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Gravity's Rainbow
- Narrated by: George Guidall
- Length: 37 hrs and 21 mins
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Inherent Vice
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- Length: 14 hrs and 31 mins
- Unabridged
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Part noir, part psychedelic romp, all Thomas Pynchon - Private eye Doc Sportello surfaces, occasionally, out of a marijuana haze to watch the end of an era. In this lively yarn, Thomas Pynchon, working in an unaccustomed genre that is at once exciting and accessible, provides a classic illustration of the principle that if you can remember the '60s, you weren't there. It's been a while since Doc Sportello has seen his ex- girlfriend. Suddenly she shows up with a story about a plot to kidnap a billionaire land developer whom she just happens to be in love with.
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a lot of fun
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Written by: Thomas Pynchon
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Nick Shay and Klara Sax knew each other once, intimately, and they meet again in the American desert. He is trying to outdistance the crucial events of his early life, haunted by the hard logic of loss and by the echo of a gunshot in a basement room. She is an artist who has made a blood struggle for independence.
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Life Changing (no, really!)
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When an industrial accident unleashes an "airborne toxic event", a lethal black chemical cloud floats over the Gladneys' lives. The menacing cloud is a more urgent and visible version of the "white noise" engulfing the Gladneys - radio transmissions, sirens, microwaves, ultrasonic appliances, and TV murmurings - pulsing with life yet suggesting something ominous.
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Boring
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JR
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Absurdly logical, mercilessly real, gathering it's own tumultuous momentum for the ultimate brush with commodity training, JR captures the listener in the cacophony of voices that revolves around this young captive of his own myths. The disturbing clarity with which this finished writer captures the ways in which we deal, dissemble, and stumble through our words - through our lives - while the real plans are being made elsewhere makes JR the extraordinary novel that it is.
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Nick Sullivan
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A Supposedly Fun Thing I'll Never Do Again
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In this exuberantly praised book - a collection of seven pieces on subjects ranging from television to tennis, from the Illinois State Fair to the films of David Lynch, from postmodern literary theory to the supposed fun of traveling aboard a Caribbean luxury cruiseliner - David Foster Wallace brings to nonfiction the same curiosity, hilarity, and exhilarating verbal facility that has delighted readers of his fiction.
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Inherent Vice
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Part noir, part psychedelic romp, all Thomas Pynchon - Private eye Doc Sportello surfaces, occasionally, out of a marijuana haze to watch the end of an era. In this lively yarn, Thomas Pynchon, working in an unaccustomed genre that is at once exciting and accessible, provides a classic illustration of the principle that if you can remember the '60s, you weren't there. It's been a while since Doc Sportello has seen his ex- girlfriend. Suddenly she shows up with a story about a plot to kidnap a billionaire land developer whom she just happens to be in love with.
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a lot of fun
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Underworld
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Nick Shay and Klara Sax knew each other once, intimately, and they meet again in the American desert. He is trying to outdistance the crucial events of his early life, haunted by the hard logic of loss and by the echo of a gunshot in a basement room. She is an artist who has made a blood struggle for independence.
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Infinite Jest
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- Length: 56 hrs and 12 mins
- Unabridged
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A gargantuan, mind-altering comedy about the Pursuit of Happiness in America set in an addicts' halfway house and a tennis academy, and featuring the most endearingly screwed-up family to come along in recent fiction, Infinite Jest explores essential questions about what entertainment is and why it has come to so dominate our lives; about how our desire for entertainment affects our need to connect with other people; and about what the pleasures we choose say about who we are.
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Life Changing (no, really!)
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White Noise
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When an industrial accident unleashes an "airborne toxic event", a lethal black chemical cloud floats over the Gladneys' lives. The menacing cloud is a more urgent and visible version of the "white noise" engulfing the Gladneys - radio transmissions, sirens, microwaves, ultrasonic appliances, and TV murmurings - pulsing with life yet suggesting something ominous.
