Indigenous Fiction

1657. Marie, a gifted healer of the Deer Clan, does not want to marry the green-eyed soldier from France who has asked for her hand. But her people are threatened by disease and starvation and need help against the Iroquois and their English allies if they are to survive. When her chief begs her to accept the white man’s proposal, she cannot refuse him, and sheds her deerskin tunic for a borrowed blue wedding dress to become Pierre’s bride.

Haunted by the loss of her cousin, Delilah has curated a world of revenge—playing judge, jury and executioner while, you know, searching for love. Maybe murdering gives her the control she craves. Maybe it fills the gaping hole that Cedar left when she disappeared. Maybe this rage is ancestral, dating back to all of the Indigenous women before her whose cases were closed without much of a search.

In Asalin, fae rule and witches like Wyatt Croft…don't. Wyatt's betrothal to his best friend, fae prince Emyr North, was supposed to change that. But when Wyatt lost control of his magic one devastating night, he fled to the human world. Now a distant Emyr has hunted him down. Despite transgender Wyatt's newfound identity and troubling past, Emyr has no intention of dissolving their engagement. In fact, he claims they must marry now or risk losing the throne. Jaded, Wyatt strikes a deal with the enemy. But as he gets to know Emyr, Wyatt realizes the boy he once loved may still exist.

Alma Katsu calls My Heart Is a Chainsaw “a homage to slasher films that also manages to defy and transcend genre.” On the surface is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life.

The final novel from Richard Wagamese, the best-selling and beloved author of Indian Horse and Medicine Walk, centres on an abused woman on the run who finds refuge on a farm owned by an Indigenous man with wounds of his own. A profoundly moving novel about the redemptive power of love, mercy, and compassion - and the land's ability to heal us.

Quill has lived on the Red Pine reservation in Minnesota her whole life. She knows what happens to women who look like her. Just a girl when Jimmy Sky jumped off the railway bridge and she ran for help, Quill realizes now that she’s never stopped running. As she trains for the Boston Marathon early one morning in the woods, she hears a scream. When she returns to search the area, all she finds are tire tracks and a single beaded earring.

It is winter, north of the Arctic Circle. A few hours of pale light is all the sun has to offer before the landscape is once more enveloped in complete darkness. This is Sápmi, land of the Sámi, Scandinavia’s Indigenous people. Nine-year-old Elsa is the daughter of Sámi reindeer herders. Her community is under constant threat. One morning, when Elsa goes skiing alone, she witnesses a man brutally killing her beloved reindeer calf. Elsa is terrified by what she sees. Fearing for her own life and for the lives of her family members, she remains silent.

A tour-de-force debut novel about a Two-Spirit Indigiqueer young man and proud NDN glitter princess who must reckon with his past when he returns home to his reserve. “You're gonna need a rock and a whole lotta medicine” is a mantra that Jonny Appleseed, a young Two-Spirit/Indigiqueer, repeats to himself in this vivid and utterly compelling debut novel by poet Joshua Whitehead.

On the surface, Alice is exactly where she should be. She's just given birth to a beautiful baby girl, Dawn; her charming husband, Steve, is nothing but supportive; and they've recently moved to a wealthy neighborhood in Toronto. And yet, Alice feels like an imposter. She isn't connecting with Dawn, a struggle made even more difficult by the recent loss of her mother, and every waking moment is spent hiding her despair from her watchful white neighbors.

Reimagining James Fenimore Cooper’s nineteenth-century text The Last of the Mohicans from the contemporary perspective of an urban Nisga’a person whose relationship to land and traditional knowledge was severed by colonial violence, Jordan Abel explores what it means to be Indigenous without access to familial territory and complicates popular understandings about Indigenous storytelling.

These days, Tre Brun is happiest when he is playing basketball on the Red Lake Reservation high school team—even though he can’t help but be constantly gut-punched with memories of his big brother, Jaxon, who died in an accident. When Jaxon's former teammates on the varsity team offer to take Tre under their wing, he sees this as his shot to represent his Ojibwe rez all the way to their first state championship. This is the first step toward his dream of playing in the NBA, no matter how much the odds are stacked against him.

Four years after her tumultuous senior year, Jade Daniels is released from prison right before Christmas when her conviction is overturned. But life beyond bars takes a dangerous turn as soon as she returns to Proofrock. Convicted Serial Killer, Dark Mill South, seeking revenge for thirty-eight Dakota men hanged in 1862, escapes from his prison transfer due to a blizzard, just outside of Proofrock, Idaho.

Carlos Castaneda takes the listener into the very heart of sorcery, challenging both imagination and reason, shaking the very foundations of our belief in what is “natural” and “logical”. His landscape is full of terrors and mysterious forces, as sharply etched as a flash of lightning on the deserts and mountains where don Juan takes him to pursue the sorcerer’s knowledge - the knowledge that it is the Eagle that gives us, at our births, a spark of awareness, that it expects to reclaim at the end of our lives and which the sorcerer, through his discipline, fights to retain.

All Jared Martin had ever wanted was to be normal, which was already hard enough when he had to cope with Maggie, his hard-partying, gun-toting, literal witch of a mother, Indigenous teen life and his own addictions. When he wakes up naked, dangerously dehydrated and confused in the basement of his mom's old house in Kitimat, some of the people he loves - the ones who don't see the magic he attracts - just think he fell off the wagon after a tough year of sobriety. The truth for Jared is so much worse.

From the author of the YA-crossover hit The Marrow Thieves, a propulsive, stunning and sensuous novel inspired by the traditional Métis story of the Rogarou - a werewolf-like creature that haunts the roads and woods of Métis communities. A messed-up, grown-up "Little Red Riding Hood".

She was named Omakakiins, or Little Frog, because her first step was a hop. Omakakiins and her family live on an island in Lake Superior. Though there are growing numbers of white people encroaching on their land, life continues much as it always has. But the satisfying rhythms of their life are shattered when a visitor comes to their lodge one winter night, bringing with him an invisible enemy that will change things forever—but that will eventually lead Omakakiins to discover her calling.

Mink is a witness, a shape shifter, compelled to follow the story that has ensnared Celia and her village, on the West coast of Vancouver Island in Nuu’Chahlnuth territory. Celia is a seer who—despite being convinced she’s a little “off”—must heal her village with the assistance of her sister, her mother and father, and her nephews. While mink is visiting, a double-headed sea serpent falls off the house front during a fierce storm. The old snake, ostracized from the village decades earlier, has left his terrible influence on Amos, a residential school survivor.

Approached by an ecumenical society representing many faiths, from Judeo-Christians to fellow members of First Nations, Harold R. Johnson agreed to host a group who wanted to hear him speak about the power of storytelling. This book is the outcome of that gathering. In The Power of Story, Johnson explains the role of storytelling in every aspect of human life, from personal identity to history and the social contracts that structure our societies, and illustrates how we can direct its potential to re-create and reform not only our own lives, but the life we share.

Devastated by the loss of her older brother to cancer, Bugz returns to the place where she can always find solace and strength: the Floraverse. Over the past year, she has regained her position of power in that virtual world, and while the remaining Clan:LESS members still plot against her, she is easily able to overcome their attacks. Even better, she's been secretly working on a bot that will be both an incredible weapon and a source of comfort: Waawaate.

One Good Story, That One is a collection steeped in native oral tradition and shot through with Thomas King's special brand of wit and comic imagination. These highly acclaimed stories conjure up Native and Judeo-Christian myths, present-day pop culture, and literature while mixing in just the right amount of perception and experience.