Literary Lives

It's almost Christmas, but there is no joy in the house of terminally ill Jack and his family. With only a short time left to live, he spends his last days preparing to say goodbye to his devoted wife, Lizzie, and their three children. Then, unthinkably, tragedy strikes again: Lizzie is killed in a car accident. With no one able to care for them, the children are separated from each other and sent to live with family members around the country. Just when all seems lost, Jack begins to recover in a miraculous turn of events.

In scathing, furious, unforgettable prose, Eimear McBride tells the story of a young girl's devastating adolescence as she and her brother, who suffers from a brain tumor, struggle for a semblance of normalcy in the shadow of sexual abuse, denial, and chaos at home. Plunging listeners inside the psyche of a girl isolated by her own dangerously confusing sexuality, pervading guilt, and unrelenting trauma, McBride's writing carries echoes of Joyce, O'Brien, and Woolf.

Lucille Howard is getting on in years, but she stays busy. Thanks to the inspiration of her dearly departed friend Arthur Truluv, she has begun to teach baking classes, sharing the secrets to her delicious classic Southern yellow cake, the perfect pinwheel cookies, and other sweet essentials. When a new family moves in next door and tragedy strikes, Lucille begins to look out for Lincoln, their son. Lincoln's parents aren't the only ones in town facing hard choices and uncertain futures.

Oscar Wilde's life – like his wit – was alive with paradox. He was both an early exponent and a victim of 'celebrity culture': famous for being famous, he was lauded and ridiculed in equal measure. His achievements were frequently downplayed, his successes resented. He had a genius for comedy but strove to write tragedies. Matthew Sturgis draws on a wealth of new material and fresh research, bringing alive the distinctive mood and characters of the fin de siècle in the richest and most compelling portrait of Oscar Wilde to date.

England, 2014: Audrey Collins knows only two things about her beloved grandmother's past: She was born into nobility and she immigrated to America at seventeen years old. So when Audrey inherits her gran's home in North Yorkshire, she arrives expecting a sprawling country estate fit for lords and ladies. Instead, she finds an abandoned stone cottage perfectly preserved as Gran left it when she fled in 1941—ration book and all—and begins to uncover what secrets her family has been keeping.

When Zikora, a DC lawyer from Nigeria, tells her equally high-powered lover that she’s pregnant, he abandons her. But it’s Zikora’s demanding, self-possessed mother, in town for the birth, who makes Zikora feel like a lonely little girl all over again. Stunned by the speed with which her ideal life fell apart, she turns to reflecting on her mother’s painful past and struggle for dignity. Preparing for motherhood, Zikora begins to see more clearly what her own mother wants for her, for her new baby, and for herself.

Shakur's protagonist is Lapeace, the leader of the Eight Tray Crips gang in South Central Los Angeles. In a deadly gunfight with Anyhow, a Blood and Lapeace's rival since childhood, eight innocent civilians are killed. Anyhow is captured. Lapeace becomes a fugitive and he must hide out in the home of his girlfriend Tashima, a hip-hop mogul, as a pair of crooked LA detectives, John Sweeney and Jesse Mendoza, attempt to track him down.

From “the great German-language writer of his generation” (Joshua Cohen) comes the second novel of Christian Kracht’s career narrated by an eponymous “Christian”. Eurotrash begins in Zurich, where Christian has returned to care for his 80-year-old mother after her discharge from a psychiatric institution. Confronting the dark shadows of his family’s past—particularly his grandfather’s strong ties with the Nazi regime—and struggling to navigate the emotionally wrenching terrain of his relationship with his mother, he sets off on a road trip with her.

First published in English under the title The Accident, Elie Wiesel's third novel in his trilogy of Holocaust literature has now adopted Wiesel's original title: Day. In the opening scene, a Holocaust survivor and successful journalist steps off a curb in New York City directly into the pathway of an oncoming cab. As he struggles between life and death, the journalist recalls the effects of the historical tragedy of the Holocaust on himself and his family.

Kellie Scott has just returned to work after a decade of being a stay-at-home mom. She's adjusting to high heels, scrambling to cook dinner for her family after a day at the office - and soaking in the dangerous attention of a very handsome, very married male colleague. Kellie's neighbor, Susan Barrett, begins every day with fresh resolutions: She won't eat any carbs, she'll go to bed at a reasonable hour, and she'll stop stalking her ex-husband and his new girlfriend.

