Psychological Crime Thrillers

Saffy is waiting to go into an important meeting when she receives a missed call and then a text message from her best friend, Leona: Please help...come now. Of course, she races to her friend’s house. But when she arrives, she notices something strange. This message was deleted. Leona answers the door, and insists everything's fine. She doesn't know anything about the message. Six hours later, Saffy gets a knock on the door. It's the police. They’ve found a body. And Saffy was the last one to see them alive.

When pregnant Saffron Cutler moves into 9 Skelton Place with boyfriend Tom and sets about renovations, the last thing she expects is builders uncovering human remains. The remains of two bodies, in fact.

Sara Keane's husband, Damien, has uprooted them from England and moved them to his native Northern Ireland for a "fresh start" in the wake of her nervous breakdown. But three sleepless nights into their new life, Sara understands it's not an entirely fresh start after all: Damien's new boss is his ex-con father, whose contracting business is run with violence and tinged by paramilitary association. Sara, who knows no one in Northern Ireland, is jobless, carless, friendless - all but a prisoner in her own house.

Celebrating her forty-fifth birthday at her local pub, popular podcaster Alix Summer crosses paths with an unassuming woman called Josie Fair. Josie, it turns out, is also celebrating her forty-fifth birthday. They are, in fact, birthday twins. A few days later, Alix and Josie bump into each other again, this time outside Alix’s children’s school. Josie has been listening to Alix’s podcasts and thinks she might be an interesting subject for her series. She is, she tells Alix, on the cusp of great changes in her life.

Released from the hospital with her memory still blurred, the only survivor of a horrific car crash meets the brother of one of the victims. They soon suspect that someone will do anything to hide the truth of what happened on the road that night—and why. A serial killer calls up a late-night radio DJ with a gruesome request. Ellie and Ash have moved into a beautiful old house—but it has a mysterious past, and their life in the countryside is about to take a dark turn. A woman is haunted by an event in her past—and tormented by a mysterious killer who won’t let her forget it.

Hi, I'm Keshav, and my life is screwed. I hate my job and my girlfriend left me. Ah, the beautiful Zara. Zara is from Kashmir. She is a Muslim. And did I tell you my family is a bit, well, traditional? Anyway, leave that. Zara and I broke up four years ago. She moved on. I didn't. I drank every night to forget her, I called, I messaged, and stalked her on social media. She just ignored me. However, that night, on the eve of her birthday, Zara messaged me. She called me over, like old times, to her hostel room 105.

Quinn Roberts is dead and she wants to know how it happened. She's angry, confused and disappointed that her life is over. Most of her friends have moved on and it seems like no one cares who was responsible. Her adult children are in shock but their mother's death is too painful, so they do nothing. Soon after her murder, Quinn's husband, Alec, acquires a new wife and Quinn becomes a distant memory. Only her sister, Erin, and Detective John McQuillan continue to search for answers.

Faye Townsend has planned the perfect summer trip for her family. But returning to the small seaside town her husband grew up in does not go to plan - the rain pours, and the long days become stifling. And then the unthinkable happens.... Her husband, Jake, and her six-year-old son, Dylan, go for an early morning walk along the beautiful, windswept clifftops. They don’t come back.

In death, they are purified. Holding his victims under water, he washes away their sins as they struggle for their last breath. Then he stakes their bodies to the ground, exposing them for what they really are: witches. No one knows about defence attorney Charlotte Wellington's murdered sister, or about her childhood spent with the carnival that's just arrived in town. For Charlotte, what's past is past. But others don't agree. And as a madman's body count rises, she and Detective Daniel Rokov are drawn into a mission that's become terrifyingly personal.

Welcome to Stanhope. A safe neighborhood. A place for families. William Wooler is a family man, on the surface. But he’s been having an affair, an affair that ended horribly this afternoon at a motel up the road. So when he returns to his house, devastated and angry, to find his difficult nine-year-old daughter, Avery, unexpectedly home from school, William loses his temper. Hours later, Avery’s family declares her missing. Suddenly Stanhope doesn’t feel so safe. And William isn’t the only one on his street who’s hiding a lie.

