Latin Women

Structured as a series of one-sided phone calls from our spunky, sarcastic narrator, Luciana, to her older sister, Mari, this wildly inventive debut “jump-starts your heart in the same way it piques your ear” (Xochitl Gonzalez). As the baby of her large Colombian American family, Luciana is usually relegated to the sidelines. But now she finds herself as the only voice of reason in the face of an unexpected crisis: A hurricane is heading straight for Miami, and her eccentric grandmother, Abue, is refusing to evacuate.

When Ollie Sweet is very publicly dumped by ‘The One’, his seemingly perfect world dissolves into misery, self-pity, and a bizarre rooftop meeting with a suicidal man in flip-flops. While most would seek out the support of loved ones at such a torrid time, natural-born journalist Ollie asks the subscribers of his website: how did they get over their failed relationships? When Ollie follows some of their more extreme advice, chaos inevitably ensues.

When Cara stumbles across a stash of old postcards in the attic, their contents make her question everything she thought she knew. The story she pieces together is confusing and unsettling, and appears to have been patched over with lies. But who can tell her the truth? With her father sinking into Alzheimer’s and her brother reluctant to help, it seems Cara will never find the answers to her questions. One thing is clear, though: someone knows more than they’re letting on.

1984. Bessie is a confident sixteen-year-old girl with the world at her feet, dreaming of what life will bring and what she’ll bring to this life. Then everything comes crashing down. Her bright and trusting smile is lost, banished by shame - and a secret she’ll carry with her for the rest of her life. 2021. The last thirty-seven years have not been easy for Bess. At fifty-three she is visibly weary, and her marriage to Mario is in tatters. Watching her son in newlywed bliss - the hope, the trust, the joy - Bess knows it is time to face her own demons.

Unlock the secrets of enchanting Latina women through the power of texting in Spanish with this comprehensive guide. Do your messages often fall flat, leaving you feeling uninspired? This book embarks on a journey to transform your romantic communication, delving beyond basic pick-up lines and canned responses to truly grasp the psychology of communication.

You’ve heard of Pablo Escobar, Joaquin “El Chapo” Guzman, and Rafael Caro Quintero. Their names conjure ghoulish images of bloody streets, white powder, bundles of weed, and a particular flavor of machismo unique to ruthless druglords. But what of the drugladies, las narcas? For the first time, investigative reporter Deborah Bonello takes you behind the curtain to introduce the women at the helm of organized crime south of the US-Mexico border.

As the fact checker for a popular magazine, Gabby DiMarco believes in absolute, verifiable Truths—until they throw the facts of her own life into question. The genealogy test she took as research for an article has yielded a baffling result: Gabby has a sister—one who’s been desperately trying to find her. Except, as Gabby’s beloved parents would confirm if they were still alive, that’s impossible.

Lo mucho que te amé es la nueva novela de Eduardo Sacheri. Una historia que nos lleva a la década del 50 en Buenos Aires, en el seno de una familia de origen español. Cuenta la historia de Ofelia, una de las cuatro hermanas Fernández Mollé, una muchacha formal, feliz, a punto de casarse. Pero una tarde su vida cambia abruptamente para convertirse en una maraña de sentimientos encontrados: delicia, inquietud, felicidad, incertidumbre, miedo y mucha culpa.

Memory Mambo describes the life of Juani Casas, a 25-year-old Cuban-born American lesbian who manages her family's laundromat in Chicago while trying to cope with family, work, love, sex, and the weirdness of North American culture. Achy Obejas's writing is sharp and mordantly funny. She understands perfectly how the romance of exile - from a homeland as well as from heterosexuality - and the mundane reality of everyday life balance each other.

Professional ballerina Ailsa MacIntyre is at the peak of her career when her world is shattered by a shocking diagnosis. Life-saving surgery leaves her with a fractured memory, little recollection of her husband, Evan, and none of her career as a principal dancer. While recuperating at home, Ailsa hears beautiful music coming from the apartment upstairs, and the sound of the grand piano at the hands of a talented new neighbor sparks her muscle memory. As her recovery progresses, the broken pieces of her past gradually re-emerge, a picture not quite what Evan would have her remember.