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Boring
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JR
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Nick Sullivan
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Do lobsters feel pain? Did Franz Kafka have a funny bone? What is John Updike's deal, anyway? And what happens when adult video starlets meet their fans in person? David Foster Wallace answers these questions and more in essays that are also enthralling narrative adventures.
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David Foster Wallace is a good
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Wyatt Gwyon's desire to forge is not driven by larceny but from love. Exactingly faithful to the spirit and letter of the Flemish masters, he produces uncannily accurate "originals" - pictures the painters themselves might have envied. In an age of counterfeit emotion and taste, the real and fake have become indistinguishable; yet Gwyon's forgeries reflect a truth that others cannot touch - cannot even recognize.
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What a fucking epic
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Finnegans Wake is the greatest challenge in 20th-century literature. Who is Humphrey Chimpden Earwicker? And what did he get up to in Phoenix Park? And what did Anna Livia Plurabelle have to say about it? In the rich nighttime and the language of dreams, here are history, anecdote, myth, folk tale and, above all, a wondrous sense of humor, colored by a clear sense of humanity. In this exceptional reading by the Irish actor Barry McGovern, with Marcella Riordan, the world of the Wake is more accessible than ever before.
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Excellent performance, by the readers, a must listen!
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The late Chilean writer Roberto Bolaño has been called the García Marquez of his generation. The Savage Detectives is a hilarious and sexy, meandering and melancholy, companionable and complicated road trip through Mexico City, Barcelona, Israel, Liberia, and finally the desert of northern Mexico. It is the first of Bolaño's two giant works, with 2666, to be translated into English and is already being hailed as a masterpiece.
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Good book, bad sound quality
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Hans Castorp is, on the face of it, an ordinary man in his early 20s, on course to start a career in ship engineering in his home town of Hamburg, when he decides to travel to the Berghof Santatorium in Davos. The year is 1912 and an oblivious world is on the brink of war. Castorp’s friend Joachim Ziemssen is taking the cure and a three-week visit seems a perfect break before work begins. But when Castorp arrives he is surprised to find an established community of patients, and little by little, he gets drawn into the closeted life and the individual personalities of the residents.
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Another masterpiece by Thomas Mann.
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It is three in the morning when Bobby Western plunges from the Coast Guard tender into darkness. His dive light illuminates the sunken jet, nine bodies still buckled in their seats, hair floating, eyes devoid of speculation. Missing from the site are the pilot’s bag, the plane’s black box, and the tenth passenger. A collateral witness to machinations that can only bring him harm, Western is shadowed in body and spirit—by men with badges; by the ghost of his father, inventor of the bomb that melted glass and flesh in Hiroshima; and by his sister, the love and ruin of his soul.
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Great Narration
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Mark Renton has it all: He's good-looking, young, with a pretty girlfriend and a place at university. But there's no room for him in the 1980s.Thatcher's government is destroying working-class communities across Britain, and the post-war certainties of full employment, educational opportunity and a welfare state are gone. When his family starts to fracture, Mark's life swings out of control and he succumbs to the defeatism which has taken hold in Edinburgh's grimmer areas.
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Publisher's Summary
Winner of the 1973 National Book Award, Gravity's Rainbow is a postmodern epic, a work as exhaustively significant to the second half of the 20th century as Joyce's Ulysses was to the first. Its sprawling, encyclopedic narrative and penetrating analysis of the impact of technology on society make it an intellectual tour de force.
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What listeners say about Gravity's Rainbow
Average Customer RatingsReviews - Please select the tabs below to change the source of reviews.
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- William Pearce
- 2021-04-05
Superb
What's there to say about the material that hasn't been said already? This was my second outing with Gravity's Rainbow after reading the paperback, and I enjoyed it.
Guidall's narration is superb with the only real gripe being that between the occasional take, there was a slightly different tone to his delivery for a line or two, but that is absolutely reaching for nitpicks in an amazing performance. It's so good, that I'll probably look into more of his performances. Everything from accents to female voices completely sold me, and he captured both elements of whimsy and more serious tones.
