Memoir Essays

As always, Crosley's voice is fueled by the perfect witticism, buoyant optimism, flair for drama, and easy charm in the face of minor suffering or potential drudgery. But in How Did You Get This Number it has also become increasingly sophisticated, quicker and sharper to the point, more complex and lasting in the emotions it explores. And yet, Crosley remains the unfailingly hilarious young Everywoman, healthily equipped with intelligence and poise to fend off any potential mundanity in maturity.

In this age of billion dollar athletic marketing campaigns, “feel good” philosophy with no connection to reality, and a Sports Media echo chamber that’s all too eager swallow whatever idiotic notion happens to be in vogue at the moment, it’s tough to find people who aren’t afraid to say what they’re really thinking.

Many authors have traveled and explored the out-of-doors, both in life and then in their books, proving themselves stalwart, audacious, even heroic; Andrew Farkas is not among them. He is brave enough to admit that the outdoors isn’t for him. Instead, in these essays Farkas reports on his bold explorations of a very different territory: the in-of-doors, the waiting rooms, kitchens, malls, bars, theaters, roadside motel rooms, and other places that feature temperature control, protection from rampaging predators, and a higher degree of comfort than can be found outside.

From the award-winning essayist and author of the “shrewd as hell and hysterically funny” novel Cheer Up, Mr. Widdicombe comes a moving and unforgettable essay collection about his travels around the globe as he reflects on the power and complexity of human relationships. From the award-winning essay “Lover's Theme”, in which Evan James explores the life of a drag queen in San Francisco, to his poignant story of coming out in “One Hell of a Homie”, this essay collection brilliantly captures both the beauty and pain of relationships - friendly, familiar, and romantic.

Navigating racial identity, gender roles, workplace dynamics, and beauty standards, Mia Mercado's hilarious essay collection explores the contradictions of being a millennial woman, which usually means being kind of a weirdo.

Youth and frailty, ambition and anxiety, the limitations of the body and the challenges of personal transformation: these are the undercurrents that animate acclaimed poet Ashleigh Young's first collection of essays. In Can You Tolerate This? - the title comes from the question chiropractors ask to test a patient's pain threshold - Young ushers us into her early years in the faraway yet familiar landscape of New Zealand: fantasizing about Paul McCartney, cheering on her older brother's fledging music career, and yearning for a larger and more creative life.

In his latest collection, I Love You More Than You Know, Ames proves once again his immense talent for turning his own adventures, neuroses, joys, heartaches, and insights into profound and hilarious tales. Alive with love and tenderness for his son, his parents, his great-aunt, and even strangers in bars late at night, in I Love You More Than You Know Ames looks beneath the surface of our world to find the beauty in the perverse, the sweetness in loneliness, and the humor in pain.

An electric essay collection about Blackness, art, and dreaming of new possibilities in a time of constriction.

In this stunning debut, Laura Lee weaves unforgettable and eye-opening essays on a variety of taboo topics. In “History of Scars” and “Aluminum’s Erosions”, Laura dives head-first into heavier themes revolving around intimacy, sexuality, trauma, mental illness, and the passage of time. In “Poetry of the World”, Laura shifts and addresses the grief she feels by being geographically distant from her mother whom, after being diagnosed with early onset Alzheimer’s, is relocated to a nursing home in Korea.

From her well-remembered New Yorker essays about the financial demands of big-city ambition and the ethereal, strangely old-fashioned allure of cyber relationships to her dazzlingly hilarious riff in Harper's about musical passions that give way to middle-brow paraphernalia, Daum delves into the center of things while closely examining the detritus that spills out along the way. With precision and well-balanced irony, Daum implicates herself as readily as she does the targets that fascinate and horrify her.

Welcome to essayist Kimberly Harrington’s poetic and funny world of motherhood, womanhood, and humanhood, not necessarily in that order. It’s a place of loud parenting, fierce loving, too much social media, and occasional inner monologues where timeless debates are resolved such as Pro/Con: Caving to PTO Bake Sale Pressure (“Pro: Skim the crappiest brownies for myself. Con: They’re really crappy.”) With accessibility and wit, she captures the emotions around parenthood in artful and earnest ways.

Calvin Trillin has reported serious pieces across America for The New Yorker, covered the civil rights movement in the South for Time, and written comic verse for The Nation. But one of his favorite subjects over the years—a superb fit for his unique combination of reportage and humor—has been his own professional environment: the American press.

A powerful meditation on identity and belonging, Sejal Shah explores the tension of being both invisible and hyper-visible in a country that struggles with race. The daughter of immigrants from India and Kenya, Shah wrestles with her experiences growing up in—and returning to—western New York, an area of stark racial and socioeconomic segregation. Her work illuminates how we are all marked by family and place; by the limits of our bodies; by our losses and regrets; by who and what we love; by our ambivalences and our silences.

In his books I Can't Date Jesus and I Don't Want to Die Poor, Michael Arceneaux established himself as one of the most beloved and entertaining writers of his generation, touching upon such hot-button topics as race, class, sexuality, labor, debt, and, of course, paying homage to the power and wisdom of Beyoncé. In this collection, Arceneaux takes stock of how far he has traveled—and how much ground he still has to cover in this patriarchal, heteronormative society.

ESPN personality ( Get Up and #Greeny) and New York Times bestselling author Mike Greenberg partners with mega-producer Hembo to settle once and for all which legends flat-out own which numbers. In short essays certain to provoke debate between and amongst all generations, Greeny uses his lifetime of sports knowledge to spin yarns of the legends among the legends and tell you why some have claimed their spot in the top 100 of all time.

A powerful, poetic memoir about what it means to exist as an Indigenous woman in America, told in snapshots of the author’s encounters with gun violence.

Acclaimed author of The Real Lolita and editor of Women Crime Writers: Eight Suspense Novels of the 1940s & 50s (Library of America) and Troubled Daughters, Twisted Wives (Penguin), Sarah Weinman brings together an exemplary collection of recent true-crime tales. She culls together some of the most refreshing and exciting contemporary journalists and chroniclers of crime working today.

Alongside their personal stories, the writers -decorated novelists, poets, and essayists - address the history of the C-section as well as its risks, social inequities, impact on the body, and psychological aftermath. My Caesarean is a heartfelt meditation, offering much-needed comfort through shared experience.

A unique collection of 41 groundbreaking essays, poems, and artwork by migrants, refugees and Dreamers—including award-winning writers, artists, and activists—that illuminate what it is like living undocumented today.

In sixteen essays published over the past decade, acclaimed novelist Elisa Albert considers everything from the creative process to reproductive justice, ambition to Ani DiFranco, Judaism to the ethos of punk, all in the midst of making a home in the strange city of Albany, New York.