Television Science

Since long before the spaceships' fleeting presence, Blaine has been content to go along with the whims of his supermom wife and half-feral, television-addicted children. But when the kids blithely ponder skinning people to see if they're aliens, and his wife drags them all on a surprise road trip to Disney World, even steady Blaine begins to crack. Half a continent away, Heather floats in a Malibu pool and watches the massive ships hover overhead. Maybe her life is finally going to start.

When aimless twenty-something Mara lands a job as the night-shift production assistant on her cousin’s ghost hunting/home makeover reality TV show Haunt Sweet Home, she quickly determines her new role will require a healthy attitude toward duplicity. But as she hides fog machines in the woods and improvises scares to spook new homeowners, a series of unnerving incidents on set and a creepy new coworker force Mara to confront whether the person she's truly been deceiving and hiding from all along—is herself.

In the summer of 1921, Philo T. Farnsworth was not all that different from any other farmer's son in rural Idaho, until he came up with an idea that would change the world–and thrust him into a titanic struggle with one of the most monolithic monopolies in the world. Farnsworth's story of divine inspiration facing off against corporate avarice is a compelling–though seldom told–saga from the 20th century that is still relevant in the 21st.

This audiobook tells the story of how Philo Farnsworth came up with the idea for electronic television at age 14, and later developed his idea into the technology for television that is still used today.

Have you ever wondered what movie makers do when they want to know what a black hole looks like? Or how high people could jump on mars? In this interview, Mika McKinnon, movie science adviser, shares what it’s like to do research for movies and television.

In September 1994, six friends sat down in their favorite coffee shop and began bantering about sex, relationships, jobs, and just about everything else. A quarter of a century later, new fans are still finding their way into the lives of Rachel, Ross, Joey, Chandler, Monica, and Phoebe, and thanks to the show’s immensely talented creators, its intimate understanding of its youthful audience, and its reign during network television’s last moment of dominance, Friends has become the most influential and beloved show of its era, and this is the story of how it all happened.

What do we see when we watch reality television? Sociologist and TV lover Danielle J. Lindemann takes a long, hard look in the “funhouse mirror” of this genre, from countless rose ceremonies on The Bachelor to the White House and more (so much more!). Beginning with the first episodes of The Real World, reality TV has not only remade our entertainment and cultural landscape—it also uniquely refracts our everyday experiences and social topography.

Just as The Late Shift did for late night television, Top of the Morning reveals the dish and dirt behind the polite smiles and perky demeanors of morning television. Listeners will be fascinated by the never-before-told, behind-the-scenes stories about the cutthroat battle for first place before dawn. The book is based on all-new reporting at the highest levels.

The Gamesmaster is a narrative memoir chronicling the life and career of Flint Dille. And while he isn't exactly a household name, you almost certainly know his work - which includes credits from some of the most important and successful entertainment franchises throughout the world across the cartoon, film, video game, and comic book industries and beyond.

Luther formed a permanent party, defeated corrupt officials and forged alliances with new aliens, all while avoiding the attention of the Voltaxians. Everything is going perfectly. Fame, glory, and money are all his. When a man has been climbing the ranks as quickly as Luther, can he reach the summit before someone pulls him down? Twin opportunities arise to improve the party's standing, a unique battle challenge among the glittering excesses of Las Vegas and the exploration of a new dungeon in a frozen wasteland barely touched by humanity.

Virtually anyone who has ever watched a profound movie, a powerful TV show, or read a moving novel understands that entertainment can and does affect us in surprising and significant ways. But did you know that our most popular forms of entertainment can have a direct physical effect on us, a measurable impact on society, geopolitics, the economy, and even the future itself? In You Are What You Watch, Pulitzer Prize-winning author Walter Hickey proves how exactly how what we watch (and read and listen to) has a far greater effect on us and the world at large than we imagine.

Tackling the hottest topics of the times from Feminazis to Environmentalist Wackos, Rush Limbaugh is at his satirical best - the provocative conservative and the showman who is "documented to be almost always right 97.9% of the time" about The Way Things Ought To Be.

Los Angeles in 1974 exerted more influence over popular culture than any other city in America. Rock Me on the Water traces the confluence of movies, music, television, and politics in Los Angeles month by month through that transformative, magical year. Ronald Brownstein reveals how 1974 represented a confrontation between a massive younger generation intent on change, and a political order rooted in the status quo. Brownstein shows how the voices resistant to change may win the political battle for a time, but they cannot hold back the future.

Andy Griffith and Don Knotts met on Broadway in the 1950s. When Andy went to Hollywood to film a TV pilot about a small-town sheriff, Don called to ask if the sheriff could use a deputy. The comedic synergy between Sheriff Andy Taylor and Deputy Barney Fife ignited The Andy Griffith Show, elevating a folksy sitcom into a timeless study of human friendship, as potent off the screen as on.

This collection of irreverent and surprising essays about the popular television series Buffy the Vampire Slayer includes pieces by leading science fiction and fantasy authors. Contributors include best-selling legend David Brin, critically acclaimed novelist Scott Westerfeld, cult-favorite vampire author Chelsea Quinn Yarbro, and award-winner Sarah Zettel.

In his first memoir, Josh Widdicombe tells the story of a strange rural childhood, the kind of childhood he only realised was weird when he left home and started telling people about it. From only having four people in his year at school, to living in a family home where they didn't just not bother to lock the front door, they didn't even have a key. Using a different television show of the time as its starting point for each chapter, Watching Neighbours Twice a Day... is part-childhood memoir, part-comic history of '90s television and culture.

The aliens didn't conquer Earth. They negotiated exclusive streaming rights instead. Unbeknownst to humanity, the powerful Voltaxians controlled the galaxy, their vast empire fueled by their monopoly on mana. Humanity feared invasion, only to find out the godlike aliens had something far different in mind. The Voltaxians offered a simple deal. Allow them to set up dungeons controlled by living intelligent dungeon cores on Earth to generate mana, and they'd share the wealth.

Celebrate the greatest saga ever told: All of us who are deeply influenced by the epic saga of Star Wars have our favorite moments. Each time the screen goes black and you see those words - "a long time ago, in a galaxy far, far away" - the music blasts through you, and you're a kid again. Ken Napzok, expert appreciator of Star Wars, counts down each one of those special moments that makes this series not just the best movies of all time, but the greatest saga ever told.

In the tradition of Neil Postman's masterpiece Amusing Ourselves to Death, Audience of One shows how American media have shaped American society and politics, by interweaving two crucial stories. The first story follows the evolution of television from the three-network era of the 20th century, which joined millions of Americans in a shared monoculture, into today's zillion-channel, internet-atomized universe, which sliced and diced them into fractious, alienated subcultures. The second story is a cultural critique of Donald Trump.

The untold stories of seven revolutionary teen shows (The Fresh Prince of Bel-Air, My So-Called Life, Dawson’s Creek, Freaks and Geeks, The O.C., Friday Night Lights, and Glee) that shaped the course of modern television and our pop cultural landscape forever.