Literary Horror

Wuthering Heights is Emily Bronte's only novel. Written between October 1845 and June 1846, Wuthering Heights was published in 1847 under the pseudonym "Ellis Bell"; Bronte died the following year, aged 30. Wuthering Heights and Anne Bronte's Agnes Grey were accepted by publisher Thomas Newby before the success of their sister Charlotte's novel, Jane Eyre.

Victor Frankenstein learns how to create life and creates a being in the likeness of man, but larger and more powerful than the average man. Frankenstein rejects the creature, and lives to regret his desire to create life, after it kills his brother William. Frankenstein is a warning against the "over-reaching" of modern man and the Industrial Revolution, alluded to in the novel's subtitle, The Modern Prometheus.

While on routine patrol in the tinder-dry Topanga Canyon, environmental scientist Rafael Salazar expects to find animal poachers, not a dilapidated antique steamer trunk. Inside the peculiar case, he discovers a journal, written by the renowned Robert Louis Stevenson, which divulges ominous particulars about his creation of The Strange Case of Dr. Jekyll and Mr. Hyde. It also promises to reveal a terrible secret - the identity of Jack the Ripper.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

In Dark Property, a woman carries a dying baby across a desert waste, moving toward a fortress harboring a mysterious resurrection cult. Menaced by scavengers, she nevertheless begins to suspect that the reality within the fortress may be even more unsettling than the blasted environment outside. In Contagion and Other Stories, Evenson takes his audiences into a world that is at once apocalyptic, dark, observant, and grotesque without ever dipping into static genre conventions.

Penny and Hattie are sisters in a small town, bound tight to the point of knots. They share a secret they cannot escape, even while it pulls them apart. One night, a match is lit, and Penny's terrible husband is killed - a marriage going up in flames and offering the potential of a new life. The sisters retreat into their family home, a house of secrets and memories, and try to live in the shadow of what they put in motion. But Penny's husband is not the only thing they are hiding - both from the outside world and from each other.

Jean est journaliste dans la presse régionale. Son métier l'amène à rencontrer différentes personnalités de la vie locale afin de faire leur portrait. Quand l'un de ses articles fait polémique, sa femme et son fils se dressent contre lui avec violence et lui reprochent d'être dépassé, infréquentable, irrécupérable.

A village on the Devil's Moor: a place untouched by time and shrouded in superstition. There is the grand manor house whose occupants despise the villagers, the small pub whose regulars talk of revenants, the old mill no one dares to mention. This is where four young friends come of age-in an atmosphere thick with fear and suspicion. Their innocent games soon bring them face-to-face with the village's darkest secrets in this eerily dispassionate, astonishingly assured novel,

Follow the horror of the career of Herbert West, as in medical school he seeks and fails with terrifying consequences to animate the "Graveyard's Cold Clay", to return the dead to life, continuing through his private practice as a physician where he finally learns to reanimate not only entire dead bodies, but parts, with horrendous consequences.

The Oversight of London has been sworn for millennia to prevent the natural and the supernatural worlds from preying on each other. Now, at its lowest ebb, with its headquarters destroyed and its last members scattered far and wide, this secret society will battle for survival and face the harshest foe it has ever met: itself.

After a fire rips through her loft, destroying the seven billboard-size paintings meant for her first major exhibition, a young painter is left with an impossible task: recreate the lost artworks in just three months without getting caught - or ruin her fledgling career. Homeless and desperate, she begs her way into Pine City, an exclusive retreat in upstate New York notorious for three things: outrageous revelries, glamorous artists, and the sparkling black lake where brilliant prodigy Carey Logan drowned herself.

The nightmare home. We thought we'd found our haven, a cottage deep in the heart of the forest. Quaint, charming, maybe a little run-down, but so peaceful. The woodland animals and birds couldn't have been more neighbourly. That was the first part of the Magic. Midge's painting and my music soared to new heights of creativity. That was another part of the Magic. Our sensing, our feelings, our love for each other - well, that became the supreme Magic. But the cottage had an alternative side. The Bad Magic.

The Metamorphosis (German: Die Verwandlung, also sometimes translated as The Transformation) is a novella by Franz Kafka, first published in 1915. It has been cited as one of the seminal works of fiction of the 20th century and is studied in colleges and universities across the western world. The story begins with a traveling salesman, Gregor Samsa, waking to find himself transformed (metamorphosed) into a large, monstrous insect-like creature.

One morning, traveling salesman Gregor Samsa wakes from an anxious dream to discover that he has inexplicably changed into a monstrous insect. Nonetheless, life goes on, and poor Gregor is left to deal not only with the existential questions of who or what he now is but also with more mundane concerns: his job (which he fears he’ll lose), his loved ones (whom he fears he disgusts), and the daily indignities of everyday life (which continue apace). Soon, even those who sympathize with his bizarre predicament begin to lose their patience....

A ghostly twist. Three nights of terror at the house called Edbrook. Three nights in which David Ash, there to investigate a haunting, will be victim of horrifying games. Three nights in which he will face the blood-chilling enigma of his own past. Three hideous nights before Edbrook's dreadful secret will be revealed...And the true nightmare will begin.to the surface, tormenting him, refusing to let him rest. The memory of what he once had been.

March 1928. The Great War has been over for ten years, but Freddie still hasn't recovered from the loss of his brother. Even now, on holiday in south-west France, he cannot escape his grief. When his car crashes, Freddie stumbles down from the hills to a village nearby. There he meets Marie, a beautiful young woman who is also mourning a lost generation. Her story of the fate of her family moves him deeply.

Ruth and Nat are orphans packed into a house full of abandoned children run by a religious fanatic. To entertain their siblings, they channel the dead. Decades later Ruth's niece, Cora, finds herself accidentally pregnant. After years of absence, Aunt Ruth appears, mute and full of intention. She is on a mysterious mission, leading Cora on an odyssey across the entire state of New York on foot. Where is Ruth taking them? Where has she been?

Jewell Parker Rhodes follows up her acclaimed Voodoo Dreams with a present-day mystery surrounding the gifts of an ancestor of the Voodoo Queen. Doctor Marie Levant can't explain why she's drawn to New Orleans, or why it's comforting and unsettling at the same time. And she can't shake her haunting dreams. But when she delivers a dead woman's baby, Marie knows malevolent forces are at work, and it's up to her to stop them.

Faldistoire’s grandfather thinks he’s a ghost. Sylvie’s mother reads Tarot and summons storm clouds to mete her witch’s justice. Behind his Dad-of-the-Year demeanor, Sébastien’s father hides dark designs. It’s Croustine’s grandfather who makes the boy a pair of slippers from the dead family dog, but it’s his dad, the uncannily named Kevin Lambert, who always seems to be nearby when tragedy strikes, and in the cemetery, under the expressionless gazes of toads, small graves are continuously being dug: Chicoutimi, Quebec, is a dangerous place for children.

Jesse thinks he’s caught a break when he, Emma (the girl of his dreams), and her friend are assigned by their newspaper to cover the opening weekend of a sprawling new state park. But the construction of the park has stirred an evil that has lain dormant for nearly a hundred years, and the three young people - as well as every man, woman, and child unlucky enough to be attending the Algonquin Falls grand opening - are about to encounter the most horrific creatures to ever walk the earth.