Indigenous Native American

Buck, government name Michael Fineday, Ojibwe name Miskwa’ doden (Red Deer), is on the brink of suicide. He has just been served divorce papers by his wife, Naomi, who is fed up with his savior complex and the danger it often attracts to their door. Living on the border of Shakopee Mdewakanton Sioux Community reservation, Buck makes a living as a boatbuilder and carpenter. He spends his days alone, trying to win the trust of a feral cat … until a semi-feral girl shows up, fascinated by the canoe Buck is building.

First Nations peoples and Native Americans in North America have long believed in the power of spirit animals or totems. They believed that these animals had lessons to teach and healing or inspirational powers. Wayne Arthurson delves into the world of spirit animals and shows the meanings of these animals to Native peoples and how nature has made its mark on their world.

For decades, the singular and provocative paintings by Cree artist Kent Monkman have featured a recurring character—an alter ego of sorts, a shape-shifting, time-travelling elemental being named Miss Chief Eagle Testickle. Though we have glimpsed her across the years, and on countless canvases, it is finally time to hear her story, in her own words. And, in doing so, to hear the whole history of Turtle Island anew.

Flight is the hilarious and tragic story of an orphaned Indian boy - "Zits" - who travels back and forth through time in a charged search for his true identity. With powerful, swift prose, Flight follows the troubled teenager as he learns that violence is not the answer.

Shortly before he died, Plenty Coups, the last great Chief of the Crow Nation, told his story - up to a certain point. "When the buffalo went away the hearts of my people fell to the ground", he said, "and they could not lift them up again. After this nothing happened." It is precisely this point - that of a people faced with the end of their way of life - that prompts the philosophical and ethical inquiry pursued in Radical Hope. In Jonathan Lear's view, Plenty Coups' story raises a profound ethical question that transcends his time and challenges us all.

Missing and Murdered Indigenous Women and Girls is relevant in the news today, rightfully so with the staggering statistics of racism, indifference, and the lack of historical pursuit for justice. This novella is fictionalized accounts of what our Native American women and girls lived through and died by the hands of assailants of all backgrounds that think indigenous women are invisible.

Despite what major media sources say, violence against Native women is not an epidemic. An epidemic is biological and blameless. Violence against Native women is historical and political, bounded by oppression and colonial violence. This book, like all of Sarah Deer's work, is aimed at engaging the problem head-on - and ending it. The Beginning and End of Rape collects and expands the powerful writings in which Deer has advocated for cultural and legal reforms to protect Native women from endemic sexual violence and abuse.

The tragedy of our Indian policies demands reexamination immediately - not only because they make the lives of millions of American citizens harder and more dangerous - but also because they represent a microcosm of everything that has gone wrong with modern liberalism. They are the result of decades of politicians and bureaucrats showering a victimized people with money and cultural sensitivity instead of what they truly need-the education, the legal protections, and the autonomy to improve their own situation.

Part manifesto, part memoir, This Wound Is a World is an invitation to “cut a hole in the sky / to world inside”. Belcourt issues a call to turn to love and sex to understand how Indigenous peoples shoulder their sadness and pain without giving up on the future. His poems upset genre and play with form, scavenging for a decolonial kind of heaven where “everyone is at least a little gay”.

Settler capitalism has been so effective that the very identities of Indigenous people have been usurped, misconstrued, and weaponized. In Who Gets to Be Indian?, scholar and writer Dina Gilio-Whitaker (Colville Confederated Tribes) explores how ethnic fraud and the commodification of Indianness has resulted in mass confusion about what it means to be Indigenous in the United States.

Long before the indigenous people of southeastern North America first encountered Europeans and Africans, they established communities with clear social and political hierarchies and rich cultural traditions. Award-winning historian Gregory D. Smithers brings this world to life in Native Southerners, a sweeping narrative of American Indian history in the Southeast from the time before European colonialism to the Trail of Tears and beyond.

Learning about the 1,800-mile journey made by Chief Joseph and 800 Nez Perce men, women, and children from their homelands in what is now eastern Oregon to Montana is essential to understand who we are as a nation. There, only 40 miles from the Canadian border and freedom, Chief Joseph, convinced that the wounded and elders could go no farther, walked across the snowy battlefield, handed his rifle to the US military commander who had been pursuing them, and spoke his now-famous words, "From where the sun now stands, I will fight no more forever."

Blackfoot storyteller Alex Soop plunges us into a shocking well of imagination in this collection of short stories, Midnight Storm Moonless Sky. From hauntings on the Highway of Tears to fearful gatherings of ghosts and the sorrows of racism, Soop combines the social anxieties of Indigenous life with spellbinding flights and frights of speculative fiction. Through these enthralling stories of reality mixed with terror, listeners get a wicked glimpse into the genre of Indigenous horror.

Unflinchingly honest about the brutality of this nation’s founding and its legacy of settler-colonialism and genocide, the impact of Roxanne Dunbar-Ortiz’s 2014 book is profound. This classic is revisited with new material that takes an incisive look at the post-Obama era from the war in Afghanistan to Charlottesville’s white supremacy-fueled rallies, and from the onset of the pandemic to the election of President Biden.

The autobiography of Ma-Ka-Tai-Me-She-Kia-Kiak (Black Hawk’s birth name), first published in 1833, is the autobiography of the Native American Sauk leader Black Hawk. During his time in custody following clashes with European-American settlers on ceded tribal land, Black Hawk told his story to an interpreter and journalist. This story, what would become Life of Black Hawk, went on to become the first Native American autobiography and an instant best seller. Black Hawk not only traces his own history, but that of his people, and much more.

A controversial figure in his day, Black Hawk was the leader of the Sauk American Indian tribe in the early 1800s. The son of the tribe’s medicine man, Black Hawk’s exploits as a warrior aided his rise to the status of tribal war leader. Here, Black Hawk chronicles his life as well as the story of his tribe, who were forced from their lands in Illinois during a series of skirmishes with American settlers in what came to be known as the Black Hawk War.

Steven Charleston's The Four Vision Quests of Jesus focuses on four specific experiences of Jesus as portrayed in the synoptic gospels. It examines each story as a “vision quest,” a universal spiritual phenomenon, but one of particular importance within North American indigenous communities.

This is a combo book with various topics represented. The Native American tribes are the center of this book’s focus. The tribes are: Apache, Cherokee, Comanche, Eskimo, Pawnee, and Sioux. You will learn about various historical happenings that shaped the future of the these tribes and their destination.

The words of the individuals included in this book offer just a glimpse of the results of the effort of one group of people to educate people who were in many cases not seeking the knowledge being offered. These are tales of lessons learned, languages lost, traditions replaced, & charity corrupted.

In Voices from Hudson Bay Cree elders recall the daily lives and experiences of the men and women who lived and worked at the Hudson’s Bay Company post at York Factory in Manitoba. Their stories, their memories of family, community, and daily life, define their past and provide insights into a way of life that has largely disappeared in northern Canada. The era the elders describe, from the end of World War I to the closing of York Factory in 1957, saw dramatic changes—both positive and negative—to Indigenous life in the North.