Rock Art

In this new audiobook, broadcaster and music writer Alan Cross narrates the definitive history of Oasis. Cross succeeds once again in revealing the fascinating history behind the music in the same compelling way we've come to expect from his long broadcasting career.

In the U.K. in the early '70s, in response to the glitz of glam and the excess of prog there emerged a DIY, back to basics scene known as pub rock: No-fuss, grass roots rock'n'roll bands playing in tight, sweaty rooms to packed throngs in the Victorian pubs of north London. Pub rock was a relative flash in the pan, lasting only a handful of years, but it produced a seismic shift, bridging the gap between rock's Baroque period and the ensuing punk and new wave scene, and crucially, restoring the visceral connection between artist and audience.

It began with a handful of East Berlin teens who heard the Sex Pistols on a British military radio broadcast to troops in West Berlin, and it ended with the collapse of the East German dictatorship. Punk rock was a life-changing discovery. The buzz-saw guitars, the messed-up clothing and hair, the rejection of society and the DIY approach to building a new one: In their gray surroundings, where everyone's future was preordained by some communist apparatchik, punk represented a revolutionary philosophy - quite literally, as it turned out.

England's Dreaming is the ultimate book on punk, its progenitors, the Sex Pistols, and the moment they defined for music fans in England and the United States. Savage brings to life the sensational story of the meteoric rise and rapid implosion of the Pistols through layers of rich detail and exclusive interviews. This fully revised and updated edition of the book covers the legacy of punk 25 years later and provides an account of the Pistols' 1996 reunion as well as a completely new introduction.

Steely Dan's songs are exercises in fictional world-building. No one else in the classic-rock canon has conjured a more vivid cast of rogues and heroes, creeps and schmucks, lovers and dreamers and cold-blooded operators-or imbued their characters with so much humanity.

If you were a fan of popular music in the 1960s and early '70s, you were a fan of the Wrecking Crew - whether you knew it or not. On hit record after hit record by everyone from the Byrds, the Beach Boys, and the Monkees to the Grass Roots, the 5th Dimension, Sonny & Cher, and Simon & Garfunkel, this collection of West Coast studio musicians from diverse backgrounds established themselves as the driving sound of pop music - sometimes over the objection of actual band members....

When Pete Shelley, lead singer of legendary punk band Buzzcocks, passed away in 2018, we lost one of music's brightest stars - as well as the chance to hear his story. Or so it seemed. Recordings have surfaced of a series of remarkable interviews in which Pete tells the story of his life, his band and his place at the beating heart of the punk explosion in fascinating detail. These remarkable recordings have now been brought back to life by professional actors in this audio edition of Ever Fallen in Love: The Lost Buzzcocks Tapes.

This epic cultural and historical odyssey unearths the full influence of occult traditions on rock and roll - from the Beatles to Black Sabbath - and shows how the marriage between mysticism and music changed our world.

Spanning three decades worth of astute, acerbic, and overall astounding music writing, Kick Out the Jams is the first large-scale anthology of the work of renowned critic Dave Marsh. Ranging from Elvis Presley to Kurt Cobain, from Nina Simone to Ani DiFranco, from the Beatles to Green Day, the book gives an opinionated, eye-opening overview of 20th-century popular music—offering a portrait not just of an era but of a writer wrestling with the American empire.

When Paul McCartney closed Live Aid in July of 1985, we thought he was rock's Grand Old Man. He was forty-three years old. As the forty years since have shown, he—and many others of his generation—were just getting started. This was the time when live performance took over from records. The big names of the '60s and '70s exploited the Age of Spectacle that Live Aid had ushered in to enjoy the longest lap of honor in the history of humanity, continuing to go strong long after everyone else in the business had retired.

Music journalist Mike Barnes (MOJO, The Wire, Prog, and author of the acclaimed biography Captain Beefheart) goes back to the birth of progressive rock and surveys the cultural conditions and attitudes that fed into, and were in turn affected by, this remarkable musical phenomenon.

In 1969, in Capitol Records' Hollywood studio, a blonde-haired troubadour named Larry Norman laid track for an album that would launch a new genre of music and one of the strangest, most interesting careers in modern rock. Having spent the bulk of the 1960s playing on bills with acts like The Who, Janis Joplin, and The Doors, Norman decided that he wanted to sing about the most countercultural subject of all: Jesus.

Have you always felt a certain nostalgia to the 1980s even if you didn’t grow up in it? Were you a child, teenager, or young adult in the '80s and want to relive the best years of your life? Well now you can travel back in time and embrace your over the top fashion sense that’s dying to come out!

Acquired wisdom has always put Sgt. Pepper at the head of the class, but it was Revolver that truly signaled The Beatles' sea change from a functional band to a studio-based ensemble. These changes began before Rubber Soul but came to fruition on Revolver, which took an astonishing 300 hours to produce, far more than any rock record before it.

From the Stooges and MC to Grand Funk Railroad and Ted Nugent, to the White Stripes, Eminem, and Kid Rock, and whole casts of other great bands and performers, Detroit has always produced louder, more rumbling, more subversive rock music than any city in the world. In Detroit Rock City, listeners get to hear the stories straight from the participants themselves: the singers, the guitar slingers, the fans, the reporters, the promoters, even the guys who hand-made amps to be louder and crunchier than the competition’s.

ROBBIE WILLLIAMS is probably the hottest celebrity artist around. When he left Take That he firmly established himself and the burning question always was - "When will he rejoin?". Robbie has attitude, he does what he wants in a very confident way. This is not a music release by the artist or record label but an exclusive audiobiog in which we hear how he continues to be a workaholic, what motivates him, why he is so controversial and how he survives.

The recording studio has long been referred to as "the lab" in record-producer slang, and the Scientists of Sound for the first time takes rock and roll fans of every genre and generation on a first-of-its-kind behind-the-scenes tour of the record-making process, from analog to the digital era. Many of the most famous hits of all time are chronicled here. Giving fans a front-row studio seat as they recount the stories behind the creation of these hits are 50 of the most legendary record producers of all time.

Sex. Drugs. Loud music. Wild costumes. Dazzling light shows. These words can all describe a great rock concert or a hot dance club, but they were also part and parcel of the ancient cultural phenomenon known as the "Mystery religions". In this book, author Christopher Knowles shows how the long-dead Mystery religions got a secular reincarnation when a new musical form called rock 'n' roll burst onto the scene.

Josie Tyrell, art model, teen runaway, and denizen of LA's 1980s punk-rock scene, finds a chance at real love with art student Michael Faraday. A Harvard dropout and son of a renowned pianist, Michael introduces her to his spiritual quest and a world of sophistication she had never dreamed existed. But when she receives a call from the Los Angeles County coroner, asking her to identify her lover's dead body, her bright dreams all fade to black.

Earl Slick was barely out of his teens when David Bowie hired him to play guitar on the ground-breaking 1974 Diamond Dogs tour. It marked the beginning of a relationship that would endure through thick and thin for the next forty years. Gracing classic albums like Young Americans, Station to Station and the 2013 comeback, The Next Day, Slick played on the tour that followed Bowie’s smash hit Let’s Dance album and was at his side for the epic Glastonbury show in 2000. But it wasn’t just Bowie