Mary Horror

No one will tell Eva and Frost the truth about the Blurred Ones. Not their hunter friend, and definitely not the parentals. Maybe it’s because Frost spent time in a psychiatric ward and Eva never ceases to think with her hormones. So, when the girls see an opportunity to meet Albert Knox, the most infamous Blurred One of all, they lie about their true plans and head out on their field trip to San Antonio. Eva thinks she can use her feminine wiles to woo Knox, but he has a couple more minions than they thought - and she ends up getting tossed through the window.

Unwilling to stand around and wait while Eva's been taken over by one of the Despairity, Frost works tirelessly with Beau and Leo to figure out how to free her sister. Leo shows Frost memories of The Before, and Beau admits to a chilling connection with the Tree of Knowledge of Good and Evil. And when Alora reveals her sinister plan - to build an unconquerable army of Blurred Ones by placing them inside the perfect hosts - the girls and their friends must fight to protect not just Bloodcreek, but all of the world.

Eva and Frost are pretty stoked about their blooming hunting skills. But when they finally meet Raylan’s sister, Tess, after a witch-doctor hunt in New Orleans, the group dynamic gets rather awkward. Tess wants to kill Knox straight up dead. As in, drag him up from the bottom of the old mine shaft and use Tess’ favorite snake from the Louisiana bayou to finish the job. Eva loves the idea of bonding with Tess and being extra sure that Knox will never come back to harm them. But Maggie ain’t thrilled at the idea, and Frost is a little distracted by her new cowboy boy-toy.

Though they may all be siblings beneath the skin (and graveyard as well!), these vampiric sisters are as different as any eight women could be. One, "The Good Lady Ducayne", prefers to acquire her nourishment through more scientific means. Another doesn't even drink blood at all; her approach to draining the life from her victims is somewhat more direct (but we think you'll agree that "Luella Miller" deserves the appellation "vampire" every bit as much as any of the rest).

This is a detailed original summary of Mary Shelley's masterpiece. Frankenstein is a novel that is considered both one of the first science fiction novels and a timeless classic of the horror genre. It has terrified and entertained readers for decades. It is more than just a story about the creation of a monster. Mary Shelley gave readers not only a novel that has inspired great minds to create monsters of their own, but also opened up an endless debate regarding who the real monster is.

As the result of Victor Frankenstein's creation of a monster out of the remains of human corpses, a series of horrifying events occur. But who is responsible: the creature or his creator?

Ariel Kimber isn't like most 17 year old girls. She's different because she's a witch with magic and it's rare for females to hold magic anymore. She's settling into her new place amongst her coven of guys while she's settling into her new home at the same time. The Council's appearance into their lives has put everyone on edge. With good reason. Ariel is forced to meet with one of them on a regular basis so that they can learn from each other. Really, though, they just want to get to the bottom of where Ariel came from and she is more than happy to comply with them.

Una colección imprescindibles para los amantes de lo espectral, del misterio gótico, de la cortina que se desplaza sin que haya viento y el susurro de pasos en mitad del pasillo en plena noche. Cuentos escalofriantes de una de las damas del terror victoriano más destacadas, Mary Elizabeth Braddon. Incluye los cuentos: "El rostro en el espejo", "Ella", "La sombra en la esquina", "La buena lady Ducayne", "Su última aparición" y "El visitante de Eveline".

En 1816, Mary Shelley dio vida al que sería su personaje más famoso, el doctor Victor Frankenstein. La historia es bien conocida: un científico consigue crear una criatura a la que luego rechaza. Metáfora sobre la vida, la libertad y el amor, Frankenstein o el moderno Prometeo es una maravillosa fábula con todos los ingredientes de los grandes mitos.

This chilling collection includes: "The Romance of Certain Old Clothes" by Henry James, "The Shadow" by E. Nesbit, "Monsieur Anastasius" by Dinah Maria Mulock, "John Granger" by Mary Elizabeth Braddon and more.

Un clásico gótico de ciencia ficción de Mary Shelley.

Some of the greatest ghost stories of all time, here to send chills down your spine.

Fifteen-year-old Libby has spent her whole life in the shadow of her superstar sister. Then her sister dies, and the light goes out. When Libby's parents drop her off in Sayers Beach, Maine, to stay at her aunt and uncle's inn for the summer, she sees a chance to escape her secrets and reinvent herself. Libby's finally caught the attention of the cute, popular guy, no one sees her as the lonely bookworm, and nobody knows why she blames herself for her sister's death. Nobody except the ghost in the lighthouse. And the ghost has a few secrets of her own.

Up until recently, Freeman has been known primarily as a "feminist" writer, for her classic stories like "A New England Nun", and "The Revolt of Mother". However, she also wrote many well crafted supernatural stories which have only recently begun to attract appreciative critical attention. These stories combine pragmatism and supernaturalism and are very much in the tradition of an "Americanized" Gothic.

Hours after throwing a third birthday party for their twins Kathy and Kelly in their Connecticut home, Margaret and Steve Frawley return home from a dinner in New York to discover the police in the house, their daughters missing, and an eight million dollar ransom note. The Frawleys meet the kidnapper's demands, but the abandoned car they're led to contains only Kelly, the body of the driver, and a suicide note, saying he had inadvertently killed Kathy and dumped her body in the ocean.

Hannah Whitmire's body may lie on the forest floor a hundred miles from home, but her spirit is upright and determined. She must get to her children before the murderer does. The question is - how? She can’t drive and the living - most of them at least - can’t hear her. Hannah is on her own.

Sixteen-year-old Bette loves watching horror movies, seeing local bands play, and hanging out with her best friend Rose. Jay, a student at Bette and Rose's school, has done his best to build a new life for himself after the devastating events of his childhood. When Bette and Jay's lives crash headlong into the alluring, lethal underworld of the city's vampires, they're not afraid, but rather fascinated: could this subculture of hunters and predators, villains and heroes, finally be somewhere that they fit in? And if it's not, can they get out alive?

Ciò che rende unici i racconti di Mary E. Wilkins Freeman non sono le case infestate, i fantasmi e le misteriose presenze, che pure non mancano di tendere agguati al lettore, nascoste nell'ombra delle pagine del libro. Ciò che li rende unici nel loro genere sono le protagoniste, non fanciulle indifese in attesa di essere salvate ma donne che affrontano l'ignoto con perseveranza e determinazione.

Shortly after Renée is commissioned as an Army second lieutenant, a deadly virus sweeps across the world, turning most of the living into mindless, undead beings with insatiable cravings for raw human flesh. Stuck with a younger half-brother she has mixed feelings for, Renée becomes his reluctant protector as they embark on a harrowing journey of survival in search of their father.

No one is kind to sixth-grader Brendan Doyle: his foster mother, his teachers, his classmates, and especially the thugs who bully him. He takes refuge in books, drawing, carving, and daydreaming. When Brendan stumbles upon an old man near his tree house in the Virginia woods, he is quick to believe that this is the magical Green Man, guardian spirit of the forest. Brendan's need to immerse himself in his fantasy world becomes more acute, until he meets a girl with secrets of her own who may just keep his feet on the ground.