Pynchon's book, well, it is what it is, and worth a listen or read. It's a mastercraft that does a number of things lesser authors simply couldn't get away with. Beautiful work that warrants my highest recommendation even though it may not be for everyone. Dip a toe in, and see how you like it.
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- Sam
- 2022-07-08
Phenomenal narration
I'm not going to review the novel itself: it's a classic and you can find tons of reviews elsewhere. I would like to point out, however, that the narration was phenomenal. I think it made the book better, and especially, funnier, than it would have been had I read it on paper. It's not often I think that about an audiobook.
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- Quinn Taylor
- 2021-10-22
Guidall is a master
The narration brings this challenging and sometimes disorientating text to life. It gave me a new perspective to reading the text. An excellent companion to the book. Every sentence is beautiful as written, and brought to life by Guidall’s unique, endearing, and unforgettable voice.
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- Jefferson
- 2016-07-04
"Time to touch the person next to you"
Don't expect Thomas Pynchon's picaresque, burlesque WWII epic Gravity's Rainbow (1973) to tie up all loose plot strands and resolve the fates of all loose characters. Expect an experience that comically and disturbingly involves you in the intertwined urges of Eros and Thanatos and the creative and destructive missions of civilization. The book is an encyclopedic riff on paranoia, sex, death, rockets, history, politics, religion, racism, war, cartels, chemistry, plastics, science, probability, drugs, music, movies, zoot suits, the dodo, American culture (and Western civilization in general), and much more, and the connections between everything.
The novel is divided into four parts. The first part centers on London in the later stages of WWII and introduces Pynchon's point of view characters working for or around PISCES (Psychological Intelligence Schemes for Expediting Surrender), a cryptic British organization operating out of an insane asylum called the White Visitation. The protagonist is the happy-go-lucky US Army Lt. Tyrone Slothrop, whom the Brits are observing because his sexual assignations with women seem to predict the landing sites of the German V-2 rockets that land and explode before you can hear them approach. (Or are his one-night stands only sexual fantasies!?) Part Two moves things to France, as Slothrop becomes aware of the ways in which They have been manipulating him since infancy and starts trying to get out of Their clutches. Part Three enters the Zone, comprised of the minor zones into which America, the UK, and Russia have carved up the freshly capitulated Germany. Here Slothrop is on a quest for the Unholy Grail, a mysterious uber-rocket with a "black device" payload and the serial number 00000, as the allies are racing around snapping up German rockets and scientists. Part Four introduces a valiantly ineffectual Counterforce, comprised of Their rejects and runaways who are trying irrationally to muck up Their rational plans.
Those bare bones ignore Pynchon's extravagant character creation, plotting, and digressing, not to mention his brazen vamping, culture vulturing, grossing out, and turning on. This is a dense, outrageous, imaginative novel. In addition to some healthy sex scenes, like between Slothrop and the German witch Geli Tripping, and some comical scatological ones, like one involving an outraged Roger Mexico and a cabal of oil executives, there are plenty of cringe-inducing sequences not for the squeamish. There is, for instance, a surreal sequence of Slothrop traveling down a toilet (ala Alice down the rabbit hole) and sex scenes involving bestiality, incest, pedophilia, coprophilia, necrophilia, polymerphilia (?), and more. All part of Pynchon's program to explore to the depths and heights the interface between life and death.
Slothrop is a fun, fluid, frustrating everyman hero, descendent of Puritans, victim of Pavlovian conditioning, prey to paranoia, a man whose identity becomes increasingly fragmented and dispersed the longer They experiment and spy on him and the longer he wanders the Zone posing as a British war correspondent, Errol Flynn, Rocketman, a Russian officer, a local German pig hero, a-a-and even (jeepers!) Fay Wray. While pursuing the 00000, Slothrop gets side-tracked by an aging German drug dealer giving jobs to Rocketman, a Russian officer bent on killing his half-brother South African Schwarzkommando leader, an aging German soft-porn star wanting to be whipped, a cell of Argentinean anarchist gaucho wannabes wanting to be free, a ship of fools orgying down the river, and a fat eight-year-old German boy looking for his lost lemming Ursula, to name just a few of the many colorful eccentrics. The characters are caught up in the struggle between the Elect chosen few and the Preterite passed-over masses, with moments of humor or doomed love providing respite. Although Pynchon understands the winners, his heart is with the losers.
