Literary Humor

Lydia is killed in a car accident, but she returns to her bereft sister as a benign ghost who nonetheless comes to haunt the lives of those around her in unexpected ways: Jonathan Goldman, whose flat Lydia is running from when she is knocked down; his daughter, Stella, who has discovered her father has been having an affair with the gladiatorial Sonia; Stella's genius painter-boy lover, Izzy, whom she leaves behind as she flees to the arms of kindly Peregrine. Along with good stepmothers, bad mothers, strange professors and wicked monks, their lives collide in a breathtaking finale.

Mrs. Sookie Poole of Point Clear, Alabama, has just married off the last of her daughters and is looking forward to relaxing and perhaps traveling with her husband, Earle. The only thing left to contend with is her mother, the formidable Lenore Simmons Krackenberry. Lenore may be a lot of fun for other people, but is, for the most part, an overbearing presence for her daughter. Then one day, quite by accident, Sookie discovers a secret about her mother's past that knocks her for a loop and suddenly calls into question everything she ever thought she knew about herself, her family, and her future.

Published in rapid succession in the middle 1930s, these two books shocked European literature and world consciousness. Nominally fiction but more rightly called "creative confessions," they told of the author's childhood in excoriating Paris slums, of service in the mud wastes of World War I and African jungles. Mixing unmitigated despair with Gargantuan comedy, they also created a new style, in which invective and obscenity were laced with phrases of unforgettable poetry. Celine's influence revolutionized the contemporary approach to fiction.

A delightfully funny and moving novel about the singular life of a cantankerous Jewish-American writer and anarchist troublemaker, as remembered by his daughter. In 1972, sixty-four-year-old Ezra Slavin's heart gives out at an anti-war rally. A contentious and irascible Jewish-American writer, anarchist, and inadvertent guru to discontented youth, he leaves behind a large extended family of ex-wives, lovers, and children, most of whom had cut all ties with the infuriating intellectual provocateur years earlier.

The summer season on Cape Cod is over - now it's time for the real fun to begin. Dominick is always just passing through. He is a professional houseguest who follows the sun and the leisure class from resort to resort. But this winter he lingers on a quaint New England island and, in spite of his best intentions, becomes involved in the travails of his eccentric geriatric hosts. An environmental protest against a proposed liquid natural gas terminal turns ugly, and by accident and happenstance Dominick becomes a mistaken suspect in terrorist bombings.

An old house, a new lover, a fresh life for Dominick - or will the faith-driven doom it all? The past just won't go away. Dominick likes to idle there in history's comfortable remove, but when his mother dies and he meets the half sister he never knew he had, the past becomes more personal - and the present more dangerous. Dominick's perpetual peregrinations are interrupted by a visit to his newfound sibling's historic Hudson Valley estate, which is also home to a Wiccan coven.

When Palmer Stoat notices the black pickup truck following him on the highway, he fears his precious Range Rover is about to be carjacked. But Twilly Spree, the man tailing Stoat, has vengeance, not sport-utility vehicles, on his mind. Idealistic, independently wealthy, and pathologically short-tempered, Twilly has dedicated himself to saving Florida's wilderness from runaway destruction. He favors unambiguous political statements - such as torching Jet-Skis or blowing up banks - that leave his human targets shaken but re-educated.

The complete BBC Radio 4 satirical comedy series about a seasoned presenter of travel documentaries, Brian Gulliver, who finds himself in a hospital's secure unit after claiming to have experienced a succession of bizarre adventures. In series one we hear about Brian's travels in Gelbetia, a country run by doctors; Juradia, where every other person is a lawyer; Osminia, a land where marriage is outlawed; Sham, a country where alternative therapies abound; Erosia, which has a very different view of sexual politics; and Jampoa, where fame definitely equals fortune.

When Alex pulls up to meet 'Max', he expects everything but a 90-year-old lady who has her heart set on getting to Brussels by carpool. As for 'Max', who is actually called Maxine, she could not be more ill at ease when settling into the seat next to this young man with bloodshot eyes. When it becomes clear that Maxine is suffering from Alzheimer's and wants to take matters into her own hands while she still can, and that Alex battles severe depression, a wonderful friendship starts to form between the unlikely pair. Before long, their travel plans take an unexpected turn.

