Historical Family Saga

Cambridge, 1952. When Ellen Kingsley embarks upon an exciting career in scientific research she soon finds herself caught in a bitter world of rivalry and ambition. Resisting the advances of charismatic Mark Pharaoh, who will stop at nothing in his pursuit of success, she moves to London and falls in love with dashing Alec Hunter. Then a chance encounter introduces Pharaoh to Ellen's old school friend, the captivating India Mayhew, and they embark upon a passionate love affair that leaves destruction in its wake.

Progressing from the 1960s to the turbulent present, the novel begins on the island of O’ahu and centers on Ana, abandoned by her mother as a child. Raised by her extended family on the “lawless” Wai’anae coast, west of Honolulu, Ana, against all odds, becomes a physician. While tending victims of Hurricane ‘Iniki on the neighboring island of Kaua’i, she meets Nikolai, a Russian filmmaker with a violent and tragic past, who can confront reality only through his unique prism of lies. Yet he is dedicated to recording the ecological horrors in his motherland.

In the foothills of the Himalayas, the picturesque mountain village of Poshkarbal is home to lush cherry and apple orchards and a thriving community—one divided by a patrolled border. Aisha and her mother Noorjahan live on the outskirts—two women alone in a world dominated by men. As the village midwife, Noorjahan teaches Aisha how to heal using local herbs and remedies. Isolated but content, Aisha is shocked when Noorjahan decides it is time for her to attend the village school as few girls do.

Nuneaton, 1935. Kathy has grown up at Treetops home for children, where Sunday and Tom Branning have always cared for her as one of their own. She enjoys her life at Treetops Manor, surrounded by her beloved horses, and with a future as a nurse ahead of her, she could wish for nothing more. Her foster sister Livvy is not as driven as Kathy. Sunday is keen to see both her girls married, but Livvy has no intentions of settling down and would much rather spend time with her friends. When Kathy falls for the wrong man, her ambitions are soon forgotten as she embarks on a secret affair.

Phillip Richards puts little value on his life. He avoids close relationships and blames himself for the sexual abuse his sister suffered at the hands of their grandfather. To drown his sorrows and evade his guilt, Phillip drinks too much and engages in dangerous activities. When his father dies, two more life-changing events take place. Phillip meets Edith, a free-spirited poet, with whom he feels an instant connection. He also comes across a manuscript, a stolen narrative that chronicles the Civil War relationship between his ancestor, Russell, and Fever, the slave who became his wife.

‘I can take him away from you any time I want.’ Her mistress’s cruel taunt is deeply disturbing to Jenny Dickens—why would Claudia be interested in a servant’s sweetheart? All the same, Jenny reckons without Claudia’s vicious nature. Using a wily trick, Claudia seduces Frank who, overcome with shame, leaves the household for a new life in Blackburn. Losing Frank is just the first of many disasters that leave Jenny struggling to cope alone.

The Llewelyn family's livelihood largely depends on the ferry, run by Siona Llewelyn, the kindly yet rugged head of the family. The family is large but close knit, held together by their mother Emily—a hard-working woman made old before her time having borne seven sons, and now with child once again. As the boys grow into young men, tensions flare in the family unit, made worse by a web of rivalries and ambitions. When a death shocks the family to its core, it will take the intervention of a special person to remind them of what they have lost.

Spring, 1942. Lizzie is making plans for her wedding with fiancé Bill. But preparations during wartime aren't easy, and attacks on the Yorkshire port of Kelthorpe are only getting worse. Connie wants to be there for her sister, but she has troubles of her own—a secret that is driving a wedge between herself and those who love her. Meanwhile, Pamela faces new complications in her romance with Fred, and the arrival of two new RAF servicemen stirs up trouble.

July, 1914: In their sunlit Hampshire workshop, Alice Dalton mixes paints for the stained-glass artwork she and Edmund are working on, pausing only to joyfully cradle the soft swell of her stomach. But the looming war threatens her hard-won happiness. A knock at the door announces the arrival of Victor, her estranged brother, returning after six long years in America. But her elation at being reunited is short-lived as she realizes he still hasn’t forgiven her for her part in the heartbreak that sent him abroad.

Louise and Ben Hunter's loving marriage is marred only by their unfulfilled longing for a child. Living and working with Ben's father, Ronnie, they are quietly contented. But when Ronnie dies, their whole world changes. Ben's lazy brother, Jacob, returns, convinced he stands to inherit Ronnie's small fortune. And he means to have his brother's wife; though just as she did years before, Louise warns him off. Jacob, however, is not so easily dismissed. When he realises Ben will inherit everything, Jacob is beside himself with rage, and commits a terrible deed.

