High Art

Mecklenburgh Square has always been a radical address. Nestled in the heart of Bloomsbury, these townhouses have borne witness to the lives of some of the century's most revolutionary cultural figures - many of whom were extraordinary women. United by their desire to experiment with new ways of living - and, therefore, of being - these authors and thinkers were trailblazers in their commitment to creative independence.

Arianna Warsaw-Fan Rauch’s life-long fascination with classical music has taken her through Juilliard and into the shiny world of symphony halls and international concert tours. She’s loved classical music her whole life. But she’s also hated classical music her whole life. After all, if you can like Beyoncé without liking Bieber, you can certainly like Brahms without liking Bach—especially since they were born 148 years apart and the thing we call “classical music” is really just centuries of compositions shoved into one hodge-podge of a genre.

In 1981, David Bowie and Queen both happened to be in Switzerland: They met and made "Under Pressure." Recorded on a lark, the song broke the path for subsequent pop anthems. In Under Pressure, Max Brzezinski tells the classic track's story, charting the relationship between pop music, collective politics, and dominant institutions of state, corporations, and civil society. Brzezinski shows that, like all great pop anthems, "Under Pressure" harnesses collective sentiments in order to model new ways of thinking and acting.

In 2006, Matthew Specktor moved into a crumbling Los Angeles apartment opposite the one in which F. Scott Fitzgerald spent the last moments of his life. Fitz had been Specktor's first literary idol, someone whose own passage through Hollywood had, allegedly, broken him. Freshly divorced, professionally flailing, and reeling from his mother's cancer diagnosis, Specktor was feeling unmoored. But rather than giving in or "cracking up", he embarked on an obsessive journey to make sense of the mythologies of "success" and "failure" that haunt the artist's life and the American imagination.

Set against the glorious backdrops of Rome, Florence, and Genoa, and Naples, peopled with historical characters and filled with the details of the life of a 17th-century painter, The Passion of Artemisia is the story of Gentileschi's struggle to find love, forgiveness, and wholeness through her art.

This new release completes Brenner's recording of I Think There's a Terrorist in My Soup, his brilliant, healing post-9/11 comedy collection. Featuring audience-tested highlights from his stand-up shows, Another Terrorist confirms Brenner's conviction that "laughter is the best medicine, and if one can laugh, one can live."

"The Illmatic Investor: From Hip-Hop to High Returns" is an innovative and engaging guide that merges the world of hip-hop with astute financial wisdom, inspired by the success of Nasir "Nas" Jones and his Queensbridge Venture Fund. This book targets listeners who are eager to learn about wealth creation through the lens of a cultural icon. It begins with an exploration of Nas's journey from a renowned hip-hop artist to a shrewd investor and co-founder of Queensbridge Venture Partners, drawing parallels between his lyrical prowess and investment strategies.

A companion to the best selling Napalm and Silly Putty, George Carlin's More Napalm and Silly Putty picks up where the original left off, with more laser-sharp observations, tough questions, philosophical musings, linguistic legerdemain, and inspired weirdness in these unabridged excerpts from the thinking man's comic - and three-time Grammy winner!

Growing up on the Upper West Side of New York City in the 1970s, in an apartment filled with dazzling literary and artistic characters, Priscilla Gilman worshiped her brilliant, adoring, and mercurial father, the writer, theater critic, and Yale School of Drama professor Richard Gilman. But when Priscilla was ten years old, her mother, renowned literary agent Lynn Nesbit, abruptly announced that she was ending the marriage.

It's one of the greatest movie romances of all time. Yet the friction and controversy surrounding The Way We Were was so enormous, the movie was nearly never made at all. Drawing on Laurents's and Pollack's unpublished writings, as well as interviews with Streisand, Redford, and other key players, this is the definitive account of a film that changed the rules of moviemaking and defined romance ever since.

