Magical Realism Fiction

In Killing Commendatore, a 30-something portrait painter in Tokyo is abandoned by his wife and finds himself holed up in the mountain home of a famous artist, Tomohiko Amada. When he discovers a previously unseen painting in the attic, he unintentionally opens a circle of mysterious circumstances. To close it, he must complete a journey that involves a mysterious ringing bell, a two-foot-high physical manifestation of an Idea, a dapper businessman who lives across the valley, a precocious 13-year-old girl, a Nazi assassination attempt during World War II in Vienna.

On the last day of December 1921, three enigmatic men - Cairo Martyr, a blue-eyed African who controls the Middle East's supply of aphrodisiac mummy dust; O'Sullivan Beare, a former Irish patriot and gunrunner who has made a fortune selling spurious, phallic-shaped Christian artifacts; and Mark Szondi, a dedicated Zionist who wagers only fried fish futures - sit down to a fateful game of poker in the back room of a Jerusalem antiquities shop owned by a 3000-year-old knight errant.

In a mysterious town hidden in our collective subconscious there's a department store that sells dreams. Day and night, visitors both human and animal shuffle in to purchase their latest adventure. Each floor specializes in a specific type of dream: childhood memories, food dreams, ice skating, dreams of stardom. Flying dreams are almost always sold out. Some seek dreams of loved ones who have died. For Penny, an enthusiastic new hire, working at Dallergut is the opportunity of a lifetime.

On the island of Sicily amid the Peloponnesian War, the Syracusans have figured out what to do with the surviving Athenians who had the gall to invade their city: they’ve herded the sorry prisoners of war into a rock quarry and left them to rot. Looking for a way to pass the time, Lampo and Gelon, two unemployed potters with a soft spot for poetry and drink, head down into the quarry to feed the Athenians if, and only if, they can manage a few choice lines from their great playwright Euripides. Before long, the two mates hatch a plan to direct a full-blown production of Medea.

As a child, Natsuki doesn’t fit into her family. Her parents favor her sister, and her best friend is a plush toy hedgehog named Piyyut who has explained to her that he has come from the planet Popinpobopia on a special quest to help her save the Earth.

When a banished witch falls in love with the legendary trickster Loki, she risks the wrath of the gods in this moving, subversive debut novel that reimagines Norse mythology. Angrboda’s story begins where most witches' tales end: with a burning. A punishment from Odin for refusing to provide him with knowledge of the future, the fire leaves Angrboda injured and powerless, and she flees into the farthest reaches of a remote forest. There she is found by a man who reveals himself to be Loki, and her initial distrust of him transforms into a deep and abiding love.

I've been living in a small town working for the vampires for the last six months. All I want is to save up enough to open an apothecary so I don't have to heal the neckers anymore. Of course, nothing in my life can be that simple. Two detectives show up at my door asking questions about a dead girl and trying to pin the murder on my employer. Next thing I know, I'm dodging fireballs in parking lots.

Deux soeurs. Des jumelles, très proches, mais aux personnalités très différentes. Mia est une écrivaine à succès, impétueuse, flamboyante, qui vit avec intensité et excès pour tenter de noyer son mal de vivre. Jade, propriétaire d'une galerie d'art, est plus discrète. Elle est celle qui rassure sa soeur, la réconforte et lui pardonne tout.

A peculiar pet shop in Tokyo has been known to offer customers a unique opportunity: the chance to adopt one of seven special cats whose "magic" is never promised, but always received. But there are rules: these cats must be returned after three days. They must eat only the food supplied by the owner, and they must travel to their new homes with a distinctive blanket. In The Blanket Cats, we meet seven customers, each of whom is hoping a temporary feline companion will help them escape a certain reality.

One phone call, five words, and I’m back in the town I swore I’d never return to. Going home was never part of the plan, but when my dad calls because he needs help to solve a murder, I can’t say no. Running into the three men I thought I would spend my entire life with has me questioning why I ever picked up the phone.