When his third wife abandons him in Tucson, boozing, misanthropic anarchist Henry Holyoak Lightcap shoots his refrigerator and sets off in a battered pick-up truck for his ancestral home in West Virginia. Accompanied only by his dying dog and his memories, the irascible warhorse (a stand-in for the "real" Abbey) begins a bizarre cross-country odyssey - determined to make peace with his past-and to wage one last war against the ravages of "progress".

Old friends meet up on a summer's evening at a Dublin restaurant. Both are now married with grown-up children, and their lives have taken seemingly similar paths. But Joe has a secret he has to tell Davy, and Davy, a grief he wants to keep from Joe. Both are not the men they used to be. Neither Davy nor Joe know what the night has in store, but as two pints turns to three, then five, and the men set out to revisit the haunts of their youth, the ghosts of Dublin entwine around them.

Imagine that there are American MIAs who chose to remain missing after the Vietnam War. Imagine that there is a family in which four generations of strong, alluring women have shared a mysterious connection to an outlandish figure from Japanese folklore. Imagine just those things (don’t even try to imagine the love story) and you’ll have a foretaste of Tom Robbins’s eighth and perhaps most beautifully crafted novel--a work as timeless as myth yet as topical as the latest international threat.

As a police launch speeds across Miami's Biscayne Bay - with officer Nestor Camacho on board - Tom Wolfe is off and running. Here is a big, panoramic story of the new America, as told by our master chronicler of the way we live now. Based on the same sort of detailed, on-scene, high-energy reporting that powered Tom Wolfe's previous best-selling novels, Back to Blood is another brilliant, spot-on, scrupulous, and often hilarious reckoning with our times.

Freshly disengaged from her fiancé and feeling that life has not turned out quite the way she planned, 30-year-old Ruth quits her job, leaves town, and arrives at her parents' home to find that situation more complicated than she'd realized. Her father, a prominent history professor, is losing his memory and is only erratically lucid. Ruth's mother, meanwhile, is lucidly erratic.

Lionel Asbo, a terrifying yet weirdly loyal thug (self-named after England's notorious "Anti-Social Behaviour Order"), has always looked out for his ward and nephew, the orphaned Desmond Pepperdine. He provides him with fatherly career advice (always carry a knife, for example) and is determined they should share the joys of pit bulls (fed with lots of Tabasco sauce), Internet porn, and all manner of more serious criminality. Des, on the other hand, desires nothing more than books to read and a girl to love .

Thirty-two-year-old actor Stephen C. McQueen (no, not that Steve McQueen) is waiting for his big break. His only screen credits so far are playing dead bodies on cop and doctor shows. At the moment, he's paying the rent by understudying hot movie star Josh Harper, who's trying to gain dramatic credibility in a West End play. If only Josh would miss a performance, Stephen-with-a-P-H could prove his talent and redeem himself in the eyes of his disapproving ex-wife and their precocious seven-year-old daughter.

Seventh Seltzer has done everything he can to break from the past, but in his overbearing, narcissistic mother's last moments he is drawn back into the life he left behind. At her deathbed, she whispers in his ear the two words he always knew she would: "Eat me." This is not unusual, as the Seltzers are Cannibal-Americans, a once proud and thriving ethnic group, but for Seventh, it raises some serious questions, both practical and emotional.

When Scat comes up with an idea for the hottest new soda ever, he's sure he'll retire as the next savvy marketing success story. But in the treacherous waters of corporate America, there are no sure things. Suddenly Scat finds himself scrambling to save not only his idea, but his yet-to-be-realized career. With the help of a scarily beautiful and brainy girl called 6, he sets out on a mission to reclaim the fame and fortune that, time and again, elude him.

Nestled among Seattle's skyscrapers, The Zephyr Holdings Building is a bleak rectangle topped by an orange-and-black logo that gives no hint of Zephyr's business. Lack of clarity, it turns out, is Zephyr's defining characteristic. The floors are numbered in reverse. No one has ever seen the CEO or glimpsed his office on the first (i.e., top) floor. Yet every day people clip on their ID tags, file into the building, sit at their desks, and hope that they're not about to be outsourced.

In 1920s America, a plague is spreading fast. From New Orleans to Chicago to New York, the "Jes Grew" epidemic makes people desperate to dance, overturning social norms in the process. Anyone is vulnerable and when they catch it, they'll bump and grind into a frenzy. Working to combat the Jes Grew infection are the puritanical Atonists, a group bent on cultivating a "Talking Android", an African American who will infiltrate the unruly black communities and help crush the outbreak.