A group of criminals in 1946 pull off the heist of the century, stealing a dozen priceless works of art from a Boston museum. But while the thieves get caught, the art is never found. Forty years later, the last surviving thief gets out of jail and goes hunting for the loot, involving some innocent college students in his dangerous plan—and twenty-eight years after that, in the present day, the former college kids, now all grown up, are drawn back into danger as the still-missing art tempts a deadly new generation of treasure hunters.

During the upheavals of 2007-9, the chairman of the Federal Reserve had the name of a Victorian icon on the tip of his tongue: Walter Bagehot. Banker, man of letters, inventor of the Treasury bill, and author of Lombard Street, the still-canonical guide to stopping a run on the banks, Bagehot prescribed the doctrines that - decades later - inspired the radical responses to the world's worst financial crises.

The eleven-year collaboration between Alfred Hitchcock and Bernard Herrmann is often called the greatest director-composer partnership in cinema history. Their eight films together include such classic thrillers as Vertigo, The Man Who Knew Too Much, North by Northwest, Psycho, and The Birds. In Hitchcock and Herrmann, Steven C. Smith delivers an intimate account of how the reserved, but deeply anxious, Hitchcock found his ideal creative partner in the cantankerous, but deeply romantic, Herrmann.

Beyond the sainted Rembrandt—who harbored a startling darkness—and the mysterious Vermeer, whose true subject, it turned out, was lurking in plain sight, Moser got to know a whole galaxy of geniuses: the doomed virtuoso Carel Fabritius, the anguished wunderkind Jan Lievens, the deaf prodigy Hendrik Avercamp. Year after year, as he tried to make a life for himself in the Netherlands, Moser found friends among these centuries-dead artists. And he found that they, too, were struggling with the same questions that he was.

Jimmy Breslin: The Man Who Told the Truth is the first biography of the legendary writer, vividly portrayed by Richard Esposito, a former colleague of the Big Man. From Breslin's humble beginnings as a copy boy, to winning the 1986 Pulitzer Prize for Commentary, the writer's life was as fascinating as any of his subjects.

In this delightful audio collection, Garrison Keillor reads 14 of his own favorite stories from his many years as a writer for The New Yorker and from two of his best-selling books, Happy To Be Here and We Are Still Married. These selections embody all of the qualities that make Keillor such a beloved storyteller; his effortless blending of humor and poignancy, his keen observations and gentle insights, and his rare ability to bring a sense of truth to every tale he tells.

The night before her father dies, 18-year-old Jeannie Vanasco promises she will write a book for him. But this isn't the book she imagined. The Glass Eye is Jeannie's struggle to honor her father, her larger-than-life hero but also the man who named her after his daughter from a previous marriage, a daughter who died. After his funeral, Jeannie spends the next decade in escalating mania, in and out of hospitals - increasingly obsessed with the other Jeanne. Obsession turns to investigation as Jeannie hunts for clues into the mysterious circumstances of her death.

It's one of the most revered movies of Hollywood's golden era. Starring screen legend Gary Cooper and Grace Kelly in her first significant film role, High Noon was shot on a lean budget over just 32 days but achieved instant box-office and critical success. It won four Academy Awards in 1953, including a best actor win for Cooper. And it became a cultural touchstone, often cited by politicians as a favourite film, celebrating moral fortitude.

We are naturally drawn to smooth, harmonious movement. Both social and physical graces have been taught since the dawn of civilization. Yet grace seems forgotten in our pushy, hectic modern world. Sarah L. Kaufman argues that we bring it back. She celebrates grace in the way bodies move, exploring how to stand, walk, and dress well. She deplores the rarity of grace among public figures and glories in it where found (Beyoncé at a fashion show).

For a time, Nelson Algren was America's most famous author, lauded by the likes of Richard Wright and Ernest Hemingway. Millions bought his books. Algren's third novel, The Man with the Golden Arm, won the first National Book Award, and Frank Sinatra starred in the movie. But despite Algren's talent, he abandoned fiction and fell into obscurity. The cause of his decline was never clear. Some said he drank his talent away; others cited writer's block. The truth, hidden in the pages of his books, is far more complicated and tragic.