Historical Suspense Women Sleuths

Philippa Watson, a good-natured yet troubled 17-year-old, has just moved to Washington, DC. She’s lonely until she meets Judy Peabody, a brilliant and tempestuous classmate. The girls become unlikely friends and fashion themselves as intellectuals, drawing the notice of Christine Martins, their dazzling English teacher, who enthralls them with her passion for literature and her love of noirish detective fiction. When Philippa returns a novel Miss Martins has lent her, she interrupts a man grappling with her in the shadows.

Arlette Montrose Banfield angered many marriageable women when she snagged the handsome Lewis Banfield - but were they angry enough to poison her? Mrs. Jeffries doesn't mind getting her hands dirty to uncover the greed behind her murder.

The phony war has dragged out past Christmas into a dark and dreary New Year, 1940. In the blackout, someone murdered BBC engineer Frank Kennedy, making him more popular dead than alive. A blackmailer and bully, he sold out his friends, assaulted his Broadcasting House colleagues, and sabotaged his employer. Kennedy was also a government informant against the IRA. Despite arrests of members, the IRA is still planning more attacks against British civilians. Attacks Frank Kennedy might have been involved in.

In this compelling new time-slip mystery, a little girl goes missing from her family’s castle in the Thousand Islands of New York. Eighty-five years later, a journalist teams up with a woman living on Koster Isle to find out what happened to Poppy, once and for all.

Molly Murphy - now Molly Sullivan - is a year into her marriage, expecting her first child, and confined to the life of a housewife. She’s restless and irritable in the enforced idleness of pregnancy and the heat of a New York summer in 1905. So when a trip to the post office brings a letter addressed to her old detective agency asking her to locate a missing Irish serving maid, Molly figures it couldn’t hurt to at least ask around, despite her promise to Daniel to give up her old career as a detective. On the same day, Molly learns that five babies have been kidnapped in the past month.

Molly Murphy Sullivan's husband, Daniel, a police captain in turn-of-the-century New York City, is in a precarious position. The new police commissioner wants him off the force altogether. So when Daniel's offered an assignment from John Wilkie, head of the Secret Service, he's eager to accept. Molly can't draw any details of the assignment out of him, even where he'll be working.

Molly Murphy Sullivan's husband, Daniel, a captain in the New York City police force, is stumped. He's chasing a murderer whose victims have nothing in common - nothing except for the taunting notes that are delivered to Daniel after each murder. And when Daniel receives a note immediately after Molly and her young son, Liam, are in a terrible train crash, Daniel and Molly both begin to fear that maybe Molly herself was the target.

Fiona Mahoney stands in the ashes of her hopes, facing her tempting adversary, Inspector Grayson Croft. Her sins are about to spill from her lips, when he says the one thing that could dispel all thoughts of revelation or redemption. Someone is leaving the corpses on London's cobbled streets, and a name is being whispered in the fearful shadows. The name, against which Fiona would sell her very soul for vengeance: Jack the Ripper. Old enemies and new friends join Fiona, as she chases a relentless evil through the streets of Victorian London.

In 1851, private detective Laetitia Rodd is enjoying a well-earned holiday when she gets an urgent request for her services. Mrs. Rodd’s neighbor Jacob Welland is a reclusive rich gentleman dying of consumption, and he wants Mrs. Rodd to find his brother, who has been missing for 15 years. Joshua Welland was a scholar at Oxford, brilliant, eccentric, and desperately poor when he disappeared from the university. Friends claim to have seen him since, in gypsy camps and wandering around the countryside.

Reporter sleuth Poppy Denby is asked to investigate the mysterious death of an up-and-coming female scientist in an Oxford laboratory known as the Crystal Crypt. The official verdict is that Dr June Leighton died in a tragic accident, but Dr Leighton's lab assistant believes it was murder. However, when Poppy discovers that the colleague has spent time in a mental institution and has an unresolved murder in her own past, Poppy wonders if she is being misled. Then, another female academic is attacked, and Poppy herself becomes a target.

