Occult Horror Fiction

The Necronomicon was not the first book by H.P. Lovecraft to terrify readers with tales of dark and twisted horrors from beyond. No, the Al-Azif, or Book of the Insect, is the first work that told mankind of Cthulhu, Azathoth, and other terrors. Indeed, it was the book that inspired "The Mad Arab" Abdul Al-Hazred to write its more famous successor.

The novel opens in the present. At its center: Toby O’Dare—a contract killer of underground fame on assignment to kill once again. A soulless soul, a dead man walking, he lives under a series of aliases—just now: Lucky the Fox—and takes his orders from “The Right Man.”

A few months after escaping the coven that drained my magic, life is golden. My little sister Maddie is safe and happy. I have my pack. I'm in love. But nothing gold can stay. Maddie's violent, dangerous birth pack wants her back. My four men and I face dozens of wolves, intent on taking my little sister by force. If we keep fighting, my pack will be destroyed all over again. There's only one sacrifice I can make to end this pack war. Myself. But you know me. I won't let that be the end of my story.

In 1765, plague sweeps through Zacatecas. Alba flees with her wealthy merchant parents and fiancé, Carlos, to his family’s isolated mine for refuge. But safety proves fleeting as other dangers soon bare their teeth: Alba begins suffering from strange hallucinations, sleepwalking, and violent convulsions. She senses something cold lurking beneath her skin. Something angry. Something wrong.

The cursed families of Black River are about to make their final stand. On one side are the survivors of the ancient curse, a nightmare that has plagued their bloodlines for centuries. And standing against them is the sinister and twisted Bell Witch, an evil spirit who lives on in a new host.... Powered by the souls of her victims, the witch’s malignance infests the woods surrounding Black River.

This volume contains the stories that nearly everyone agrees are the best work of H.P. Lovecraft’s life. Chronologically, it is the second book in a three-volume omnibus set comprising the complete fictional works of Howard Phillips Lovcecraft.

Dr. John Gladstone, a scientist in Victorian London, is thrust into the world of the vampire after his carriage runs over a young man of angelic beauty named Niccolo. When Niccolo kidnaps Gladstone's child and vanishes, the doctor must go in pursuit, with the help of his daughter, Ursula, who is enticed by the lure of eternal life, and Lady Hespeth, whose demure exterior hides a dangerous obsession. Why are the vampires taking children, and what is the connection to Gladstone's experiments with a deadly virus?

As a young double agent infiltrating the Soviet spy network in Nazi-occupied Paris, Andrew Hale finds himself caught up in a secret, even more ruthless war. Two decades later, a coded message draws Professor Andrew Hale back into Her Majesty’s Secret Service. Elements from his past are gathering in Beirut, including ex-British counterespionage chief and Soviet mole Kim Philby, and a beautiful former Spanish Civil War soldier-turned-intelligence operative.

The year is 1940, and Great Britain's forces struggle against the Nazi war machine. France has fallen to Adolf Hitler's army, and England is next. A British secret agent pays the ultimate price to deliver early warning to harness the power of the occult to conquer Great Britain by launching a supernatural assault that no defending military force could possibly deflect.

Chris and Tanya have been assigned as Coven Rovers, travelling the country and troubleshooting the supernatural community. It's a job that's part cop and part auditor, one that should be long periods of boredom mixed with small parts of action. But this is Chris and Tanya, so a sudden assignment to check on a rogue vampire leads to a run-in with a hostile master vampire, a hit squad, monsters straight out of Native American folklore, black ops teams, and, worst of all, vampire politics.

Travel writer Lea Sutter finds herself on a small island off the coast of South Carolina, the wrong place at the wrong time. A merciless, unanticipated hurricane cuts a path of destruction and Lea barely escapes with her life. In the storm’s aftermath, she discovers orphaned twin boys and impulsively decides to adopt them. The boys, Samuel and Daniel, seem amiable and immensely grateful; Lea’s family back on Long Island - husband Mark and their two children, Ira and Elena - aren’t quite so pleased.

In the aftermath of a family tragedy, an aspiring author is torn between love for her childhood friend and the temptation of a mysterious outsider. Trying to escape the ghosts of her past, she is swept away to a house that breathes, bleeds...and remembers.

Gates Foster lost his daughter, Lucy, 17 years ago. He's never stopped searching. Suddenly, a shocking new development provides Foster with his first major lead in over a decade, and he may finally be on the verge of discovering the awful truth. Meanwhile, Mitzi Ives has carved out a space among the Foley artists creating the immersive sounds giving Hollywood films their authenticity. Using the same secret techniques as her father before her, she's become an industry-leading expert in the sound of violence and horror, creating screams so bone-chilling, they may as well be real.

Halloween, 1963. They call him the October Boy, or Ol' Hacksaw Face, or Sawtooth Jack. Whatever the name, everybody in this small Midwestern town knows who he is. How he rises from the cornfields every Halloween, a butcher knife in his hand, and makes his way toward town, where gangs of teenage boys eagerly await their chance to confront the legendary nightmare. Both the hunter and the hunted, the October Boy is the prize in an annual rite of life and death. Pete McCormick knows that killing the October Boy is his one chance to escape a dead-end future in this one-horse town.

The village of Saint-Ferdinand has all the trappings of a quiet life. Though if an out-of-towner stopped in, they would notice one unusual thing - a cemetery far too large and much too full for such a small town, lined with the victims of the Saint-Ferdinand Killer, who has eluded police for nearly two decades. It's not until after Inspector Stephen Crowley finally catches the killer that the town discovers even darker forces are at play.

My name is Medley Bell, and if you had told me this time last week that I was demon, then I’d have said you were nuttier than a squirrel turd. Of course, that was before I started seeing the strangest things. I’ve always been a little off, but it took stumbling into a backwater bar to understand how different I really am. So when two drool-worthy guys stop by to tell me that I’m Hell spawn just like them, I’m more relieved than shocked. I mean, it sure does explain a lot.

The end of the world begins at dawn, when the sun rises later than it should. Then the holes appear. The first forms in Central Park, within sight of an apartment where Repairman Jack and a man as old as time watch with growing dread. Gaping holes, bottomless and empty…until sundown, when the first unearthly, hungry creatures appear.

Leadership is a mantle I never wanted, but when the responsibility is foisted upon me, I have no choice but to take the reins at least until I can find a worthy replacement. Even with newly found alliances that alter my very existence, I have every intention of returning to the shadows when my job is done. Until secrets surface that make it nearly impossible to ignore what’s been taken from me. Our rules may be few, but the repercussions are swift and brutal when broken.

Frank Cotton's insatiable appetite for the dark pleasures of pain led him to the puzzle of Lemarchand's box, and from there, to a death only a sick-minded soul could invent. But his brother's love-crazed wife, Julia, has discovered a way to bring Frank back - though the price will be bloody and terrible...and there will certainly be hell to pay.

"It is fitting that I'm beginning a new notebook up here. New surroundings and new ideas, a new beginning. Fresh air." This passage is from the first entry of a journal kept by the narrator of Daniel Kehlmann's spellbinding new novel. It is the record of the seven days that he, his wife, and his four-year-old daughter spend in a house they have rented in the mountains of Germany - a house that thwarts the expectations of the narrator's recollection and seems to defy the very laws of physics.