Horror Studies

Stephen King presents “a fresh adrenaline rush of terror” (People) in this electrifying #1 New York Times bestseller! The new minister came to Harlow, Maine, when Jamie Morton was a boy doing battle with his toy army men on the front lawn. The young Reverend Charles Jacobs and his beautiful...

Brought to you by Penguin. Unleash the dark and delirious with this electrifying anthology of folk horror from some of Britain's most iconic working-class voices A phonograph cylinder that plays on a loop for eternity, casting out ghostly spectres of violence; a centuries-old stew made of...

A novella set in the hard-scrabble world of James S. A. Corey's NYT-bestselling Expanse series, The Vital Abyss is the secret history of the cataclysmic events that occurred on Eros station, and the revelation of what came after. . . Now a Prime Original series. HUGO AWARD WINNER FOR BEST SERIES...

The New York Times and USA TODAY bestseller about a group of college students encountering supernatural terror while on a road trip through Appalachia—an unforgettable, chilling novel that is “scary and hard to put down. You might be advised not to read it at night” (Stephen King). 1983...

Ever since horror leapt from popular fiction to the silver screen in the late 1890s, viewers have experienced fear and pleasure in exquisite combination. Wheeler Winston Dixon's A History of Horror is the only book to offer a comprehensive survey of this ever-popular film genre. Arranged by decades, with outliers and franchise films overlapping some years, this one-stop sourcebook unearths the historical origins of characters such as Dracula, Frankenstein, and the Wolfman and their various incarnations in film from the silent era to comedic sequels.

The Horror Writer covers how to connect with your market and carve out a sustainable niche in the independent horror genre, how to tackle the writer's ever-lurking nemesis of productivity, writing good horror stories with powerful, effective scenes, realistic, flowing dialogue and relatable characters without resorting to clichéd jump scares and well-worn gimmicks. Also covered is the delicate subject of handling rejection with good grace, and how to use those inevitable "not quite the right fit for us at this time" letters as an opportunity to hone your craft.

Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart—the eccentric'—the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play.

In this provocative and thought-provoking essay, Arthur Schopenhauer offers a penetrating critique of organised religion, examining its influence on society, morality, and human thought. With characteristic candor and philosophical rigour, he challenges unquestioned beliefs, explores the tension between faith and reason, and encourages readers to confront difficult questions about truth, superstition, and the nature of existence.

On December 26, 1973, The Exorcist was released. Within days it had become legend. Moviegoers braved hours-long lines in winter weather to see it. Some audience members famously fainted or vomited. Half a century later, the movie that both inspired and transcends the modern horror genre has lost none of its power to terrify and unsettle. The Exorcist Legacy reveals the complete story of this cultural phenomenon, from the real-life exorcism in 1949 Maryland that inspired William Peter Blatty's bestselling novel on which the movie is based, to its many sequels, prequels, TV series, and homages.

In the early 20th century, World War I was the most devastating event humanity had yet experienced. New machines of war left tens of millions killed or wounded in the most grotesque of ways. The Great War remade the world's map, created new global powers, and brought forth some of the biggest problems still facing us today. But it also birthed a new art form: the horror film, made from the fears of a generation ruined by war. From Nosferatu to Frankenstein's monster and the Wolf Man, the touchstones of horror can all trace their roots to the bloodshed of the First World War.

After being stranded in the remote Alps of Europe, a shipwrecked crew of knights are stalked by both human and monstrous threats in this medieval horror that’s perfect for fans of The Terror and Between Two Fires. There are strange things in the mountains, my lord. Things older and darker than...

Few events have sparked more legends and stories of the supernatural than America's Civil War. The accounts of gallantry and heroism have spread far and wide. Nancy Roberts grew up listening to her father's stories of the War Between the States, and she trekked over many battle sites with him during her childhood. After reading about General Joshua Chamberlain's supernatural experience at the Battle of Gettysburg, Roberts began to collect tales of the blue and gray and write them down.

A mysterious circus terrifies an audience for one extraordinary performance before disappearing into the night, taking one of the spectators along with it . . . In a novella set two years after the events of American Gods, Shadow pays a visit to an ancient Scottish mansion, and finds himself...

Brought to you by Penguin. A deliciously dark collection of love stories to sink your teeth into, from the prizewinning author of NOW SHE IS WITCH Can 'no' be a declaration of love? What happens when love is savage, dangerous and all-consuming? In this gorgeous and unsettling collection, women...

This annotated edition of the classic Gothic novel, Frankenstein, by Mary Shelly includes an historical introduction, an overview, study of the themes present in the book, and a list of famous quotes.

Between 1925-27, H.P. Lovecraft wrote Supernatural Horror in Literature, an extended essay about about the history of the weird tale. In it he describes supernatural horror from its earliest manifestations up to the 1920s. Lovecraft offers his own candid opinions on the merits (and deficiencies) of the world's canon of strange literature. The H.P. Lovecraft Historical Society recorded the essay as an audiobook. Read by society founders Sean Branney and Andrew Leman, the recording is approximately three hours long.

Despite the high number of programs and their evident popularity, paranormal reality television has to date received little critical attention. Ghost Channels provides an overview of the paranormal reality television genre, its development, and its place in television history. Conducting in-depth analyses of over thirty paranormal television series, author Amy Lawrence suggests these programs reveal much about Americans' contemporary fears. 

Brought to you by Penguin. From the moment Dr J. Doyle takes lodgings in Baker Street with the angel Crow, he becomes intimately acquainted with the supernatural and criminal worlds of London. But living with a rogue angel is not so easy; the pair find themselves drawn into mystery after mystery...

On the table of psychiatrist Robert Cavendish lay a strange set of papers, claimed to be the journal of the infamous Whitechapel murderer whose crimes instilled terror on the streets of Victorian London. Delving deeper into the journal, Robert is convinced of its authenticity, and finds that the words of the Ripper have a strange and compelling effect on him. Unable to cast the pages aside, he is drawn into the dark, sinister world of Jack the Ripper. Robert is about to find out just how thin the line between sanity and madness really is. But can he distinguish fact from fantasy?

The last thing Jess wants to do is watch the film that ended her mother’s career — and her life. Once a beloved ’90s scream queen, Rachel Watson’s final role in The Scream Queen’s Reckoning became notorious after she died on set, going into premature labour, and the planned third film in the series was scrapped. But when the University Film Society chooses the cursed cult classic for its Hallowe’en screening, Jess has no choice but to sit alone in the crumbling campus theatre’s projection booth — she’s the only one who knows how to operate the equipment.