There is much wonderful writing in the novel. Many great set pieces, like some conscripted "piss-swollen men" singing a sublime evensong, Katje recalling playing Hansel and Gretel, Death paying Roger Mexico and Jessica a little call at their romantic hideaway, Tchitcherine witnessing a Kirghiz male-female insult singing contest, Slothrop escaping from some limerick-singing, blood-thirsty American soldiers in a hot air balloon laden with custard pies, or loathsome Major Duane Marvy getting his just deserts. And many vivid and apt descriptions:
--"roadsides of poor rotting horses just before apricot sunrise."
--"big globular raindrops, thick as honey, begin to splat into giant asterisks on the pavement, inviting him to look down at the bottom of the text of the day, where footnotes will explain all."
--"Forget-me-nots boil everywhere underfoot, and ants crowd, bustling with a sense of kingdom."
--"The water is clear, running lively, cold. Round rocks knock together under the stream. A resonant sound, a music."
If you lose focus for a moment and fall briefly out of Pynchon's spell, you might get lost for paragraphs at a time. Most of his digressions are funny and relevant (like a community of Dobermans and German Shepherds trained to kill strangers on sight), but a few seem excrescent (like Byron the Bulb). And, to confide, when I finished the novel I did feel more relief than regret.
George Guidall superbly reads the audiobook with a wry and moist enthusiasm, without contorting his voice for different characters. Sometimes, as with Basil Rathbone in a doper western movie, I wish he would do British accents. But he voices a great sneeze, American chuckle, perky band of Mickey Mouse fat cells, and every other outre job with aplomb.
At one point the audiobook repeats from the last 35 minutes of the audio download part three until the first 47 minutes of the audio download part four (82 minutes). It makes what is a long audiobook even longer and should've been cleaned up.
If you are interested in the great American novel, the matter of circa WWII, the rise of the rocket, the history of Them, surreal madcap scenes of a scatological and or sexual nature, and comically devastating satires of western civilization, you should like Gravity's Rainbow. But be prepared to feel like Dorothy out of Kansas or King Kong out of his jungle.
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130 people found this helpful
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- D
- 2014-11-08
Like being belted in the head with a Swiss Alp
At last George Guidall has re-recorded Gravity’s Rainbow, and the result is magnificent. The tempo is a little slower, which is altogether to the good, but he recites instead of singing the songs, a loss (though thankfully he does vocalize the melody to Cielito Lindo recognizably (Ja, ja, ja ja! In Prussia they never eat p?ssy…)). Please, audiobook producers, have him record V., Pynchon’s first novel. And don’t skimp on Pynchon’s hilarious take on the Colonel Bogie March, let ‘er rip.
Concerning the novel itself, I’ve known intelligent people of good taste who simply couldn’t get through it. It’s very challenging, and not for everyone. I suggest trying Inherent Vice, or even The Crying of Lot 49 (which was my first), to test the waters. Just as one should read Portrait of the Artist before trying Ulysses. Then, prepare to be absorbed: study of this book will surely knock out a couple months of your life. In a good way.
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84 people found this helpful
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- Troy
- 2015-03-22
Long-Winded Drivel
Thanks to the miracle of audiobooks (because I have more time to "read" via this method and retain things better through sound for some reason, I was able to give this book my full attention and conquer the literary milestone that people seem to think it is. All my life I've heard the same things about this book. I've heard that hardly anyone finishes it, and those who do seldom understand it. But I've also heard that for those who do understand it, it's one of the greatest books ever written.
That's high praise. And from where I'm sitting, sorry to say it... it's also an over-saturated load of bull butter.
