Latin Magical Realism

In the hottest hour of the hottest day of the year, a fateful wind blows into Oaxaca City. It whistles down cobbled streets and rustles the jacaranda trees before slipping into the window of an 11-year-old girl named Clara. Unbeknownst to her, Clara has been marked for la Lotería. Life and Death deal the Lotería cards but once a year, and the stakes could not be higher. Every card reveals a new twist in Clara’s fate - a scorpion, an arrow, a blood-red rose. If Life wins, Clara will live to a ripe old age. If Death prevails, she’ll flicker out like a candle.

García Márquez construyó, en El otoño del patriarca, una maquinaria narrativa perfecta que desgrana una historia universal -la agonía y muerte de un dictador- en forma cíclica, experimental y real al mismo tiempo, en seis bloques narrativos sin diálogos, sin puntos y aparte, repitiendo una anécdota siempre igual y siempre distinta, acumulando hechos y descripciones deslumbrantes.

This magical realist short tale was inspired by the Latin American myth of El Sombrerón, the nighttime guardian of peace and justice. El Sombrerón arrives in a sleepy town to find that a young girl has stolen a golden necklace. El Sombrerón must convince the girl to return the necklace so she can avoid El Sombrerón’s justice…and before the sun rises.

El intenso relato del regreso clandestino del director de cine Miguel Littín a Chile, su patria.

Anthropologist Calliope Santiago awakens to find herself in a strange and sinister wasteland, a shadow of the New Mexico she knew. Empty vehicles litter the road. Everyone has disappeared - or almost everyone. Calliope, heavy-bellied with the twins she carries inside her, must make her way across this dangerous landscape with a group of fellow survivors in search of answers. Long-dead volcanoes erupt, the ground rattles and splits, and monsters come to ominous life. Calliope will be forced to reconcile the geological record with the heritage she once denied.

Una saga familiare del XX secolo in cui si rispecchiano la storia e il destino di tutto un popolo. Un grande affresco che per fascino ed emozione può ricordare al lettore, nell'ambito della letteratura sudamericana, soltanto "Cent'anni di solitudine" di García Márquez.

DESPRE AUDIOBOOK. Pașii pierduți e un roman magistral al literaturii hispano-americane și, după părerea unor critici, cel mai important din creația lui Alejo Carpentier, reprezentând o ilustrare perfectă a teoriei sale despre "realul miraculos”. Publicat în 1953, romanul a inaugurat perioada de plenitudine creatoare a scriitorului.

Solitario Cisneros thought his life was over long ago. He lost his wife, his family, even his country in the late 1870s when the Rio Grande shifted course, stranding the Mexican town of Olvido on the Texas side of the border. He’d made his brooding peace with retiring his gun and badge, hiding out on his ranch, and communing with horses and ghosts.

Anaïs Echeverría left Peru, the country where she grew up, many years ago. She has built a new life for herself in London: engaged and pregnant, she dares to believe that she has left the ghosts of her family's past behind. But now she must return to Lima to sell her ancestral home, the notorious yellow house that looms over the sprawling city below. Concealed within its walls are spectres from the past that demand her attention, remnants of the injustices on which both her country and her house were built.

Río Salado es una población pesquera que muere lentamente y dentro de ella sus pobladores que se han acostumbrado tanto al lugar, que carecen del ánimo necesario para traspasar los cerros, cruzar el desierto y alejarse de ese sitio en el que muchas mujeres son seducidas, anualmente, por pescadores japoneses que las enamoran, las embarazan y las ilusionan con volver. Solo les dejan como recuerdo y recompensa bolsitas de perlas que muy pronto pierden valor porque en cada casa hay una de ellas.

Emilia and Gregorio spent their childhood following their grandmother through the mountains of central México, gathering the ingredients she used for curandera work and learning about the supernatural world. When she passes away, the siblings are left alone. So they scrape together their money and pay coyotes to smuggle them to their father in the United States. The siblings are exhausted before they even reach the border, where the coyotes seize Emilia for their own harsh ends.

Hugo Contreras’s world in Miami has shrunk. Since his wife died, Hugo’s debt from her medical bills has become insurmountable. He shuffles between his efficiency apartment, La Carreta (his favorite place for a cafecito), and a botanica in a strip mall where he works as the resident babaláwo.

El protagonista y narrador de esta novela va en busca de la cita definitiva con la lady en forma de polvo blanco, y para ello emprende un viaje al final de la noche en el que se sucederán encuentros con personajes inquietantes, con los fantasmas de los amigos muertos por el camino, con los recuerdos de la gran ciudad que ha dejado atrás y con su propio pasado.

Abrán González always knew he was different. Called a coyote because of his fair skin, the kid from Barelas found escape through boxing and became one of the youngest Golden Gloves champs. But the arrival of a letter from a dying woman turns his entire life into a lie. The revelation that he was adopted makes him feel like an orphan and sends him on a quest to find his birth father.

In this visionary novel framed as a hagiography, the ruminative, subjective memories of Gabriel’s witnesses - spiritual, familial, romantic, and political - converge to make sense of the man’s confounding works and message. As they do, a surprising portrait develops...not only of the deepening mystery of Gabriel Romero himself but also of a country in conflict and the faith it takes to fight the suspicion and fear that divide us.

A parallel universe. South Texas. Narcotics are legal, and there’s a new contraband on the market: ancient Olmec artifacts, shrunken indigenous heads, and filtered animals - species of animals brought back from extinction to clothe, feed, and generally amuse the very wealthy. Esteban Bellacosa has lived in the border town of MacArthur long enough to know to keep quiet. But his simple life starts to get complicated when the swashbuckling investigative journalist Paco Herbert invites him to come to an illegal underground dinner serving filtered animals.

Dans un village des Caraïbes, la légende d'un trésor disparu vient bouleverser l'existence de la famille Otero. À la recherche du butin du capitaine Henry Morgan, dont le navire aurait échoué dans les environs trois cents ans plus tôt, les explorateurs se succèdent. Tous, dont l'ambitieux Severo Bracamonte, vont croiser le chemin de Serena Otero, l'héritière de la plantation de cannes à sucre qui rêve à d'autres horizons.

En la cárcel de Santiago de Compostela, en el verano de 1936, un pintor dibuja el Pórtico de la Gloria con un lápiz de carpintero. Los rostros de los profetas y de los ancianos de la Orquesta del Apocalipsis son los de sus compañeros republicanos de presidio. Un guardián, su futuro asesino, lo observa fascinado... La historia de ese lápiz, conductor de memorias, portador de almas, continuará hasta nuestros días.

No es una novela. Es una "nivola", según su autor. Nuevo género creado por Unamuno, no tuvo mucho arraigo, pero aún así Niebla es una de las obras de ficción más importantes del escritor vasco. El libro aborda la inseguridad del hombre moderno que se preocupa por su destino y su mortalidad. El título está cargado de significado, dado que el libro difumina la línea entre la ficción y la realidad. También son nebulosas las descripciones físicas de los personajes y lugares, y hasta pone en duda la naturaleza de la existencia humana.

On a hot, insomniac night at the Hotel Metropol, the novelist Carlos Fuentes steps onto his balcony only to find another man on the balcony next door. The other man asks for news of the social strife turning into revolution in the unnamed city below them. He reveals himself as the 19th century philosopher Friedrich Nietzsche, permitted to revisit Earth once a year for 24 hours based on his theory of eternal return.