymuje więź z przeszłością. Wiadomość o śmierci matki przywołuje wspomnienia i wnosi do życia Sary szereg zmian. Bolesne sekrety skrywane od lat powracają i nie pozwalają już o sobie zapomnieć. Istnieje tylko jeden sposób, by wreszcie od nich uciec.

indigo is the joy and lament of a father, theologian, human being, fashioning new ideas about the divine within the painful loss of his daughter, within the constraints of his own intelligence, within the constraints of what religion had been telling him his whole life—some of which was good and some of which wasn't.

Following on his exquisite Stones, Young's new collection shapes stories of familial and familiar love, inspired in part by other lives. A central sequence, “The Two-Headed Nightngale,” is spoken by Millie-Christine McCoy, the famous conjoined African American “Carolina Twins.” Born into slavery and ill treatment as a “freak” sensation in 1851 and later free women, their alto and soprano voices harmonized, and Young's poem explores their evolving selfhood and self-understanding: “As one we sang, /we spake— / She was the body / I the soul / Without one / Perishes the whole.”

"Ashes in the Milk" will remind listeners that their greatest path to healing lies within—all they must do is walk down the path. Valerie Johns, MA, MFT, is a prolific poet, author, and therapist who is passionate about helping others heal from their deepest wounds.

Our quoted authority is not the people in white coats but those with a quill, a heart and a soul that can take these feelings of love and loss and with the ink of words put to verse feelings and emotions that can be re-lived and shared by all. As they venture through depression, war, slavery to heartache and the loss of loved ones our eyes may mist and tears gently fall at what collectively we have done, have experienced, have witnessed and lost.

We Alive, Beloved moves beyond being a poetry collection; it's a celebration of the profound aspects of our existence. Each poem seeks to immortalize the fleeting moments of joy, love, resilience, and inspiration that often slip through the grasp of our fast-paced lives.

With My Back to the World engages with the paintings and writings of Agnes Martin, the celebrated abstract artist, in ways that open up new modes of expression, expanding the scope of what art, poetry, and the human mind can do. Filled with surprise and insight, wit and profundity, the book explores the nature of the self, of existence, life and death, grief and depression, time and space. Strikingly original, fluidly strange, Victoria Chang's new collection is a book that speaks to how we see and are seen.

Kae Tempest is one of the most exciting and innovative performers to have emerged in spoken-word poetry in many years; her dramatic poem "Brand New Ancients" won the prestigious Ted Hughes Prize for innovation in poetry. Tempest's wholly unique blend of street poetry, rap, and storytelling - combined with the spellbinding delivery of an open-air revivalist - has won her legions of followers all over the UK. Her remarkable stage presence is wholly audible in this poem, a spoken story written to be told with live music.

In her electric fourth collection, Melissa Broder penetrates the itch of existence and explores numberless deaths: the annihilation of self, the bereavement of love, the destruction of fantasy, the transmutation, even, of our ideas of dying. What emerges is an infinite series of false endings - each a trap door containing the possibility for alchemy, rebirth, and renewal. Last Sext confronts both eternal longing and the mystery of mortality, with language hot, primal, and dark.

With Love, Grief and Fury contains love poems, for people and the planet; grief poems brimming with compassion, sharing tears and mourning what was and contemplating what could be; and poems of fire and fury that will kick some ass, tell the truth and inspire change and hope. Over thirty years after she first stormed the UK poetry scene, the trailblazing and award-winning writer Salena Godden has produced her most audacious and definitive collection to date. Like a big sister’s arm around your shoulder, With Love, Grief and Fury is important and nourishing for the soul.

I Had A Brother Once is a brilliant, genre-defying work - both memoir and epic poem - about the struggle for wisdom, grace, and ritual in the face of unspeakable loss. Adam is forced to re-remember a brother he thought he knew and to reckon with a ghost, confronting his unsettled family history, his distant relationship with tradition and faith, and his desperate need to understand an event that always slides just out of his grasp.

From the creator of the beloved @PoetryIsNotaLuxury Instagram account, a gorgeously wrought poetry anthology that is a gift and a guide for listeners through every season of life. Inspired by writer and philosopher Audre Lorde’s famous claim: “Poetry is not a luxury,” this anthology proves the vitality of poetry as a crucial source of inspiration, comfort, and delight.

In Big Man Katie Kemple creates a portrait of fatherhood in the shadow of loss: the untimely death of partners, unresolved trauma as a veteran, and chronic pain. Kemple shows a father moving forward despite it all with the generosity and grace to love and be loved. He's the teacher who gives hitchhiking students a lift to the mall, the dad who chaperones Girl Scout fieldtrips, the husband who clings to the last flame of his wife's life. A man who stayed open to "rocks, sea glass, / shells and pinecones. Small things we / might have passed into his big hands."

Today Thomas Gray is remembered almost solely for this melancholy meditation on the inevitability of death and the insignificance of fame. The poem was originally thought to have been inspired by the death of Gray's close friend, Richard West, but modern critics think this to be unlikely. Retiring by nature, Gray did not want the elegy to be published, but his hand was forced by an unscrupulous editor who planned to publish the poem without permission. The polished elegance of the versification has ensured that the poem has retained its appeal over the centuries.

Steph Catudal is beloved for her poignant meditations on loss, uncertainty, and illness, and the raw, wise reflections of her “brilliant, unflinching, lyrical” (Matt Haig) New York Times bestselling memoir Everything All At Once. Now, Catudal brings her trademark wisdom and strong lyrical voice to bear in her first collection of verse, delving into the challenging yet often rich parts of life people often lack the courage to face.

A story of the aftermath of a shattering event told through over 50 poems, Bo Grant's epic emotional rollercoaster packs a big punch. Feel all the feels!

Quando perdemos alguém que amamos, iniciamos uma longa jornada, atravessando um dos períodos mais dolorosos da vida. Para nos oferecer um pouco de conforto, Martha Hickman compartilha meditações, frases inspiradoras e breves preces que lhe deram força e coragem para enfrentar a perda da filha, que morreu aos 16 anos num trágico acidente. Com textos curtos e simples—o que é muito útil durante o luto, quando a capacidade de concentração e compreensão está reduzida—este livro traz pequenas doses de encorajamento e apoio para cada dia do ano.

This is the worst book of poetry ever written.

Something is coming, it's hiding in the dark. In shadows, it is stalking, ready to stop your heart. This poetry collection will take you deep into the depths of hell, Through lava filled pits.

The Twilight Zone Haiku explores the essence of Rod Serling’s iconic, uncanny 1960s television show through haiku, giving us dazzling, spot-on snapshots of each episode. In seventeen syllables, Boykin captures the show's main objective: to deliver a keen jolt of existential awareness.