I've read some bad books in my time. We all have. In my experience, Gravity's Rainbow is one of the worst reads I've ever encountered. I have found zero redeeming qualities in it. None. Zip. Zilch. I give it one star because I can't give it -5 or lower.
I realize this book has a lot of defenders, and I trust this review will be taken with the understanding that my disdain for this work has nothing to do with attacking those who enjoyed it. If you enjoyed it, great. Glad you did. Clearly, you were the target audience, and I'm sorry that this review might hurt your sensibilities. Not sure why you're still reading what I have to say about it, but that's on you, just as it's on me that I actually bothered to finish Gravity's Rainbow. That said, I am inspired to a level of anger requires an exorcism and/or should have me channeling the powers of the Dark Side like a master. And so, like the author himself, I write this rant of a review because I felt obliged to word vomit about it. The difference, of course, is that I freely admit I'm not literary, I don't try to be, and I can make my point in considerably less time. You're welcome.
I own up to my biases. I am not that "literary minded" as I've said, although I have read Chaucer, Dante, Shakespeare, Milton, and Homer for fun, mixed in with all of the other stuff I enjoy. I also have very little tolerance for the drug culture of the 1970s, from whence this rodent killer of a tome was spawned. It comes down to a matter of taste. I found this book had none, nor was it to mine. I'd find more ready appreciation in a Leonardo or a Monet than in a Pollack. I have a lot better things to do with my time than looking at a canvas spraypainted via firehose or maps drawn by kids with crayons. Give me Beethoven, not the Bee Gees. At the same, though, I did go into this with the idea that there are exceptions to everything, and if so many praise its literary qualities, there had to be something to it. I honestly looked forward to the discovery of what that might be. Having made it to the end and found nothing, I not only feel cheated, I actually feel violated because I'm this angry about it.
Most tell me that if I don't like the book, it's because I don't understand it. To be honest, it's just not that difficult to figure out. I've encountered and appreciated many "difficult" books before, and I've typically come away the better for the experience. That's not the issue I found here. Instead, I found it to have all of the depth of MAD Magazine, with about the same maturity level, but without the inability to land on a punchline, meaningful or otherwise. I've read Choose Your Own Adventure stories with more plot than this. The overall message of the book is a good one: "make love, not war." Sadly, even that basic positive got pulled down to the level of randy farm animals to the point where anything resembling humanity was lost. I'm certain that was the point too. I'm supposed to applaud this? I got the impression Pynchon thinks he deserves a standing ovation. I object to any writer on moral grounds that says fighting is bad and yet forces the reader to resist epic levels of "HULK SMASH!" urges for the duration of the read.
The writing style is my largest gripe. People have described it as "crystalline prose," whatever that means. It tries way too hard to impress the idea upon you that it's raw, visceral, and somehow "artsy" without being artsy. Whatever tone he was trying to achieve, I grant that he achieved it, which is quite a feat considering he did it by using the largest amount of semi-coherent babble I've ever ever seen at one time. The readability of this had all of the appeal of watching somebody shave an animal, remove the top layer of its skin, and then feed that skin back to the animal. No, I don't have personal experience with anything like that, but I can imagine quite a bit without the use of drugs that the author clearly needed to achieve the same effect. And it wasn't so much what Pynchon wrote that made me feel the way I do about it. Instead it was more the way he wrote it that caused that reaction. So if that's your benchmark of literary, ok, point Pynchon. He got a bona fide reaction out of me. Good job in making the reader want to turn away from the work in disgust.
