Shakespeares English

When young Orlando searches the forest for his banished lady love, Rosalind, he doesn't realise that he's met her in disguise. Dressed up as a boy, Rosalind sees a chance to train Orlando to be the sort of partner she'd like—and she has some laughs along the way!

King Ferdinand's plan to ban ladies from his court to focus on his studies seems like a great one—until the Princess of France and her friends arrive and he falls in love! Can Ferdinand and his friends break their own law?

Four young lovers escape into the woods outside Athens, each hoping to find true love and happiness. Instead, they find fairy mischief and love potions! Everyone is confused about who likes who—and has the Queen of the Fairies fallen in love with a donkey?

A young man named Antonio borrows money from a merchant of Venice named Shylock, so that he can court a fine lady he wishes to marry. When Antonio is late to repay his debt, Shylock has him arrested and demands that a terrible price must be paid...

A greater emphasis on situations than characters (this numbs the audience's connection to the characters, so that when characters experience misfortune, the audience still finds it laughable) A struggle of young lovers to overcome difficulty, often presented by elders Separation and re-unification Deception among characters (especially mistaken identity) A clever servant Disputes between characters, often within a family Multiple, intertwining plots. Use of all styles of comedy (slapstick, puns, dry humour, earthy humour, witty banter, practical jokes) Pastoral element (courtly people living an idealized, rural life), originally an element of Pastoral Romance, exploited by Shakespeare for his comic plots and often parodied therein for humorous effects Happy Ending.

A romance between a Roman general and the Queen of Egypt was never going to be easy. Marc Antony has abandoned his duties since he has fallen in love with Cleopatra. But as war looms, their union shifts from difficult to doomed...

Their battles of wits are legendary, but Benedick has sworn off women and Beatrice has vowed that she will never marry a man. It's a good job that they don't like each other then... or might they be persuaded with a little help from their friends?

King Lear demands that his three daughters tell him how much they love him. When his youngest, Cordelia, refuses, he casts her out and divides his kingdom between the other two. But when those two reject him, he descends into despair and madness...

King Leonte's jealousy causes his sweet wife, Hermione to die and their baby daughter, Perdita to be exiled. Can the king learn the error of his ways? Will he ever get to meet Perdita again?

Some of the greatest poets and lovers in the English language speak of their love in this seductive and romantic collection. Here are the voices of Romeo, Robert Burns, Lord Byron and many others.

There is no general consensus about how Shakespeare "should" be played. There are no rules. But, while the Bard created superhuman characters and placed them in situations that stretches the imagination to its limits, he also provided his actors with the keys to playing them.

On average, 35 million people visit Central Park each year. Many pass by the statues, plaques, and benches and wonder who those people were. They read the plaques, but there is more to the stories than just what the plaques state. I created this historical fiction series so that listeners could learn the compelling life stories of these honorees. Like Alexa or Siri, or a historical re-enactor, the statues recall their contributions to society lest we forget.

Should we draw an analogy between Shakespeare’s tyrants—Richard III, Julius Caesar, Macbeth, and King Lear—and Donald Trump? In Shakespeare and Trump, Jeffrey Wilson applies literary criticism to real life, examining plot, character, villainy, soliloquy, tragedy, myth, and metaphor to identify the formal features of the Trump phenomenon, and its hidden causes, structure, and meanings.

Dive into the stormy world of "King Lear," a brilliant adaptation of Shakespeare's tragic tale, transformed into an accessible and engaging narrative for young listeners by Jeanette Vigon. This rendition captures the essence of the original story, focusing on themes of love, betrayal, and redemption, while simplifying its complex language and situations to suit a younger audience.

This enchanting tale simplifies the complex original, making it accessible and relatable for young listeners. Dive into a world where magical elements, profound themes of power struggles, redemption, and forgiveness come to life through simplified language and reimagined scenes.

Embark on a magical journey into "Twelfth Night," a place where the serene coastlines of Illyria become the backdrop for a whimsical tale of love, disguise, and festive revelry. This isn't just another comedy; it's an intricate dance of affection, identity, and the pursuit of true happiness, masterfully adapted for young listeners.

Step into the heart of Venice and the windswept shores of Cyprus with "Othello," a captivating adaptation of Shakespeare's timeless tale of love, jealousy, and betrayal, thoughtfully reimagined for children by Jeanette Vigon. This version preserves the core of Shakespeare's story while transforming it into an accessible narrative that young listeners will find both engaging and educational.

A breakup is certainly painful and no one wants to go through it. But still if you had a breakup due to any reason, you can still get your ex back. There are lots of things that you can do to get your ex back but sending text messages your ex would love to receive is a great start.

As the generating force of its plot, Twelfth Night uses a device which has since become a staple in comedy: gender confusion. Viola and her twin brother Sebastian, are shipwrecked on the coast of Illyria, a country ruled by the melancholy Duke Orsino. The twins are separated and Viola is led to believe that her brother has perished. She disguises herself as a male under the name of Cesario and makes her way to the ducal court, where Orsino employs her as a messenger, to communicate his love to the reclusive lady, Olivia—who is not willing to return his affection.

Our quoted authority is not the people in white coats but those with a quill, a heart and a soul that can take these feelings of love and loss and with the ink of words put to verse feelings and emotions that can be re-lived and shared by all. As they venture through depression, war, slavery to heartache and the loss of loved ones our eyes may mist and tears gently fall at what collectively we have done, have experienced, have witnessed and lost.