Shakespeares English

This Junior Library Guild selection by Elise Broach is sure to become a favorite of all young sleuths. Sixth-grader Hero is captivated by the stories about her new home, especially the mystery of the missing million-dollar diamond and a 500-year-old necklace. As she searches for clues to their whereabouts she stumbles upon another perplexing question: Who was the real William Shakespeare?

In The Tempest, long considered one of Shakespeare’s most lyrical plays, Prospero, a sorcerer, and his daughter, Miranda, have been stranded on an enchanted island for 12 years. When a shipwreck—caused by the eponymous tempest—brings enemies to the island, the stage is set for comedy, romance, and reconciliation.

David Sterling Brown offers nothing less here than a wholesale deconstruction of whiteness in Shakespeare's plays, arguing that the 'white other' was a racialized category already in formation during the Elizabethan era—and also one to which Shakespeare was himself a crucial contributor.

Shakespeare's timeless sonnets, which describe love in all its aspects, represent one of the finest bodies of poetry ever penned. They include the star-struck Sonnet 18 ("Shall I compare thee to a summer's day?"), the witty Sonnet 103 ("My mistress' eyes are nothing like the sun"), the despairing yet hopeful Sonnet 29 ("When, in disgrace with fortune and men's eyes, I all alone beweep my outcast state"), and more. Read by the legendary Sir John Gielgud.

This edition of Hamlet is an adaptation of Shakespeare's eponymous play The Tragedy of Hamlet, Prince of Denmark. Set in Denmark, the story dramatises the revenge Prince Hamlet is called to wreak upon his uncle, Claudius, by the ghost of Hamlet's father, King Hamlet. Narrated in plain modern English, capturing the very essence and key elements of Shakespeare's original drama.

This is an abridged production of Shakespeare's Julius Caesar adapted into plain English. The play was first performed around 1600 and tells the story of Julius Caesar managing political opposition. This version is adapted for a younger audience, minimizing exposure to the adult themes in play and telling the story in plain, non-Shakespearean language.

William Shakespeare had nothing to do with the actor and moneylender William Shaksper from Stratford-upon-Avon. The man behind the nom de plume "William Shakespeare" was, in fact, a very well-educated aristocrat who often frequented the court of Elizabeth and whose real name was Edward de Vere, Earl of Oxford. The dramas of Shakespeare were not written for the Globe Theatre but for the Queen's court.

Four hundred years after Shakespeare's death, Keenan's smart and passionate memoir brings new life to his work. With 14 of his plays as a springboard, she explores the many facets of love and sexuality - from desire and communication to fetish and fantasy. In A Midsummer Night's Dream, Keenan unmasks Helena as a sexual masochist - like Jillian herself. In Macbeth, she examines criminalized sexual identities and the dark side of "privacy".

Despite William Shakespeare being regarded as the most significant figure in the Western literary canon, relatively little is known about his early life and his later ‘lost years’. Even the exact date of his birth is uncertain. 23rd April generally accepted to be the date of his birth, could be a scholarly mistake amplified by the coincidence of it also being the date of his death. His iconic status now spans global literature and stems directly from the magnitude of his plays, both tragedies and comedies, and his poetry which is often cited as some of the greatest love poetry ever written.

Leaving behind a wife and three young children in Stratford-upon-Avon, Shakespeare moved to London for its thrilling theater scene, where everyone mixed freely across ages, classes, and ranks. It was through their mutual passion for the theater that the handsome twenty-seven-year-old playwright first met and fell deeply in love with the effeminate seventeen-year-old earl who beguiled men and women alike and avowed that 'desire and pleasure [should] sometimes triumph over reason.'

This adaptation of Shakespeare's The Winter's Tale is in plain English, adapted for a younger audience, and designed as an audio play. The Winter's Tale has at times been classified as a comedy, a late romance, and a problem play. It is part of Shakespeare's First Folio and is believed to have been first performed in 1753. The adaptation by Elaina Garcia is in plain English, performed by a full cast including music and sound effects.

This is a plain English production of the Shakespeare's classic play Much Ado About Nothing. Set in Italy, it tells the story of a romance between Claudio and Hero that is interrupted by a devious plot. This is a full-cast production of the work adapted by Charlie Creed to plain English and condensed to a 25 minute theatrical production with music and sound effects. This makes it suitable for a younger audience, though the themes of love, trickery and heartbreak, though softened and made age-appropriate are more suitable for older children aged eight years and over.

This version of Shakespeare's classic comedy The Merry Wives of Windsor is adapted to plain English. This is one of Shakespeare's comedies first published in the early 1600s. This adaptation is simplified in plain English and targeted at a younger audience. The plot tells the story of the romantic aspirations of the greedy and immoral Falstaff as he pursues the attentions of multiple women. Various plots are launched to try and foil his plans.

Shakespeare professor and prison volunteer Laura Bates thought she had seen it all. That is, until she decided to teach Shakespeare in a place the bard had never been before - supermax solitary confinement. In this unwelcoming place, surrounded by inmates known as the worst of the worst, is Larry Newton.

For lovers of tragic romance, magical settings and unforgettable characters, The Queen Is Dead is a speculative retelling of Shakespeare's Macbeth told from the perspective of literature's most fiendish queen. Inspired by the historical figures behind the infamous characters, this unflinching re-examining seeks a more satisfying origin story for the serpent beneath the flower. If love made her a traitor, then hate made her a queen.

Millions of words of scholarship have been expended on the world's most famous author and his work. And yet a critical part of the puzzle, Shakespeare's library, is a mystery. For four centuries people have searched for it: in mansions, palaces, and libraries; in riverbeds, sheep pens, and partridge coops; and in the corridors of the mind. Yet no trace of the Bard's manuscripts, books, or letters has ever been found.

Love whether fleeting or of the ages, expressed with a look, a touch, or a thought is wanted by us all. Our classic poets did not surrender to the logic of the group or seek advice from others quick to blame but slow to embrace. Their legacy remains because it is true, because in that look, that touch, that thought, that display of words the heart remembers us and treasures us. Here are words and verse of love. For your ears, your loved one’s ears and hearts everywhere.

Shakespeare, Our Contemporary is a provocative, original study of the major plays of Shakespeare. More than that, it is one of the few critical works to have strongly influenced theatrical productions.

The plays of William Shakespeare are rare common ground in the United States. For well over two centuries, Americans of all stripes—presidents and activists, soldiers and writers, conservatives and liberals alike—have turned to Shakespeare’s works to explore the nation’s fault lines. In a narrative arching from Revolutionary times to the present day, leading scholar James Shapiro traces the unparalleled role of Shakespeare’s four-hundred-year-old tragedies and comedies in illuminating the many concerns on which American identity has turned.

Cleopatra is one of the most famous women in history - and thanks to Shakespeare, one of the most intriguing personalities in literature. Award-winning writer and beloved professor Harold Bloom delivers exhilarating clarity and invites us to look at this character as a flawed human who might be living in our world. He also explores his own personal relationship to the character: Just as we encounter one Anna Karenina or Jay Gatsby when we are in high school and college and another when we are adults, Bloom explains his shifting understanding of Cleopatra over the course of his own lifetime.