Social Linguistics

MERAKI: (Greek. n) The love, creativity, and passion you put into something; the act of leaving a piece of yourself in your work. Have you ever felt an emotion so profound, so unique, that you couldn't find the words to describe it? Meraki explores the breathtaking beauty of language, offering a captivating collection of over 100 words from around the globe – words that capture feelings you've experienced but never knew how to name. This exquisite book is a linguistic journey for the soul.

In a genteel ABC teashop on the Norfolk Road, Miss Polly Burton (of the Evening Observer) spends her lunch breaks listening to a mysterious old man, as he unravels cases of murder, blackmail, theft, and deceit that have filled the headlines, and baffled police and public alike. But to him, they are not "mysteries" at all - for Polly's brilliant but eccentric companion, "There is no such thing as a mystery in connection with any crime, provided intelligence is brought to bear upon its investigation."

In Why Do We Say That, we've rounded up 101 of the most commonly used idioms and "hit the nail on the head" by providing the historical context behind each one. Don't be a "deer in the headlights" when someone asks you the meaning of "straw man" or "up a creek without a paddle." This book has got you covered.

Why do we love to swear so much? Why do we get so offended when others do it? In this lively and amusing exploration of the various puzzles that surround swearing, philosopher Rebecca Roache argues that what makes swearing offensive is not really the words at all: the offensiveness lies in what we don't say. The unspoken—and usually unconscious—inferences that speakers and listeners make about each other are key to explaining swearwords' capacity to shock.

Listen to At the Earths Core with a movie-style soundtrack and amplify your audiobook experience. Dr. Abner Perry (Peter Cushing) is an English scientist who has invented a massive drill that can dig deep into the Earth. Joined by his adventure-seeking American backer, David Innes (Doug McClure), Perry accidentally discovers an underground civilization of primitive humans who live in fear of telepathic flying monsters. David becomes intrigued by the beautiful native Dia (Caroline Munro), and must rescue her when she is chosen as a human sacrifice.

The dream of a universal translation device goes back many decades, long before Douglas Adams's fictional Babel fish provided this service in The Hitchhiker's Guide to the Galaxy. Since the advent of computers, research has focused on the design of digital machine translation tools - computer programs capable of automatically translating a text from a source language to a target language. This has become one of the most fundamental tasks of artificial intelligence.

"Flappers and Philosophers" was the first collection of short stories written by F. Scott Fitzgerald, published in 1920. It includes eight stories: "The Offshore Pirate", "The Ice Palace", "Head and Shoulders", "The Cut Glass Bowl", "Bernice Bobs Her Hair", "Benediction", "Dalyrimple Goes Wrong", "The Four Fists".

This is a bitter, satiric comedy which concerns a wealthy, lecherous old man who pretends to be dying in order to profit from his greedy acquaintances.

After the death of his mother, Neewa the black bear cub, is captured by Challoner, the woodsman. Neewa soon learns that the woodsman and his Husky pup, Miki, are his friends. The bear and the dog become inseparable playmates. But their fun and games become of secondary importance when Challoner’s canoe overturns in river rapids causing the two to become separated from Challoner and finally responsible for their own survival in the wilderness.

In 1381, Wat, the Tyler, and the peasants he represented urged of the king of England that serfdom should be abolished, the right of all to market their goods publicly should be allowed, the price of good land should not be over four pennies an acre, and that all past offenses should be pardoned. Instead of presenting their requests in a respectful manner, they took to the streets of East Anglia, Kent, and London. Although their demands were certainly reasonable, their methods were not.

Sketches New and Old is a compilation of fictional stories written by Mark Twain. Among them is "A Ghost Story". In each story, one can catch a great sense of Twain's humor and creativity. These classic sketches from Twain are no longer than 10 minutes each, but all show his quick-witted humor in response to the events of the day.

Kept in the Dark is a probing psychological portrait of the near destruction of a marriage - a novel that combines keen insights with vigorous emotional strength. Jealousy, guilt, excessive pride, and compulsion all sweep across its surface.

Confessions of an English Opium-Eater by Thomas De Quincey (1785-1859) was first published anonymously in 1821 in the London Magazine and was published in book form a year later. A revised edition was published in 1846. It is an account by the author of his addiction to laudanum and the effects it had on his life. This recording presents an abridged version of the 1856 edition.

In 1906, without studying navigation, Jack London, his wife Charmian, and a small crew sail to the South Pacific, hoping not to get lost. His adventures and misadventures at sea led him through native uprisings, The Doldrums, and the then unknown sport of surfing. This first person narrative, in its first recording as an audiobook, combines London’s spirit of adventure with his wonderful sense of humor.

With so many Bible translations available today, how can you find those that will be most useful to you? What is the difference between a translation that calls itself “literal” and one that is more “meaning-based”? And what difference does it make for you as a reader or listener of God’s Word? How to Choose a Translation for All Its Worth brings clarity and insight to the current debate over translations and translation theories.

Manipulation is a powerful tool, and it's only becoming more prevalent in our modern world. That's why it's important to learn how to protect yourself from manipulation and understand the techniques that manipulators use. With this audiobook, you'll learn how to analyze people, read their body language, and use NLP and hypnosis to get inside their minds. You'll also learn how to protect yourself from emotional influence and mind control! Once you've learned these skills, you'll be able to spot manipulation attempts from a mile away—and avoid them with ease.

L’Autobiogrammatica che avete tra le mani è un gioco sorprendente e vertiginoso: il racconto di un’esistenza – unica e comune – come la storia di un linguaggio. Esiste un legame segreto tra le due linee sinuose lungo cui si snoda la nostra vita: da una parte l’apprendistato dell’alfabeto, dei nomi, del lessico famigliare, dell’insulto, dello scherzo, delle lingue straniere, dei codici segreti, della poesia; dall’altra l’invadente amore per i genitori, la scuola che è un viaggio nell’ignoto, le seduzioni e dilazioni dell’amicizia e del desiderio, la contrattazione di un posto nel mondo.

The Future of Language distinguishes myth from reality and superstition from scientifically based prediction as it plots out the importance of language and raises questions about its future. From the rise of artificial intelligence and speaking robots, to brain implants and computer-facilitated telepathy, language and communications expert Philip Seargeant surveys the development of new digital ‘languages’ and investigates how conventions of spoken and written language are being modified by new trends in communication.

Gerald Crich, son of a wealthy colliery owner, captures the heart of Gudrun, while Ursula becomes enamored with Rupert Birkin, a school inspector - their complex relationship likely modelled on that between Lawrence, his wife Frieda, and John Middleton Murry and Katherine Mansfield. Things are far from harmonious, and the discord and conflict leads to many heated and elaborate philosophical discussions about modern society and the nature of love, while tragedy looms large.

М.В. Ломоносов писал, что русский язык сочетает великолепие испанского, живость французского, крепость немецкого, нежность итальянского, а сверх того богатство и сильную в изображениях краткость греческого и латинского языков. Но насколько точно мы понимаем то, что стоит за текстами, которые мы читаем или слышим? Насколько мы умеем выражать свои мысли? Пользуемся ли русским языком во всей полноте, не только соблюдая формальные правила орфографии и орфоэпии? И "правильно" ли мы обозначаем действительность, выбирая слова, когда мы пишем и говорим?