Literary Humor

Samuel Pickwick, founder and chairman of the Pickwick Club, engages three fellow members to accompany him on a journey. By coach they’ll travel to the outreaches of London to explore, observe, and report back on the quaint wonders of the English countryside. What transpires is a picaresque romp of misadventures, hair-raising challenges, and romantic follies entangling the fates of a riot of colorful characters - a passel of villains, spinsters, poets, and sportsmen - and the unworldly Pickwick himself, who has much to learn about life outside his gentleman’s club.

Hazel has just moved into a trailer park of senior citizens, with her father and Diane - his extremely lifelike sex doll - as her roommates. Life with Hazel's father is strained at best, but her only alternative seems even bleaker. She's just run out on her marriage to Byron Gogol, CEO and founder of Gogol Industries, a monolithic corporation hell-bent on making its products and technologies indispensable in daily life.

On the same August day in 1969 that a crazed hippie "family" led by Charles Manson commits five savage murders in the canyons above Los Angeles, a young ex-communicated seminarian arrives with images of Elizabeth Taylor and Montgomery Clift - "the two most beautiful people in the history of the movies" - tattooed on his head. At once childlike and violent, Vikar is not a cineaste but "cineautistic," sleeping at night in the Roosevelt Hotel where he's haunted by the ghost of D. W. Griffith.

Old friends meet up on a summer's evening at a Dublin restaurant. Both are now married with grown-up children, and their lives have taken seemingly similar paths. But Joe has a secret he has to tell Davy, and Davy, a grief he wants to keep from Joe. Both are not the men they used to be. Neither Davy nor Joe know what the night has in store, but as two pints turns to three, then five, and the men set out to revisit the haunts of their youth, the ghosts of Dublin entwine around them.

One of DeLillo's first novels, Ratner's Star follows Billy, a genius adolescent who is recruited to live in obscurity, underground, as he tries to help a panel of estranged, demented, and yet lovable scientists communicate with beings from outer space. It is a mix of quirky humor, science, and mathematical theories as well as the complex emotional distance and sadness people feel.

Anatomie d'un mariage et d'une famille - les Berglund -, ce livre analyse les illusions, les déceptions et les compromis d'une génération de baby-boomers qui avaient rêvé un jour de changer le monde. Mais c'est aussi un acte d'accusation implacable à l'égard d'une nation qui a cessé depuis longtemps d'incarner ses propres valeurs. Qu'avons-nous fait de notre liberté ?, se demandent les personnages de Jonathan Franzen.

“Florida, we got it all. Motor sports, ribs, beer. You can drive on the sand right on up to the ocean. Fireworks every night.” That's how twelve-year-old C.C.’s father, who named her after his beloved Canadian Club whiskey, describes the appeal of their new home. The man is a born grifter, a used-car salesman who burned down his dealership in southern Ohio for enough insurance money to set up a life for himself, his wife, and his two young daughters in a place he picked largely at random, because the living seemed easy.

"Work," said Psmith, with simple dignity. "I am now a member of the staff of this bank. Its interests are my interests. Psmith, the individual, ceases to exist, and there springs into being Psmith, the cog in the wheel of the New Asiatic Bank; Psmith, the link in the bank's chain; Psmith, the Worker. "I shall not spare myself," he proceeded earnestly. "I shall toil with all the accumulated energy of one who, up till now, has only known what work is like from hearsay."

Heroic bookseller Laurent Letellier comes across an abandoned handbag on a Parisian street. There's nothing in the bag to indicate who it belongs to, although there's all sorts of other things in it. Laurent feels a strong impulse to find the owner and tries to puzzle together who she might be from the contents of the bag. Especially a red notebook with her jottings, which really makes him want to meet her. Without even a name to go on, and only a few of her possessions to help him, how is he to find one woman in a city of millions?

Twenty-four-year-old Megan may have her whole life ahead of her, but it already feels like a dead end, thanks to her dreadful job as a gastroenterologist's receptionist and her heart-clogging resentment of the success and happiness of everyone around her. But no one stokes Megan's bitterness quite like her coworker, Jillian, a grotesquely optimistic, 35-year-old single mother whose chirpy positivity obscures her mounting struggles.

Strange things are happening at Belpher Castle. For starters, the Earl's sister is intent on pairing off her stepson, Reggie, and niece, Lady Patricia (known as Maud). Maud, however, is in hot pursuit of Geoffrey Raymond, and she is also being pursued by the unacceptable composer, George Bevan.

In Killing Monica Bushnell spoofs and skewers her way through pop culture, celebrity worship, fame, and even the meaning of life itself when a famous writer must resort to faking her own death in order to get her life back from her most infamous creation - Monica. With her trademark wit and style, Killing Monica is Bushnell's sharpest, funniest book to date.

The Sarah Book is Scott McClanahan's continuation of the semi-autobiographical portrait he's been writing over the years about his life in West Virginia. This one is his portrait of love.

Tax cheats, beware: The Treasury Department's Criminal Investigations Division has a new special agent on its payroll. A recovering tomboy with a head for numbers, Tara's fast becoming the Annie Oakley of the IRS-kicking ass, taking social security numbers, and keeping the world safe for honest taxpayers. Or else. Tara's latest mission finds her in hot pursuit of ice-cream vendor Joseph "Joe Cool" Cullen. Along with frozen treats he's selling narcotics-and failing to report his ill-gotten gains on his tax returns. Over Tara's dead body.

Jonas Jonasson nos regala un personaje maravilloso. Un abuelo sin prejuicios que no está dispuesto a renunciar al placer de vivir. Momentos antes de que empiece la pomposa celebración de su centésimo cumpleaños, Allan Karlsson decide que nada de eso va con él. Vestido con su mejor traje y unas pantuflas, se encarama a una ventana y se fuga de la residencia donde vive, dejando plantados al alcalde y a la prensa local.

Beth shows that women really can have it all. Ruby lives life by her own rules. And then there’s Lauren, living the dream. As perfect as it looks? Beth hasn’t had sex in a year. Ruby feels like she’s failing. Lauren’s happiness is fake news. And it just takes one shocking event to make the truth come tumbling out....

With these 13 transfixing, ingenious stories, Ben Marcus gives us timely dystopian visions of alienation in a modern world - cosmically and comically apt. Never has existential catastrophe been so much fun.

And...she's off. Eighty-year-old Herra Bjornsson, one of the most original narrators in literary history, takes listeners along with her on a dazzling ride of a novel that spans the events and locales of the 20th century. As she lies alone in that garage in the heart of Reykjavik, waiting to die, Herra reflects - in a voice by turns darkly funny, bawdy, poignant, and always, always smart - on the mishaps, tragedies, and turns of luck that took her from Iceland to Nazi Germany, from the United States to Argentina and back to a post-crash, high-tech, modern Iceland.

The year is 1985. Benji Cooper is one of the only black students at an elite prep school in Manhattan. He spends his falls and winters going to roller-disco bar mitzvahs, playing too much Dungeons and Dragons, and trying to catch glimpses of nudity on late-night cable TV. After a tragic mishap on his first day of high school, when Benji reveals his deep enthusiasm for the horror movie magazine Fangoria, his social doom is sealed for the next four years.

One of Faulkner's comic masterpieces, The Reivers is a picaresque story that tells of three unlikely car thieves from rural Mississippi. Eleven-year-old Lucas Priest is persuaded by Boon Hogganbeck, one of his family's retainers, to steal his grandfather's car and make a trip to Memphis. The priests' black coachman, Ned McCaslin, stows away, and the three of them are off on a heroic odyssey.