Rock Art

Today, yacht rock is one of the most celebrated "yesteryear" styles of pop music, and has resonated with a new generation of musicians. But despite all the hoopla, there has never been a book that told the entire story of the genre. Until now. Featuring interviews with many of the heavy hitters of the genre, including John Oates, Kenny Loggins, and Don Felder, The Yacht Rock Book leaves no sail unturned. This is the definitive story of the yacht rock’s creation, rise, chart-smashing success, fall, and stunning rebirth.

Spanning three decades worth of astute, acerbic, and overall astounding music writing, Kick Out the Jams is the first large-scale anthology of the work of renowned critic Dave Marsh. Ranging from Elvis Presley to Kurt Cobain, from Nina Simone to Ani DiFranco, from the Beatles to Green Day, the book gives an opinionated, eye-opening overview of 20th-century popular music—offering a portrait not just of an era but of a writer wrestling with the American empire.

Thirty years ago, Chuck Berry starred in the seminal music documentary Chuck Berry: Hail! Hail! Rock 'N' Roll, which profiled the legend during a star-studded concert celebrating his 60th birthday. Now comes the complete story behind one of America's most enduring and embattled icons. Compiled as an oral history by the film's producer, Stephanie Bennett, Johnny B. Bad combines interviews from the film's participants, including its music director - Keith Richards. These unique interviews and accounts paint a vivid and multifaceted picture of the artist.

Rock and Roll. For more than 60 years, it has been the soundtrack to our lives. Albums like Highway 61 Revisited, Born to Run, and Nevermind have helped us make sense of who we are. Not only that, the daring passion and bold visions of rock artists have shaken up social norms and even helped change the course of world politics. There've been some wild stories to go with this wild music. If you're eager to learn some of the crazy, random facts of rock, Rock Trivia Madness is the book for you!

On New Year's Eve, 1970, Paul McCartney told his lawyers to issue the writ at the High Court in London, effectively ending The Beatles. You might say this was the last day of the pop era. The following day, which was a Friday, was 1971. You might say this was the first day of the rock era. And within the remaining 364 days of this monumental year, the world would hear Don McLean's "American Pie", The Rolling Stones' "Brown Sugar", The Who's "Baba O'Riley", Zeppelin's "Stairway to Heaven", and more.

One of America’s finest historians shows us how Bob Dylan, one of the country’s greatest and most enduring artists, still surprises and moves us after all these years. Growing up in Greenwich Village, Sean Wilentz discov­ered the music of Bob Dylan as a young teenager; almost half a century later, he revisits Dylan’s work with the skills of an eminent American historian as well as the passion of a fan.

How does a little boy from the London suburbs named Reginald Kenneth Dwight grow up to become one of the biggest pop stars of all time? A lot of talent and a lot of personality! Elton John, as he would later call himself, started playing piano at the age of three. Although he was trained to play classical music, Elton's real love was rock and roll.

The Show That Never Ends is the behind-the-scenes story of the extraordinary rise and fall of progressive ("prog") rock, epitomized by such classic, chart-topping bands as Yes, Genesis, Pink Floyd, Jethro Tull, and Emerson Lake & Palmer, and their successors Rush, Styx, and Asia. With inside access to all the key figures, Washington Post national reporter David Weigel tells the story with the gusto and insight prog rock's fans (and its haters) will relish.

Matt Pinfield is the ultimate music fan. He's the guy who knows every song, artist, and musical riff ever recorded, down to the most obscure band's B-side single on its vinyl-only EP import. As a child, music helped Pinfield make sense of the world. Later he would approach his music idols after concerts and explain why he loved their music. As an adult, rock music inspired his career, fueled relationships, and, at times, became a life raft.

Kurt Cobain. GG Allin. Wendy O. Williams. Duane Allman. Travis Barker. Jimmy Page. Janis Joplin. Ozzy Osbourne. Chrissie Hynde. Dee Dee Ramone. Chris Cornell. Marc Bolan. Tommy Lee. Amy Winehouse. Jimi Hendrix. What do these artists all have in common? They’re rowdy rock stars whose over-the-top lifestyles spun out of control, landing them deep in Rock & Roll Nightmare territory. Rock & Roll Nightmares: True Stories, Volume 1 is a meticulously-researched, up-to-date, entertaining, and shocking book that rounds up the tragic tales from the 1960s to the present day.

Math rock sounds like blueprints look: exact, precise, architectural. This trance-like progressive metal music with indie rock and jazz influences has been captivating and challenging listeners for decades. Bands associated with the genre include King Crimson, Black Flag, Don Caballero, Slint, American Football, Toe, Elephant Gym, Covet, and thousands more. In an online age of bedroom producers and sampled beats and loops, math rock is music that is absolutely and resolutely played: men and woman in rooms with instruments creating chaos, beauty, and beautiful chaos.

A fascinating and hilarious deep dive into 30 Rock, Tina Fey's beloved modern classic comedy. In this combination of narrative and oral history, culture writer and editor Mike Roe brings to life the history of the gloriously goofy show through interviews with the creators, stars, writers, and bit players.

Throughout her career, spanning more than two decades, Jessica Hopper, a revered and pioneering music critic, has examined women recording and producing music, in all genres, through an intersectional feminist lens. The First Collection of Criticism by a Living Female Rock Critic features oral histories of bands like Hole and Sleater Kinney, interviews with the women editors of 1970s-era Rolling Stone, and intimate conversations with iconic musicians such as Björk, Robyn, and Lido Pimienta.

In this new audiobook, broadcaster and music writer Alan Cross narrates the definitive history of The Sex Pistols. Cross succeeds once again in revealing the fascinating history behind the music in the same compelling way we've come to expect from his long broadcasting career.

In 1969, in Capitol Records' Hollywood studio, a blonde-haired troubadour named Larry Norman laid track for an album that would launch a new genre of music and one of the strangest, most interesting careers in modern rock. Having spent the bulk of the 1960s playing on bills with acts like The Who, Janis Joplin, and The Doors, Norman decided that he wanted to sing about the most countercultural subject of all: Jesus.

Of all the musical developments of rock in the 1960s, one in particular fundamentally changed the music's structure and listening experience: the incorporation of extended improvisation into live performances. While many bands—including Cream, Pink Floyd, and the Velvet Underground—stretched out their songs with improvisations, no band was more identified with the practice than the Grateful Dead. In Get Shown the Light Michael Kaler examines how the Dead's dedication to improvisation stemmed from their belief that playing in this manner enabled them to touch upon transcendence.

In this new audiobook, broadcaster and music writer Alan Cross narrates the definitive history of Oasis. Cross succeeds once again in revealing the fascinating history behind the music in the same compelling way we've come to expect from his long broadcasting career.

Simply stated, Kurt Cobain changed the cultural conversation in his all-too-brief life, and even after his shattering death. With interviews and commentary from all corners of the pop culture universe, from the people who knew Cobain to those who continue to help his legend grow, Here We Are Now explores what a singular life meant, and how that meaning can be measured, when and if it can be.

Since the late '70s, histories of rock music have either ignored or marginalized the progressive rock era. In part, this has occurred because rock music criticism has taken an almost completely sociological turn, with little or no interest in musical form itself. In Listening to the Future, Bill Martin argues that it is a musical and political mistake to ignore this period of tremendous creativity, a period that still finds resonance in rock music today.

The Punk Rock Manifesto by Jinx is a radical philosophical work that challenges modern society's systems of control and conformity. This isn't just an analysis of punk culture—it's an intellectual assault on how power structures shape human consciousness through fear, comfort, and manufactured meaning.