The rest of my issues stem simply from a lack of characters that I cared about or wanted to, and a lack of anything resembling an actual plot beyond the general need of the characters to want to screw everything. It takes absolutely zero talent for anyone to take drugs and get this kind of effect. It boggles the mind that when somebody acts on their visions and writes something down, the "literati" out there prop up both author and book like a pagan idol or a new prophecy or whatever. All it proved to me is that the author was driven to write. There's a fine line between genius and madness, and he crossed it long before the end of his first paragraph. Still, I can't tell anyone not to read it. Everyone makes their own call in that regard. I simply offer my own counterpoint to the choir of would-be angels circling Pynchon's throne in endless hallelujah. I'll be kneeling in reverence over at the altar of Tolkien, if it's all the same. As long-winded as he could be, he at least got to the point and presented it with some manner of coherence. And what do you know... it's the SAME POINT, that war is bad. Tolkien created multiple languages and dialects for his masterpiece. Pynchon spent 1000 pages mangling only one.
Bottom line: I found this book to be pretentious in the extreme and insulting to the very core of my being. I managed to finish it only because I had an audiobook that could force some kind of forward momentum that the author certainly didn't provide, and I willed myself to do so only because apparently the ending was supposed to make me change my mind and help me to see how brilliant this work is. Calling this literature is like calling FOX News "fair and balanced." At least I can get back my Audible credit and trade it in on something that won't potentially cause an aneurysm. I prefer my reading to be enlightening, educational, entertaining, relaxing, or some combination of any of these factors. This was none of the above. Almost anything would be an improvement over this lamentable mess. Almost.
More worthy tomes await. I feel better now. I'm done with one.
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- ᵔᴥᵔ
- 2017-12-04
Fixed!
I'd just like to point out that as of currently (Dec 2017) the audiobook has been fixed, and the repeated sections have been edited out.
If any readers were holding out because of what other reviews have mentioned, you no longer need to worry, as the audiobook has been properly re-edited.
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- Grace M-T
- 2015-04-27
Great performance : technical note
Would you recommend this audiobook to a friend? If so, why?
Because the narrator nails it; intonation, accents, everything. It's especially useful to listen to the book with the text in front of you.
Any additional comments?
As Tyson Allan pointed out (on April 7, 2015), the content of chapter 33 is repeated in chapter 34 & 35. Additionally, there is repeated content in chapters 38&39. It's easily remedied by skipping ahead to chapter 40, but hopefully the digital file will be fixed.
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- Tyson Allan
- 2015-04-07
The Dopers Dream
A proto-cyberpunk masterpiece. Beautifully performed and endlessly entertaining. The Looney Toons crossbred with Moby Dick.
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- Gary
- 2016-10-08
Best fiction I've ever read
Best fiction book I've ever read (technically listened to).
This is not a typical fiction book. There is a real method to the madness within the story. It's not meant only to divert ones attention from the mundane or entertain, but to explore the human experience from one author's perspective. The story in the book can be hard to follow and definitely won't be everyone's cup of tea.
In someways, the book reminds me of a conversation I usually have with strangers when I'm sitting at a bar having a beer, say. I know three things will almost always happen, 1) I'll end up alienating the person, 2) I'll start talking about science, history and philosophy, and 3) they won't alienate me whatsoever because I'm always interested in learning what they have to say about their thoughts but never about what they've done or the jobs they've had or the sports team they like or any of the other things they do, but I always am interested in what they think and why. Let them teach me new thoughts and new ways of seeing the world, but sadly they seem to be interested in the boot camp they had 20 years ago or that job that they worked on many, many years ago. I'd much rather talk with them about this book than the mundane.
There's no more interesting question than what is the order of the universe and what our purpose 'should' be and how we best should deal with the absurdity of life (by 'absurdity' I mean it the way Camus uses it in his "Myth of Sisyphus"). Those three question or variations of them are what drives me and this novel explores them in it's own unique way.
To understand this book, it takes someone who knows the pre-1945 movies to appreciate the book fully. I understand the war and its pop culture more than today's culture. (I probably could not really name a song from the last 35 years, but I know my war and pre-war culture, and there is probably not a thing I don't know about the old movies and actors). It's necessary to have that background when he's telling the story. He'll often leave the reader dangling by making a statement like "it's like when Spencer Tracy went to Africa", and he doesn't complete the circle until 10 hours later when he mentions the movie "Stanley and Livingston" and how the African Chieftain was a Mason and gave the Masonic handshake (paranoia is definitely a theme in this book).