All magic comes with a price, though, and for years the sisters have been separated. Esther has fled to a remote base in Antarctica to escape the fate that killed her own mother, and Joanna’s isolated herself in their family home in Vermont, devoting her life to the study of these cherished volumes. But after their father dies suddenly while reading a book Joanna has never seen before, the sisters must reunite to preserve their family legacy.

Essun - once Damaya, once Syenite, now avenger - has found shelter, but not her daughter. Instead there is Alabaster Tenring, destroyer of the world, with a request. But if Essun does what he asks, it would seal the fate of the Stillness forever.

Birdie’s keeping it together; of course she is. So she’s a little hungover, sometimes, and she has to bring her daughter, Emaleen, to her job waiting tables at an Alaskan roadside lodge, but she’s getting by as a single mother in a tough town. Still, Birdie can remember happier times from her youth, when she was free in the wilds of nature. Arthur Neilsen, a soft-spoken and scarred recluse who appears in town only at the change of seasons, brings Emaleen back to safety when she gets lost in the woods. Most people avoid him, but to Birdie, he represents everything she’s ever longed for.

As a girl, Amane realizes with horror that her parents “copulated” in order to bring her into the world, rather than using artificial insemination, which became the norm in the mid-twentieth century. Amane strives to get away from what she considers an indoctrination in this strange “system” by her mother, but her infatuations with both anime characters and real people have a sexual force that is undeniable.

Carrie Morgan ran from Woodsmoke ten years ago, and the decision has haunted her ever since. Spending a decade painting and drifting around Europe, she tries to forget her family’s legacy and the friends she left behind. But the Morgan women have always been able to harness the power of the mountains surrounding the town, and their spells—and curses—are sewn into the soil. The mountains, they say, never forget. Sure enough, when Carrie’s grandmother dies and leaves behind her dilapidated cottage, she returns to renovate—certain she will only be there for one winter.

An advertising executive receives a postcard from a friend and casually appropriates the image for an advertisement. What he doesn’t realize is that included in the scene is a mutant sheep with a star on its back, and in using this photo he has unwittingly captured the attention of a man who offers a menacing ultimatum: find the sheep or face dire consequences.

Across seven tales, Haruki Murakami brings his powers of observation to bear on the lives of men who, in their own ways, find themselves alone. Here are lovesick doctors, students, ex-boyfriends, actors, bartenders, and even Kafka’s Gregor Samsa, brought together to tell stories that speak to us all. In Men Without Women, Murakami has crafted another contemporary classic, marked by the same wry humor and pathos that have defined his entire body of work.

Ils ont trois jours à San Francisco. Trois jours pour écrire leur histoire. Que feriez-vous si un fantôme débarquait dans votre vie et vous demandait de l'aider à réaliser son voeu le plus cher ? Seriez-vous prêt à partir avec lui en avion à l'autre bout du monde ? Au risque de passer pour un fou ? Et si ce fantôme était celui de votre père ? Thomas, pianiste virtuose, est entraîné dans une aventure fabuleuse : une promesse, un voyage pour rattraper le temps perdu, et une rencontre inattendue.

"Desconcertante, lista a inquietar a la crítica, está ya en los escaparates la primera novela de Juan Rulfo, Pedro Páramo, que transcurre en una serie de transposiciones oníricas, ahondando más allá de la muerte de sus personajes, que uno no sabe en qué momento son sueño, vida, fábula, verdad, pero a los que se les oye la voz al través de la perspicacia despiadada y certera de tan sin duda extraordinario escritor". Con estas palabras iniciaba Edmundo Valdés la primera reseña de Pedro Páramo, aparecida el 30 de marzo de 1955 y conservada por Juan Rulfo entre sus papeles.

The year is 1949, the city London. Amidst the smog of the capital stumbles Dennis Knuckleyard, a hapless eighteen year-old employed by a second-hand bookshop. One day, on an errand to acquire books for sale, Dennis discovers a novel that simply does not exist. It is a fictitious book, a figment from another novel. Yet it is physically there in his hands. How? Dennis has stumbled on a book from the Great When, a magical version of London beyond time and space, where reality blurs with fiction and concepts such as Crime and Poetry are incarnated as wondrous, terrible beings.