Young Adult Adaptation

It's not easy being Zarf. As a troll, he's stuck at the bottom of the middle school hierarchy, way below the prince and knights (populars), ogres and giants (jocks), and even the lowly minstrels (band geeks). Plus, trolls aren't exactly known for their brain power or cool demeanor. But it gets worse. When the king disappears and Zarf's archenemy, the prince, ascends the throne, he makes Zarf's life even more miserable.

The fae are watching. They already suspect Nelay can see them. But as the drought worsens, nine-year-old Nelay must rely more and more on her forbidden sight to keep her family alive. And then the worst happens. Only Nelay's sight will allow her to save her family. With the fae already watching - waiting for Nelay to slip up - she has to be more careful than ever not to reveal herself. Because if the fae realize she can see them, nothing will stop them from claiming her for their dark purpose.

She thinks she can do anything because she's the Evil Queen. And my stepmother. The only thing she truly loves is her Demon Mirror. But the more she gazes into that thing, the crazier she becomes. But I am no longer a child. I won't allow the Evil Queen to poison my heart and my home. Although my skin is white as snow, my soul is far from pure. I will make Cinderella suffer for her sins.

As Christy's students are preparing for a school play, she reveals her dream to act on stage. Little does she know that Dr. MacNeill's aunt is the artistic director of the Knoxville Theater. Before long, just as Christy is about to debut on stage, several mysterious incidents threaten both her dreams and her pride.

When Christy travels alone to a nearby mountain, she vows to discover the truth behind the terrifying legend of a strange mountain creature. But what she finds seems worse than anything she could ever have imagined!

The subject of countless adaptations, Oliver Twist is an essential read or listen, and this version is both exciting and accessible for children ages 8 to 13. Roy McMillan uses Dickens’ original words in the main text, simplifying and clarifying them at certain points. Oliver’s journey to London is narrated with ceaseless energy by Jonathan Keeble; his reading is infused with a delicious knack for storytelling.

In this modern retelling of Charles Dickens' A Christmas Carol, Scrooge is looking for a taxi to get home on Christmas Eve. But he will get the ride of his life, as he is walked through his past, his present and his future to end up a changed man. Set in modern day Athens, this science-fiction version of the classic ghost story is guaranteed to bring shivers down your spine and a smile to your face.

Headstrong and independent, Christy is determined to change the lives of the children in Cutter Gap. Yet it seems that anything new and strange poses a threat to the mountain people, who are proud of their way of life. Evidently, Christy has angered someone enough to cause a string of mysterious pranks. The handsome minister fears that the pranks will turn dangerous. Unfortunately, he doesn't realize how right his fears are.

Christy screamed as the train broke from the track and plunged down the side of the mountain. When Christy is offered a chance to teach in her hometown, she faces a difficult decision. Will her train ride back to Cutter Gap be a journey home, or a last farewell? In a moment of terror and danger, Christy must decide where her future lies.

Christy Huddleston's dream is to teach poor mountain children. Join Christy as she crosses from the familiar world of parties and pretty things to the different world of Cutter Gap, located in the heart of the Smoky Mountains. There she meets the doctor who needs her help to save a life and the handsome minister who helps her face the challenges of teaching and loving the mountain people.

Shakespeare for Kids adapts and abridges Shakespeare's classic plays presenting them in shorter versions in plain English, in this case our abridged adaptation of The Merchant of Venice runs just under 20 minutes. Short enough to retain the interest of a younger audience. The Merchant Of Venice is considered a romantic comedy, though has its share of dramatic scenes. A young nobleman wishes to borrow money to spend on a wealthy heiress, but falls foul of an unethical moneylender.

George, Christy's younger brother, is charming and kind. But is he also a thief? Everyone is delighted when George visits Christy at the Cutter Gap Mission. But the delight ends when George reveals what he has been expelled from school for stealing. Can Christy summon the love and faith to help her brother do the right thing?

When Ruby Mae, Bessie, and Clara discover gold in Dead Man's Creek, they form an exclusive group, "The Princess Club". Christy watches in dismay as Cutter Gap is torn apart by greed and envy. Can she find a way to heal the bitter divisions caused by a handful of gold?

Christy waltzed with Doctor MacNeill in an enchanted moment. Suddenly the sharp sound of gunshots shattered the pleasant calm. Bob Allen and many of the residents of Cutter Gap are upset because a black family has moved into the Cove. When a hostile shooting and a series of threatening incidents befalls the Washingtons, Christy steps in to help. But it's a clue in the Washington's family Bible that may hold the real key to peace and acceptance.

Christy Huddleston thought her biggest problem was going to be choosing between the charming country doctor, Neil MacNeill, and the handsome minister, David Grantland. But Christy has more serious matters to deal with when her student Ruby Mae Morrison and the mission's runaway black stallion vanish in a furious storm.

A toy giant and a clockwork unicorn star in this retelling of Aesop's fable "The Lion and the Mouse" in a steampunk fantasy setting.

Messenger is the deleted last chapter from Dearest (Woodcutter Sisters, book three). Spoiler alert. Proceed with caution!

Plain English Shakespeare adapts and abridges Shakespeare's classic plays presenting them in shorter versions in plain English. In this case All's Well That Ends Well is performed in 13 minutes. This conversion from Shakespearian language to today’s English, makes it easier to grasp the narrative structure of the play and appreciate Shakespeare's incredible gift for storytelling. This can be helpful for a younger audience, for those who are newer to the Shakespeare canon and for those who simply looking for a fresh approach to the great works of Shakespeare.

Plain English Shakespeare adapts and abridges Shakespeare's classic plays presenting them in shorter versions in plain English. Antony and Cleopatra is a Roman tragedy with romantic and comedic aspects, first performed around 1607, based on Thomas North's translation of the story Plutarch's lives in Ancient Greek. The plays follows Antony and Cleopatra at a time of strife in Sicily and the Roman Republic more broadly.