Margaret of Anjou, queen of England, cannot give up on her husband - even when he slips into insanity. And as mother to the House of Lancaster's last hope, she cannot give up on her son - even when England turns against them. This gripping tale of a queen forced to stand strong in the face of overwhelming odds is, at its heart, a tender tale of love. Award-winning author Susan Higginbotham will once again ask listeners to question everything they know about right and wrong, compassion and hope, duty to one's country, and the desire of one's own heart.

Las mujeres latinas son especiales por su energía, belleza, fuerza, pasión, conexión con sus raíces y tradiciones, capacidad de amar incondicionalmente, lucha por sus sueños, valentía, determinación, resiliencia, alegría, creatividad, calor humano, luz, conexión con la naturaleza y sabiduría ancestral. Son un tesoro invaluable que enriquece la vida de quienes las rodean.

In Tome, a small, seemingly sleepy New Mexico hamlet, Sofia and her four fated daughters reveal a world of marvels where the comic and horrific, past and present, real and fantastic coexist and collide. Over two crowded decades, Sofia tries to hold things together following the disappearance of her husband, Domingo, he of the Clark Gable mustache and the uncontrollable gambling habit. Adventurous Esperanza, Chicana campus radical turned television news reporter, travels farthest from home only to be reeled back in spirit.

At eighteen, Soledad couldn't get away fast enough from her contentious family with their endless tragedies and petty fights. Two years later, she's an art student at Cooper Union with a gallery job and a hip East Village walk-up. But when Tia Gorda calls with the news that Soledad's mother has lapsed into an emotional coma, she insists that Soledad's return is the only cure. Fighting the memories of open hydrants, leering men, and slick-skinned teen girls with raunchy mouths and snapping gum, Soledad moves home to West 164th Street.

Esmeralda Santiago reminisces about her childhood in Puerto Rico and her early years in Brooklyn as the oldest of seven (soon to be 11) children. Her upbringing is turbulent on account of her parents’ relentless fighting, which only ever seems to stop when they have another baby. When her youngest brother has an accident, her mother decides to move to New York with her children to seek medical treatment. Arriving in the United States, 13-year-old Santiago experiences uprooting and a loss of identity while she tries to adapt to a culture and language that are foreign to her.

Linda, an anxious and restless American, has moved to São Paulo, with her husband, Dennis, who has accepted a yearlong professorship. As Dennis submerges himself in his work, Linda finds herself unmoored and adrift, feeling increasingly disassociated from her own body. Linda’s unwavering and skilled maid, Marta, has more claim to Linda’s home than Linda can fathom. Marta, who is struggling to make sense of complicated history and its racial tensions, is exasperated by Linda’s instability.

Euridice is bright and ambitious. But this is Brazil in the 1940s, and society expects her to be a loving wife and mother. While Antenor is busy congratulating himself on his excellent catch, Euridice spends her spends her humdrum days ironing his shirts and removing the lumps of onion from his food, dreaming of the success she could have made of herself - as a writer, dressmaker or culinary whiz - in another life.

Una saga familiare del XX secolo in cui si rispecchiano la storia e il destino di tutto un popolo. Un grande affresco che per fascino ed emozione può ricordare al lettore, nell'ambito della letteratura sudamericana, soltanto "Cent'anni di solitudine" di García Márquez.

En este libro, Catalina Ruiz-Navarro, una de las voces más destacadas de este movimiento en Latinoamérica, recorre, a partir de un testimonio profundamente honesto y agudo, un camino que aborda el cuerpo, el poder, la violencia, el sexo, la lucha activista y el amor. A su vez, once heroínas, entre las que se cuentan María Cano, Flora Tristán, Hermila Galindo y Violeta Parra, bellamente retratadas por Luisa Castellanos, alzan la voz y evidencian que hablar de feminismos es necesario, es importante, es la resistencia.

In 1809, at the age of 18, Henriette Faber enrolled herself in medical school in Paris - and since medicine was a profession prohibited to women, she changed her name to Henri in order to matriculate. She would spend the next 15 years practicing medicine and living as a man. Drafted to serve as a surgeon in Napoleon's army, Faber endured the horrors of the 1812 retreat across Russia. She later embarked to the Caribbean and set up a medical practice in a remote Cuban village, where she married Juana de León, an impoverished local.