Memoir Essays

Flailing in jobs, failing at love, getting addicted and un-addicted to people, food, and drugs - I'll Tell You in Person is a disarmingly frank account of attempts at adulthood and all the less than perfect ways we get there. Chloe Caldwell has an unsparing knack for looking within and reporting back what's really there, rather than what she'd like you to see.

At a remote little inn not far from the Kansas homestead of Laura Ingalls Wilder lived the Bender family. These pioneers welcomed unwary visitors with jackrabbit stew and a sledgehammer to the skull. In time, their apple orchard gave up its secrets - a burial ground for their mutilated victims, each stripped of their possessions. The devilish enterprise on “Hell’s Half-Acre” would earn the Bloody Benders an undying place in the annals of American infamy. But it was the mysterious fate of eldest daughter, Kate, that would make them the stuff of mythic campfire prairie tales.

“I speak from my difference,” wrote Pedro Lemebel, an openly queer writer and artist living through Chile’s AIDS epidemic and the collapse of the Pinochet dictatorship. In brilliantly innovative essays—known as crónicas—that combine memoir, reportage, fiction, history, and poetry, he brought visibility and dignity to sexual minorities, the poor, and the powerless.

Jill Kargman is a mother, wife, and writer living the life in New York City... a life that includes camping out in a one-bedroom apartment with some unfortunate (and furry) roommates, battling the Momzillas of Manhattan, and coming to terms with her desire for gay men. In this entertaining collection of observations, Kargman offers her unique, wickedly funny perspective as she zips around Manhattan with three kids in tow.

This is the story of an unforgivable con man. Vulnerable families were his prey. His promise was an impossible dream and a lie. Peter Candlewood understood the system. That’s how he could commute prison sentences and reunite hopeless families with incarcerated loved ones. For a price. Except there was no Candlewood. No hope. Just a lowly Texas con artist who bet on the desperate - and won. And he wasn’t working alone. The multimillion-dollar deception cost the betrayed more than their savings.

Building off her wildly popular viral essays “Losing My Ambition” and “The Mindfuck of Mid-Life,” Amil Niazi explores what life looks like “post-ambition.” With sly humor and a deep literary sensibility, she interrogates her own evolving ambitions, and how it intersects with adulthood, motherhood, age, identity, class, and race, and how it has shaped her and a generation of Millennials. And—most importantly—now that she is done with ambition: what happens next?

A powerful, poetic memoir about what it means to exist as an Indigenous woman in America, told in snapshots of the author’s encounters with gun violence.

Jonathan Franzen’s best seller Freedom was the most-discussed novel of 2010, an ambitious and searching engagement with life in America in the 21st century. The New York Times Book Review proclaimed it “a masterpiece of American fiction.” Now a new collection of Franzen’s non-fiction brings fresh evidence of that moral intelligence, confirming his status not only as a great American novelist but also as a keen observer, social critic and self-investigator.

Embracing the possibilities and impossibilities of language, Kim rejoices in the similes of Korean, her mother tongue, and draws inspiration from K-dramas and writers across cultures who sustain her. As borders close in and nations enter lockdown, the journey that Kim traces is fraught-and at once illuminates that the act of remaining present has its own power, allowing boundless hope.

A "Proustian minimalist on the order of Lydia Davis" ( Kirkus Reviews), Sarah Manguso is one of the finest literary artists at work today. To hear her work is to witness acrobatic acts of compression in the service of extraordinary psychological and spiritual insight. 300 Arguments, a foray into the frontier of contemporary nonfiction writing, is at first glance a group of unrelated aphorisms.

La cocaina: la merce più usata, trafficata, desiderata del nostro tempo. Le infinite vie del narcotraffico, dal Messico alle spiagge di Miami, dalla Colombia alla Russia, dall'Africa alle strade di Milano, New York, Parigi. Il viaggio di un grande scrittore nei gironi infernali del mondo contemporaneo, dove la ferocia dilaga incontrastata ma i boss hanno imparato tutte le regole più sofisticate del business. Uno straordinario romanzo-verità.

With makeup and an affected Elvis pout, Tucson’s Charlie Schmid was a crude parody of a bad-boy heartthrob. In 1964, he still had a hold on girls who’d follow him anywhere. He murdered three of them. It was the dawn of the free-love movement - perfect for a magnetic madman who’d also foreshadow its end a few years later in the malignant charisma of Charles Manson. The inspiration for a classic story by Joyce Carol Oates, Schmid, the most bizarre serial killer of any era, was the epitome of a narcissist flattered into believing he could get away with murder.

Emilly Prado retraces her experience coming of age as a prep-turned-chola-turned-punk in this collection that is one-part memoir-in-essays and one-part playlist, zigzagging across genres and decades, much like the rapidly changing and varied tastes of her youth.

Centuries ago, sound theology and good fiction were friends and not strangers. Decades ago, authors strove not for self-expression and self-disclosure but for a mastery of craft and language and books that transformed the reader with wisdom and love. In more recent years, the old ideals have been exchanged for lesser ones. Few guides to writing, which tend to focus on mechanics, point of view, and plot, address the more important matters of meaning, depth, and heart. But it is the latter qualities that make a book a blessing and gift to both writer and reader.

A portrait of a keen social observer at the center of the last 50 years of cultural life, captured through a vivid selection of O’Brien’s own writings on music to fashion to downtown art and, just as importantly and unexpectedly, the political temperature of America. Glenn O’Brien collaborated with visual artists, writers, fashion houses, and musicians throughout his almost 50-year career. Intelligence for Dummies gathers Glenn O’Brien’s essays, aphorisms and tweets, to create a portrait of the artist as cultural bellwether.

Rapper and singer Dessa gives a candid account of her life as a touring musician, her determination to beat long odds to make a name for herself, and her struggle to fall out of love with someone in her band. Raw and intimate, Dessa demonstrates just how far the mind can travel while the body is on the six-hour ride to the next rap show. Dessa finds unconventional approaches to all of her subjects - braiding her lived experience with academic research and a poet's tone and timing. In the vein of thinkers who defy categorization, we get the debut of a deft, likable, and unusual voice.

Put Off My Sackcloth is a mosaic of essays about one writer’s journey through a life fraught with crippling interior darkness in an uncertain world to the salve she finds in her “shored-up ruins” and new maternal life beneath the lambent glow of the Sangre de Cristo mountain range in South-Central Colorado. The daughter of a Jewish refuge from Nazi Germany and an American mother prone to suicidal depression, Annie Dawid, in these essays, traces the history of her life.

Rising literary star and Los Angeles Times First Fiction Award finalist Sarah Gerard uses her experiences growing up along Florida's Gulf Coast to illuminate the struggles of modern human survival - physical, emotional, environmental - through a collection of essays exploring intimacy, addiction, obsession, religion, homelessness, and incarceration.

Lizz Winstead, co-creator of The Daily Show and one of today's most hilarious comedians and insightful social critics, pens a brilliant account of how she discovered her comedic voice. In this collection of autobiographical essays, Winstead vividly recounts how she fought to find her own voice, both as a comedian and as a woman, and how humor became her most powerful weapon in confronting life's challenges.

Keeonna and Jason met as young teens. Only fourteen, Keeonna had never had a boyfriend before, dreamed of attending Spelman to become an obstetrician, and thought she was “grown.” Within a year she was pregnant and Jason was in prison, convicted of a carjacking and sentenced to twenty-two years. Overnight Keeonna had become a “mainline mama,” a parent facing the task of raising a child—while still growing up herself—with an incarcerated partner.