1931, Cornwall. Lynette Nicholls lost her brother exactly a year ago in a tragic air training accident. When she visits the coastal town where it happened, she begins to doubt everything she's been told about the incident and becomes determined to uncover the truth. Her investigation takes her deep into the community, where she meets Geordie Sargent, the leader of the miner's dispute. When sparks fly between them, and Lynette is drawn into his fight, she risks losing everything.

This is a fact-based novel that is a testament to the love and loyalty of one extraordinary family. Following the highly acclaimed story of the Sokolovskis’ first 70 years in South Africa, From Saratov to San Francisco II begins in Johannesburg the day after the Nationalist Party came to power and ends in the second decade of the 21st century, when democratic South Africa has been devastated by decades of cronyism, corruption, and crime. It encompasses international intrigue, conspiracy, tragedy, and no small amount of personal and professional success.

Sheffield, 1892. Patrick Halliday rules his family with a rod of iron. He’s hard on both his wife and his elder daughter, Flora, but he spoils his youngest, Mary Ellen, because she reminds him of his beloved mother. When Mary Ellen, aged seventeen, finds that she is pregnant, Patrick throws her out of the family home and Flora goes with her. After wandering the Derbyshire countryside for miles, they find shelter on a farm, working for their keep. When Flora must return to her job as a buffer girl in Sheffield’s cutlery trade, she is reunited with her friend, Evelyn Bonsor.

Beautiful Eva Bereton has two close friends: Patsy, whom she looks upon as a sister, and Bill, her childhood sweetheart, now married and living far away. So when a tragic accident turns Eva’s world upside down, Patsy is the only one she can turn to. A hated figure from the past comes to reclaim the farm and business that Eva had always believed belonged to her parents. And not even Bill, still in love with Eva, can stop her being thrown out onto the streets. With no choice but to leave, Eva and Patsy decide to build a new life elsewhere.

1939. The threat of war is looming over Blackpool, but Martha and Trisha are determined not to let it dampen their spirits. With two young evacuees for Martha to take care of, and Trisha's market garden business growing as Britain digs for victory, the friends have their hands full. Both are proud to see their daughters making their own way in the world, even in wartime. Sally has become a ballerina and Bonnie is training to become a doctor. The girls' friendship brings them all happiness and hope. But Martha is troubled by her visions for their daughters' futures.

With the outbreak of War, the fishing fleet is confined to port, bringing hardship to the families and businesses of Fishers Wharf. Ruth Evans awaits the safe return of her father’s last trawler carrying her wayward brother Henry, the future of the family business. But unbeknown to their father, Henry sees war as a chance to break free from the constraints of his privileged background and follow his heart. Much is expected of Ruth. Her marriage to Arthur Marshall will help realise her father’s dream uniting two of the largest trawler companies in Grimsby.

1946: The war might be over but for the Gilby family there are still battles to be fought at home. For Birmingham and the Gilby family the war years have been a time of great change. With husband, Len, having left her for another woman, Ann Gilby is finally free to follow her heart. While the neighbours may be scandalised by having a divorcee in their midst, Ann is determined to rise above the local gossip and make a happy home with her former sweetheart, the father of Ann's youngest child.

When their father loses their family fortune, and their mother locks herself away, sisters Grace and Clementine are left to raise themselves in a grand London house that is slowly falling apart around them. Each of them is determined to one day restore their fortunes and their family name and make a promise to do just that. Clementine dreams of being a star on stage, a celebrated ballerina who will tour the world, earning fame and fortune. She is adamant she won't put her fate into a man's hands but take charge of it herself. Grace, in contrast, sees security in a good marriage.

When Babby's dad is killed in a senseless bar room brawl it changes their family forever. She is sent away only to return home a few years later, unmarried and pregnant. Her mother is incandescent with rage and with Callum - Babby's sweetheart - nowhere to be found, persuades her daughter to go to a Mother and Baby Home. But does Babby have no option but to give her baby up.

It's 1996, and alt-rocker Emma Cantor is on tour, with her sights trained on a record deal. Emma’s got no lack of inspiration for her music — chiefly her mother Judie, a 1960s folk legend whose confessional songs made her an icon before her mysterious withdrawal from the public eye. Emma is baffled by Judie's coldness, and is deeply shaken when she learns a long-kept secret about their family. When Emma uncovers more about her mother's past, she is vaulted to new heights as a performer.