On a cold night in February, the popular Lighterman's ball festivities are cut short when a guest of honor, Stephen Bremmer, goes into spasms and abruptly collapses. Once again Inspector Witherspoon returns to the Wrexley Hotel to investigate a murder. The victim was considered a boorish snob who felt entitled to anything and anyone he wanted. Yet despite his Oxford education, he was barely literate, lazy, and prone to make stupid mistakes - his last mistake turned out to be crossing a killer.

Victorian Era England. Stetson revels in being unconventional. So when society shies away from her independent nature, the bold woman creates an imaginary boss and opens her own detective agency. And her keen observational skills, convincing disguises, and Holmesian methods quickly bring in a string of tough-to-crack cases. Struggling to squeeze a personal life in around a series of hazardous investigations, Stetson worries she'll never find a woman of like-passions. But with her heart set on true love despite the risk, she carries on hunting for the perfect relationship.

When battlefield nurse Bess Crawford returns from France for a well-earned Christmas leave, she finds a bruised and shivering woman huddled in the doorway of her London residence. The woman has nowhere to turn, and propelled by a firm sense of duty, Bess takes her in.

Olivia Denis is a content young wife with a carefree life in late 1930s London. Then her world is shattered with the violent death of her husband, Reggie. The police want to call it a suicide and close the case, but Olivia knows Reggie couldn't possibly have fired the fatal shot. Further mysteries surface surrounding her husband's death. Did the trustworthy Foreign Office employee betray government secrets? Was his murder linked to the death of a German embassy clerk the same night? And who searched their flat?

Inspector Nigel Nivens is not a nice man or a good investigator. In fact, he's terrible at his job and has always done everything he can to make life difficult for Inspector Witherspoon. But even his powerful family can't help him after he maliciously tried to hobble Witherspoon's last homicide investigation. He's been sent to a particularly difficult precinct in the East End of London as penance. When a paid informant is found shot in an alley, Nivens thinks that if he can crack the case, he'll redeem himself and have a much-needed chance at impressing his superiors.

Ghostly images appear and float across the stage, objects levitate into the air, and a beautiful assistant disappears inside a glass box, then reappears inside a second glass box. All while the audience at the Crystal Palace, including amateur investigator Mikaela Forsythe, watch the performance. Is it real? Then, an evening with her friend, Theodora Templeton, attending the one-night performance by master illusionist Jean Luc Betard, takes a ghastly turn and plunges Mikaela headlong into murder when the illusionist's young assistant is found dead at the end of his newest stunt.

World War II rages on across Europe, but Maggie Hope has finally found a moment of rest on the pastoral coast of western Scotland. Home from an undercover mission in Berlin, she settles down to teach at her old spy training camp, and to heal from scars on both her body and heart. Yet instead of enjoying the quieter pace of life, Maggie is quickly drawn into another web of danger and intrigue.

Scotland, 1831. After a tumultuous courtship complicated by three deadly inquiries, Lady Kiera Darby is thrilled to have found both an investigative partner and a fiancé in Sebastian Gage. But with her well-meaning - and very pregnant - sister planning on making their wedding the event of the season, Kiera could use a respite from the impending madness. Commissioned to paint the portrait of Lady Drummond, Kiera is saddened when she recognizes the pain in the baroness' eyes.

It is hardly surprising Verity Lark can’t sleep at night with all the thoughts darting through her mind: her recent stay in Newgate, her debt to Colson Hardwicke, the horrible abuse suffered by the children at Fortescue’s that her reporting on the orphan asylum several years earlier had failed to uncover. And then of course there are the shooting lessons she has promised to give to the Duchess of Kesgrave. Verity has spent three months cruelly mocking the former spinster for her investigative pretensions, and now she is obligated to teach the woman how to fire a deadly weapon.

When cook Kat Holloway and the kitchen staff maintain the empty Mayfair house while the family resides in the country, Lord Clifford, Lady Cynthia’s confidence-trickster father arrives in London and asks Kat and Daniel McAdam for help. Lord Clifford might be accused of murder but won't go to the police because his involvement with the victim will implicate him in another crime.