Medieval English

Lenora Montmayne leads a charmed life as the most beautiful woman at King Wymer's court, surrounded by admirers. And then disaster strikes. The red pox sweeps the summer palace at Caer-Lyones, and Lenora's fair face falls victim to its ravages. Without her looks, what does Lenora have left to her? If ever there was a knight the crowd loves to hate, it's Garman Orde. Even his own family despises him. Then one night a heavily veiled lady offers him an extraordinary bargain. And he finds out that Lenora Montmayne was never just a pretty face.

Nearly three thousand years after they were composed, The Iliad and The Odyssey remain two of the most celebrated and widely read stories ever told, yet next to nothing is known about their author. He was certainly an accomplished Greek bard, and he probably lived in the late eighth and early seventh centuries BCE Authorship is traditionally ascribed to a blind poet named Homer, and it is under this name that the works are still published.

Since it was first published more than 25 years ago, Robert Fitzgerald's prizewinning translation of Homer's battle epic has become a classic in its own right: a standard against which all other versions of The Iliad are compared. Fitzgerald's work is accessible, ironic, faithful, written in a swift vernacular blank verse that "makes Homer live as never before" ( Library Journal).

When the Guardian of the West Passage died in her bed, the women of Grey Tower fed her to the crows and went back to their chores. No successor was named as Guardian, no one took up the fallen blade; the West Passage went unguarded. Now, snow blankets Grey in the height of summer. Rats erupt from beneath the earth, fleeing that which comes. Crops fail. Hunger looms. And none stand ready to face the Beast, stirring beneath the poisoned soil. The fate of all who live in the palace hangs on narrow shoulders.

After years of leading the battle against the vicious Darrow Raiders, Lieutenant-Rider Laren Mapstone has built a fortress around herself to conceal her emotions and the deep scars she carries. When she is made mentor to Tavin Bankside, a Green Rider trainee on his first message errand, her cold and brooding exterior quickly earns her the moniker the “Ice Lady”.

In Search of the Dark Ages is an unrivalled exploration of the origins of English identity, and the best-selling book that established Michael Wood as one of Britain's leading historians. Now, on the book's 40th anniversary, this fully revised and expanded edition illuminates further the fascinating and mysterious centuries between the Romans and the Norman Conquest.

For as long as she can remember, Tova has lived among the Svell, the people who found her washed ashore as a child and use her for her gift as a Truthtongue. Her own home and clan are long-faded memories, but the sacred symbols and staves inked over every inch of her skin mark her as one who can cast the rune stones and see into the future. She has found a fragile place among those who fear her, but when two clans to the east bury their age-old blood feud and join together as one, her world is dangerously close to collapse.

She came to wed his brother… and stole the Dragon's heart. To settle a feud, Dominique Beauchamp is prepared to sacrifice in order to heal their ravaged lands. Offered in marriage by her brother to the lord of Drakewich, she arrives to take the d'Lucy name ... never counting on losing her heart to the brother of her betrothed—the notorious Black Dragon.

Beset by prophetic dreams since the time she was a child, Elienor knew the Norsemen would storm Brouillard castle—she saw it in a dream. She saw the death of many. And she saw him—the golden-haired Viking who would claim her for his prize...

London, September 1666. The Great Fire rages through the city, consuming everything in its path. Even the impregnable cathedral of St. Paul's is engulfed in flames and reduced to ruins. Among the crowds watching its destruction is James Marwood, son of a disgraced printer and reluctant government informer. In the aftermath of the fire, a semi-mummified body is discovered in the ashes of St. Paul's, in a tomb that should have been empty. The man's body has been mutilated, and his thumbs have been tied behind his back.

The modern history of Africa was, until very recently, written on behalf of the indigenous races by the white man, who had forcefully entered the continent during a particularly hubristic and dynamic phase of European history. In 1884, Prince Otto von Bismark, the German chancellor, brought the plenipotentiaries of all major powers of Europe together, to deal with Africa's colonization in such a manner as to avoid provocation of war.

Never did Sabina Burrell imagine that foiling a plot against her sister would lead to her having to wed the arrogant Sir Jeffree de Crecy. She has never met such a loathsome man, and that included her late husband.

Princess Una harbors no illusions about her claims to Karadok's throne. The last of her ill-fated line, she is just grateful she emerged from the dark days of war with her head still on her shoulders. After three years under house arrest, she is keen to start her own life afresh, hopefully in relative obscurity. What she does not realize is the extraordinary scheme the king has devised to find her a suitable bridegroom.

Homer is one of the most important figures in ancient Greek literature, believed to have lived in the 8th century BC. He is most famous for his epic poems, the Iliad and the Odyssey, which are considered to be the founding works of Western literature. The Iliad tells the story of the Trojan War, focusing on the hero Achilles, while the Odyssey recounts the adventures of the Greek hero Odysseus as he attempts to return home after the war. Both works are celebrated for their vivid storytelling, complex characters, and profound exploration of human nature.

A respected and controversial scholar argues that the Crusades were a justified war waged against Muslim terror and aggression. This book takes on the current vogue in liberal thinking to argue that, in fact, the Crusades were not unprovoked. They were not the first round of European colonialism. They were not conducted for land, loot, or converts. The Crusaders were not barbarians who victimized the cultivated Muslims. They sincerely believed that they served in God’s Battalions.

The foundations of modern knowledge - philosophy, math, astronomy, geography - were laid by the Greeks, whose ideas were written on scrolls and stored in libraries across the Mediterranean and beyond. But as the vast Roman Empire disintegrated, so did appreciation of these precious texts. Christianity cast a shadow over so-called pagan thought, books were burned, and the library of Alexandria, the greatest repository of classical knowledge, was destroyed. Yet some texts did survive and The Map of Knowledge explores the role played by seven cities around the Mediterranean....

Human beings have always made music. Music can move us and tell stories of faith, struggle, or love. It is common to all cultures across the world. But how has it changed over the millennia? Robert Philip explores the extraordinary history of music in all its forms, from our earliest ancestors to today’s mass-produced songs. This is a truly global story. Looking to Europe, South America, Asia, Africa, and beyond, Philip reveals how musicians have been brought together by trade and migration and examines the vast impact of colonialism.

The Devil, Satan, Lucifer, Mephistopheles - throughout history the Prince of Darkness, the Western world's most powerful symbol of evil, has taken many names and shapes. Jeffrey Burton Russell here chronicles the remarkable story of the Devil from antiquity to the present. While recounting how past generations have personified evil, he deepens our understanding of the ways in which people have dealt with the enduring problem of radical evil. Russell uncovers the origins of the concept of the Devil in various early cultures and then traces its evolution in Western thought from the time of the ancient Hebrews through the first centuries of the Christian era. Next he turns to the medieval view of the Devil, focusing on images found in folklore, scholastic thought, art, literature, mysticism, and witchcraft.

Starting AD 400 (around the time of their invasion of England) and running through to the 1100s (the 'Aftermath'), historian Geoffrey Hindley shows the Anglo-Saxons as formative in the history not only of England but also of Europe. The society inspired by the warrior world of the Old English poem Beowulf saw England become the world's first nation state and Europe's first country to conduct affairs in its own language, and Bede and Boniface of Wessex establish the dating convention we still use today.

The epic grandeur of Dante's masterpiece has inspired readers and listeners for 700 years and has entered the human imagination. But the further we move from the late medieval world of Dante, the more a rich understanding and enjoyment of the poem depends on knowledgeable guidance.