Une troublante impression de déjà-vu... Ellie a disparu à l'âge de quinze ans. Sa mère n'a jamais réussi à faire son deuil, d'autant plus que la police n'a retrouvé ni le coupable ni le corps. Dix ans plus tard, cette femme brisée doit pourtant se résoudre à tourner la page. C'est alors qu'elle fait la connaissance de Floyd, un homme charmant, père célibataire, auquel elle se lie peu à peu. Mais lorsqu'elle rencontre la fille de celui-ci, Poppy, âgée de neuf ans, le passé la rattrape brutalement : cette fillette est le portrait craché de sa fille disparue.

When college professor Ellie McKay walks into the Maverick Bar in Farmington, New Mexico, late one evening, she plans to get drunk, not engaged. But within 30 minutes, she’s met cowboy Al Robison, he’s proposed to her, and she’s accepted. Al only knows that Ellie is attractive, vulnerable, and single; he doesn’t know that she has been on the run for weeks from a sociopath who killed her surgeon boyfriend in Pennsylvania and raped and tortured her.

Scarlett Clark is an exceptional English professor. But she’s even better at getting away with murder. Every year, Dr. Clark searches for the worst man at Gorman University - professor, student, or otherwise - and plots his well-deserved demise. Thanks to her meticulous planning, she’s avoided drawing attention to herself…but as she’s preparing for her biggest kill yet, the school starts probing into the growing body count on campus.

Kimera Davis finds comfort in dating married men. It's easier that way. Her needs are taken care of, and she doesn't have to give more of herself than she wants to. No messy feelings involved. But when the man she's seeing poses an unexpected question, Kimera quickly realizes she's not the only woman pulled in by his charm. Their new arrangement doesn't require much from Kimera, but she soon discovers someone else is pulling the strings. She's not looking for complications, yet she can't help feeling there's something devious at play.

Some call him friend or boss. Some call him husband or dad. Some call him son, even a favorite son. But the only title that matters to him is the one the media has given him: the Poet. A name he earned from the written words he leaves behind after he kills that are as dark and mysterious as the reason he chooses his victims. One word, two, three, a story in a poem, a secret that only Detective Samantha Jazz can solve. Because, he’s writing this story for her.

Until a chance assignment takes GBI investigator Will Trent to the state penitentiary, and to a prisoner who says he recognizes the MO. The attack looks identical to the one he was accused of eight years earlier. The prisoner’s always insisted that he was innocent, and now he’s sure he has proof. The killer is still out there. As Will digs into both crimes, it becomes clear that he must solve the original case in order to reach the truth

Berlin Alexanderplatz, the great novel of Berlin and the doomed Weimar Republic, is one of the great books of the 20th century, gruesome, farcical, and appalling, word drunk, pitchdark. In Michael Hofmann's extraordinary new translation, Alfred Döblin's masterpiece lives in English for the first time.

On a flight from London to Boston, Ted Severson meets the stunning and mysterious Lily Kintner. Sharing one too many martinis, the strangers begin to play a game of truth, revealing intimate details about themselves. Ted talks about his marriage that’s going stale and his wife, Miranda, who he’s sure is cheating on him. Ted and his wife were a mismatch from the start - he the rich businessman, she the artistic free spirit - a contrast that once inflamed their passion but has now become a cliché. But their game turns a little darker when Ted jokes that he could kill Miranda....

Mildred Pierce had gorgeous legs, a way with a skillet, and a bone-deep core of toughness and determination. She used those attributes to survive a divorce in 1940s America with two children and to claw her way out of poverty, becoming a successful businesswoman. But Mildred also had two weaknesses: a yen for shiftless men and an unreasoning devotion to her monstrous daughter.

Prescription DEATH. Eight attractive, talented people, each tottering on the razor's edge of sanity. Now their psychiatrist, Dr. Elias, is dying from a ravaging cancer, and he has made his cold final judgment. Those he can't cure, he must kill.