Medieval English

In the fair autumn of Our Lord's grace 1431, the nuns of England's St. Frideswide's prepare for the simply ceremonies in which the saintly novice Thomasine will take her holy vows. But their quiet lives of beauty and prayer are thrown into chaos by the merciless arrival of Lady Ermentrude Fenner and her retinue of lusty men, sinful women, and baying hounds. The hard-drinking dowager even keeps a pet monkey for her amusement. She demands wine, a feast.... And her niece, the angelic Thomasine.

Anna is driving her aunt's minivan with her brother, David, when she crashes through time and finds herself in the middle of an ambush of Llywelyn, the last Prince of Wales. It is December 1282, and the English have attacked, hoping to eliminate the Welsh rebels forever. Instead, the siblings save Llywelyn's life and embark on a journey that transforms not only themselves but an entire world. is the story of what might have happened, had Llywelyn lived. And what happens to the two teenagers who save him.

It was medieval England’s immortal marriage - Eleanor of Aquitaine and Henry II, bound by passion and ambition, certain to leave a legacy of greatness. But while lust would divide them, it was friendship - and ultimately faith - that brought bloodshed into their midst. It began with Thomas Becket, Henry’s closest confidant, and his elevation to be archbishop of Canterbury. It ended with a perceived betrayal that made a royal murder seem inevitable. Along the way were enough scheming, seductions, and scandals to topple any kingdom but their own....

When William the Conqueror died in 1087, he left the throne of England to William Rufus . . . his second son. The result was an immediate war as Rufus's elder brother Robert fought to gain the crown he saw as rightfully his; this conflict marked the start of 400 years of bloody disputes as the English monarchy's line of hereditary succession was bent, twisted, and finally broken when the last Plantagenet king, Richard III, fell at Bosworth in 1485.

A young pretender raises an army to take the throne. Learning of his father’s death, the adolescent, dashing and charismatic and descended from the old kings of the North, vows to avenge him. He is supported in this war by his mother, who has spirited away her two younger sons to safety. Against them is the queen, passionate, proud, and strong-willed and with more of the masculine virtues of the time than most men. She too is battling for the inheritance of her young son, not yet fully grown but already a sadist who takes delight in watching executions.

Sixteen-year-old Leinad thought he was a common farmer's son, nothing more. He wondered why his father had trained him for years to master the sword, not exactly a tool of the trade for farmers. But one tragic event initiates a world of revelation. Only then does he begin to understand his calling, a calling no other man in the entire kingdom of Arrethtrae can fulfill - a calling given him by the King himself.

"It takes an entire lifetime to learn how to die", wrote the Roman Stoic philosopher Seneca (c. 4 BC-65 AD). He counseled readers to "study death always", and took his own advice, returning to the subject again and again in all his writings, yet he never treated it in a complete work. How to Die gathers in one volume, for the first time, Seneca's remarkable meditations on death and dying. Edited and translated by James S. Romm, How to Die reveals a provocative thinker who speaks with a startling frankness about the need to accept death or even, under certain conditions, to seek it out.

Suffering through a short marriage to an enemy of Scotland, Lady Emilia MacCulloch manages to escape just before her husband dies. But the Ross Clan will stop at nothing to get her back, for she plays a big part in their plans to thwart Robert the Bruce. She fears not only for her life, but for her family who will be labeled traitors. Placed by her king as a governess in the household of a devastatingly handsome warrior, Emilia finds herself drawn to the man when she had previously sworn off love altogether.

The Dark Ages is the story of the birth of Western civilization. It was a harrowing crucible of war, destruction, and faith. For over 100 years, Charles Oman's famous history has remained one of the finest sources for the study of this period. Covering a period of 500 years and an area stretching from Northern Germany to Egypt, this is the definitive history that will alter your conceptions of a period of history that gave birth to the civilization we live in today.

When the Guardian of the West Passage died in her bed, the women of Grey Tower fed her to the crows and went back to their chores. No successor was named as Guardian, no one took up the fallen blade; the West Passage went unguarded. Now, snow blankets Grey in the height of summer. Rats erupt from beneath the earth, fleeing that which comes. Crops fail. Hunger looms. And none stand ready to face the Beast, stirring beneath the poisoned soil. The fate of all who live in the palace hangs on narrow shoulders.

The modern history of Africa was, until very recently, written on behalf of the indigenous races by the white man, who had forcefully entered the continent during a particularly hubristic and dynamic phase of European history. In 1884, Prince Otto von Bismark, the German chancellor, brought the plenipotentiaries of all major powers of Europe together, to deal with Africa's colonization in such a manner as to avoid provocation of war.

Since it was first published more than 25 years ago, Robert Fitzgerald's prizewinning translation of Homer's battle epic has become a classic in its own right: a standard against which all other versions of The Iliad are compared. Fitzgerald's work is accessible, ironic, faithful, written in a swift vernacular blank verse that "makes Homer live as never before" ( Library Journal).

September, 1356. Poitiers. The greatest knights of the age were ready to give battle. On the English side, Edward, the Black Prince, who'd earned his spurs at Crecy. On the French side, the king and his son, the dauphin. With 12,000 knights. And then there is William Gold. A cook's boy - the lowest of the low - who had once been branded as a thief. William dreams of being a knight, but in this savage new world of intrigue, betrayal and greed, first he must learn to survive.

After years of leading the battle against the vicious Darrow Raiders, Lieutenant-Rider Laren Mapstone has built a fortress around herself to conceal her emotions and the deep scars she carries. When she is made mentor to Tavin Bankside, a Green Rider trainee on his first message errand, her cold and brooding exterior quickly earns her the moniker the “Ice Lady”.

Beset by prophetic dreams since the time she was a child, Elienor knew the Norsemen would storm Brouillard castle—she saw it in a dream. She saw the death of many. And she saw him—the golden-haired Viking who would claim her for his prize...

In Search of the Dark Ages is an unrivalled exploration of the origins of English identity, and the best-selling book that established Michael Wood as one of Britain's leading historians. Now, on the book's 40th anniversary, this fully revised and expanded edition illuminates further the fascinating and mysterious centuries between the Romans and the Norman Conquest.

Sophisticated wit and intense emotion, religious fervor and erotic sensuality, delight in life’s pleasures and fascination with death, are all to be found in the paradoxical poetry of John Donne. One of the foremost metaphysical poets, Donne’s ingenious metaphors and inspired use of language has earned him affection and reverence in near equal measure to Shakespeare.

1599 was an epochal year for Shakespeare and England. During that year, Shakespeare wrote four of his most famous plays: Henry the Fifth, Julius Caesar, As You Like It, and, most remarkably, Hamlet; Elizabethans sent off an army to crush an Irish rebellion, weathered an Armada threat from Spain, gambled on a fledgling East India Company, and waited to see who would succeed their aging and childless queen.

Princess Una harbors no illusions about her claims to Karadok's throne. The last of her ill-fated line, she is just grateful she emerged from the dark days of war with her head still on her shoulders. After three years under house arrest, she is keen to start her own life afresh, hopefully in relative obscurity. What she does not realize is the extraordinary scheme the king has devised to find her a suitable bridegroom.

Human beings have always made music. Music can move us and tell stories of faith, struggle, or love. It is common to all cultures across the world. But how has it changed over the millennia? Robert Philip explores the extraordinary history of music in all its forms, from our earliest ancestors to today’s mass-produced songs. This is a truly global story. Looking to Europe, South America, Asia, Africa, and beyond, Philip reveals how musicians have been brought together by trade and migration and examines the vast impact of colonialism.