Literary Life

In the 1950s poet Christopher Chubb composes a body of sexually charged poems. Chubb then dupes a trendy literary magazine into believing the poems were composed by the late Bob McCorkle, an undiscovered genius. But the trick backfires, and soon Chubb finds himself tormented by the very monster he creates. Decades later, a literary editor named Sarah Wode-Douglass begins peeling back the layers of the Chubb mystery in, of all places, Malaysia, where the reclusive poet remains in hiding.

East Sussex, 1914. It is the end of England's brief Edwardian summer, and everyone agrees that the weather has never been so beautiful. Hugh Grange, down from his medical studies, is visiting his aunt Agatha, who lives with her husband in the small, idyllic coastal town of Rye. Agatha's husband works in the Foreign Office, and she is certain he will ensure that the recent saber rattling over the Balkans won't come to anything.

Laurel Lockwood lost her son once through neglect. She's spent the rest of her life determined to make up for her mistakes, and she has succeeded in becoming a committed, protective parent-maybe even overprotective. Still, she loosens her grip just enough to let Andy attend a local church social-a decision that terrifies her when the church is consumed by fire. But Andy survives...and remarkably, saves other children from the flames.

Henry Miller is undisputedly one of the most important American writers and Sexus like his other works was banned in English speaking countries for obscenity. It explores work, love and friendship and as with all his work is based on autobiographical experiences- in this book his passionate affair with a dance hall hostess in NY that is recounted in intimately graphic and vivid detail.

It is in this house, surrounded by heirloom gardens and the gentle sounds of a river, that Kate Harding, 52, faces her second winter since the untimely death of her husband. Her children, now grown, are living away, and Kate is truly on her own. In her living room are several hatboxes filled with letters and other ghostly ephemera, recently brought by her sister from the attic of their grandparents’ 18th-century Connecticut house. Their sweet mustiness tinges the air and makes Kate dream of her childhood and of her beloved grandparents.

Welcome to Maple Street, a picture-perfect slice of suburban Long Island, its residents bound by their children, their work, and their illusion of safety in a rapidly changing world. But menace skulks among this exclusive enclave. When the Wilde family arrive, they trigger their neighbors’ worst fears. Dad Arlo’s a gruff has-been rock star with track marks. Mom Gertie’s got a thick Brooklyn accent, with high heels and tube tops to match. Their weird kids cuss like sailors. They don’t fit with the way Maple Street sees itself.

From the Man Booker Prize-nominated author of Sleeping on Jupiter, The Folded Earth, and An Atlas of Impossible Longing, a poignant and sweeping novel set in India during World War II and the present day about a son’s quest to uncover the truth about his mother....

Sully is staring down a VA cardiologist's estimate that he has only a year or two left, and it's hard work trying to keep this news from the most important people in his life: Ruth, the married woman he carried on with for years...the ultra-hapless Rub Squeers, who worries that he and Sully aren't still best friends...Sully's son and grandson, for whom he was mostly an absentee figure (and now a regretful one).

When tragedy erupts on a stifling summer night, three ordinary people, with the extraordinary jobs of rescuing strangers, are connected to one another in ways both explicit and invisible. Each is deeply devoted to what they do, but they are all beginning to crack under the immense pressures of their work.

Dr. Amin Jaafari, an Arab-Israeli citizen, is a respected, dedicated surgeon at a hospital in Tel Aviv. He has learned to live with the violence that plagues his city and works tirelessly to help the victims brought to the emergency room. But one night, a deadly bombing in a local restaurant takes a horrifyingly personal turn, when his wife's body is found among the dead, bearing injuries that match those typically found on the bodies of fundamentalist suicide bombers.

It's August 1952 and seven-year-old Nickel sets off for a day at the seashore with her mother, aunt, and cousin Leroy. Leroy is recently motherless and frightened of the world around him. Nickel delights in tormenting her cousin, but the sisters try to coax him out of his shell by telling stories about their own childhood trips to the shore. Only years later can Nickel see that day for what it truly was - a life-changing lesson about family and the pleasure and heartbreak that comes with it.

We should have known the end was near. So begins Imbolo Mbue’s powerful second novel, How Beautiful We Were. Set in the fictional African village of Kosawa, it tells of a people living in fear amid environmental degradation wrought by an American oil company. Pipeline spills have rendered farmlands infertile. Children are dying from drinking toxic water. Promises of cleanup and financial reparations to the villagers are made - and ignored. The country’s government, led by a brazen dictator, exists to serve its own interests.

An old man lies dying. Confined to bed in his living room, he sees the walls around him begin to collapse, the windows come loose from their sashes, and the ceiling plaster fall off in great chunks, showering him with a lifetime of debris: newspaper clippings, old photographs, wool jackets, rusty tools, and the mangled brass works of antique clocks. Soon, the clouds from the sky above plummet down on top of him, followed by the stars, till the black night covers him like a shroud. He is hallucinating.

La historia empieza en 1911, el día de la coronación del rey Jorge V en la abadía de Westminster. El destino de los Williams, una familia minera de Gales, está unido por el amor y la enemistad al de los Fitzherbert, aristócratas y propietarios de las minas.

This story starts with a family. For now, it is a father and a mother with two sons, one with his father’s violence in his blood, one with his mother’s artistry. One leaves. One stays. They will be joined by others whose deeds will determine their fate. It is a beginning. Their stories will intertwine and evolve over the course of 2,000 years. They will meet again and again at different times and in different places. From Palestine at the dawn of the first millennium and journeying across 50 countries to a life among the stars, their destinies remain the same....

Judd is the youngest of the four Mulvaney children - three boys and a girl - on their parents’ lush farm in upstate New York. In his childhood, Judd is swept along by the sheer energy of the Mulvaneys and their wealth of beloved family stories. But now, 30 years old, Judd looks back through his memories to tell the secrets that eventually ripped apart the fabric of his storybook family.

In the village of al-Awafi in Oman, we encounter three sisters: Mayya, who marries Abdallah after a heartbreak; Asma, who marries from a sense of duty; and Khawla, who rejects all offers while waiting for her beloved, who has emigrated to Canada. These three women and their families witness Oman evolve from a traditional, slave-owning society slowly redefining itself after the colonial era to the crossroads of its complex present.

Mary Lennox, a spoiled, ill-tempered, and unhealthy child, comes to live with her reclusive uncle in Misselthwaite Manor after the death of her parents. With the help of a robin, Mary finds the door to a secret garden, neglected and hidden for years. When she decides to restore the garden in secret, the story becomes a charming journey into the places of the heart, where faith restores health, flowers refresh the spirit, and the magic of the garden brings happiness to Mary.

Anna Roux was a professional dancer who followed the man of her dreams from Paris to Missouri. There, alone with her biggest fears - imperfection, failure, loneliness - she spirals down anorexia and depression till she weighs a mere 88 pounds. Forced to seek treatment, she is admitted as a patient at 17 Swann Street, a peach pink house where pale, fragile women with life-threatening eating disorders live. Women like Emm, the veteran; quiet Valerie; Julia, always hungry. Together, they must fight their diseases and face six meals a day.

Kim Lord is an avant garde figure, feminist icon, and agent provocateur in the LA art scene. Her groundbreaking new exhibition, Still Lives, is comprised of self-portraits depicting herself as famous murdered women - the Black Dahlia, Chandra Levy, Nicole Brown Simpson, among many others - and the works are as compelling as they are disturbing, implicating a culture that is too accustomed to violence against women.