Lifetime friends become bitter enemies when the father of one family is killed by militants - one of whom is a son from the other family. Told in short sections highlighting a rich multiplicity of characters from all walks of life, Homeland brilliantly unfolds in nonlinear fashion as it traces the moral dilemmas faced by the families of murder victim and perpetrator alike. Aramburu alludes only obliquely to the historical context while he focuses on the psychological complexity of his characters and builds nearly unbearable suspense.

Six years after the fight that ended their friendship, Daphne Berg is shocked when Drue Cavanaugh walks back into her life, looking as lovely and successful as ever, with a massive favor to ask. Daphne hasn’t spoken one word to Drue in all this time - she doesn’t even hate-follow her ex-best friend on social media - so when Drue asks if she will be her maid-of-honor at the society wedding of the summer, Daphne is rightfully speechless.

When Kate, single mother and law firm partner, gets an urgent phone call summoning her to her daughter's exclusive private school, she's shocked. Amelia has been suspended for cheating, something that would be completely out of character for her over-achieving, well-behaved daughter. Kate rushes to Grace Hall, but what she finds when she finally arrives is beyond comprehension. Her daughter is dead.

They are icons of the literary world whose soaring works have been discussed and analyzed in countless classrooms, homes, and pubs. Yet for most listeners, the living, breathing human beings behind the classics have remained unknown - until now. In this utterly captivating audiobook, Dr. Elliot Engel, a leading authority on the lives of great authors, illuminates the fascinating and flawed members of literature's elite. In lieu of stuffy biographical sketches, Engel provides fascinating anecdotes.

The author initially intended to call this novel The Lyrical Age. The lyrical age, according to Kundera, is youth, and this novel, above all, is an epic of adolescence; an ironic epic that tenderly erodes sacrosanct values: childhood, motherhood, revolution, and even poetry. Jaromil is in fact a poet. His mother made him a poet and accompanies him (figuratively) to his love bed and (literally) to his deathbed. A ridiculous and touching character, horrifying and totally innocent ("innocence with its bloody smile!"), Jaromil is at the same time a true poet. He's no creep, he's Rimbaud.

Banned in America for almost 30 years because of its explicit sexual content, this companion volume to Miller's Tropic of Cancer chronicles his life in 1920s New York City. Famous for its frank portrayal of life in Brooklyn's ethnic neighborhoods and Miller's outrageous sexual expolits, Tropic of Capricorn is now considered a cornerstone of modern literature.

Fred Scully waits at the arrival gate of an international airport, anxious to see his wife and daughter. After two years in Europe, they are finally settling down. He sees a new life before them, a stable outlook again, a fresh start, a cottage in the Irish countryside that he's renovated by hand. He's waited, sweated on this reunion. He does not like to be alone—he's that kind of man.The flight lands, the doors at the airport hiss open...Scully's life falls apart.

Hace treinta años, en un terreno baldío de un barrio tranquilo, apareció descuartizado y quemado el cadáver de una adolescente. La investigación se cerró sin culpables y su familia -de clase media educada, formal y católica- silenciosamente se fue resquebrajando Pero, pasado ese largo tiempo, la verdad oculta saldrá a la luz gracias al persistente amor del padre de la víctima. Esa verdad mostrará con crudeza lo que se esconde detrás de las apariencias; la crueldad a la que pueden llevar la obediencia y el fanatismo religioso.

Ellie and Eric Nyland have moved their two sons back to Eric’s childhood farmhouse, hoping for a fresh start. But there’s no denying it, their family is falling apart, each one of them isolated by private sorrows, stresses, and missed signals. When Eric finds Hannah Finch, the girl across the road, wandering alone in the bitter cold, his rusty police instincts kick in, and he soon discovers there are bad things happening in the girl’s house. With nowhere else to send her, the Nylands reluctantly agree to let Hannah stay with them until after the Christmas holidays.

1876. Among the filth and depravity of Covent Garden's flower markets, orphaned Irish sisters Flora and Rosie Flynn sell posies of violets and watercress to survive. It is a pitiful existence, made bearable only by each other's presence. When they become separated, the decision of a desperate woman sets their lives on very different paths.