I can only hint at what this novel is about. The first line in the book is the line "there is not extinction only transformation". That theme definitely runs through out the book. The most important statistical distribution in discrete space is the "Poisson Distribution" and the time between events (continuous space) is the Exponential Distribution. He explains this concept better than any text book and why it's so important for understanding the world we live in. His example regards number of bombs falling in a grid and the time between bombs. He could have just as easily explained it by a boy fishing ('poisson" is fish in French) on a dock. Life itself has a random nature and the Poisson and Exponential distribution are real things and are expertly explained within the text.
There's a very special feature of the Exponential Distribution. It is a memory less distribution. He'll comment on that (though he called the property something else). The memory less property means that if the average time between bombs blowing up in a grid happened to be 4 hours, and if you know that the grid hadn't happened to have had any bomb within 30 hours the expected mean time for a bomb to blow up next would be still four hours. Pynchon really understands his math!
He'll elaborate this concept 10 hours latter and talk at length about "Byron the bulb", the immortal bulb. Light bulbs are the quintessential example for the exponential distribution.
An immortal bulb will understand the truth, lives forever and is doomed to never tell it to anyone. The bulb will ultimately get hit with the "karmic hammer' of which only the 1937 Ford never gets and will ultimately get recycled much as the most popular machine gun from WW I did.
He'll tell many asides in the book. He's giving what he believes is his order to the universe. The 'temporal bandwidth' is the time width we use to assess our reality and we use it for our past and future. As our delta time (a calculus term and is the arbitrarily unit of time remaining) approaches zero and since it's in the denominator our last moments will approach relative infinity. The author doesn't really hide what he's talking about in the story. The Benzine molecule can only ever mean one thing within fiction.
There's a lot of crap in this book. There's a lot of racism. But, it's all there for a reason. He'll explain the crap when he talks about 'crap from Shinola'. Hint, our toilet seats are white for a reason. The 'we' and the 'they' are fundamental to our worldviews, and sometimes they just can't touch each other. (Ontological foundations are never necessarily unique. But, Pynchon is definitely not a philosopher and doesn't talk that way at all).
Section 175 of the Nazi death camps and 50 thousand Jehovah Witnesses as recipients of the 28000 meter frequency with the 9 km antenna in the German town listening to U-boats in order to hear of possible crucifixions at sea makes sense to somebody who has read as many WW II books as I have. (hint: JWs come out looking like heroes).
He doesn't say it directly but he brings it up multiple times. Clark Gable as the Devil and William Powell as the angel and Myrna Loy (yes, they are Nick and Nora Charles) is an ironic movie for what happened after the movie was released. John Dillinger and the lady in red, and the blood on him at the Biograph in Chicago. The movie is called "Manhattan Melodrama" is ironically named because of John Dillinger was gunned down in Chicago and the movie was forever known for that event. The author just assumes the reader knows those kind of things. Doesn't everyone know everything there is to know about the old movies? The author brings up Fritz Lang a lot too. My all time favorite director.
I better stop. There are many themes tied loosely together in this book. Paranoia (everything happens for a reason) or anti-Paranoia (nothing happens for a reason). Cause and effect, at the quantum level cause can happen before effect and the author definitely leans that way. Singularity, there is a point at which our knowledge collapses because we have to divide by nothing. Rebirth through the shuffling around of the molecules and the father/son mother/daughter connections. Our background, media and corporations take away our authentic selves. There is always a rocket hanging over us and it's just a matter of time and chance (or as multiple characters say 'time and god').
This is not a typical fictional book. I love pre-1945 culture, I love the science in this book and I love learning about the order of the universe. BTW, the book at times is laugh out loud funny. Don't let your emotional repulsion from some of the topics get the best of you. (Funniest line in the book, "Brigadier pudding died from e-coli infection").
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- Michael Silver700
- 2015-01-06
Excellent
What made the experience of listening to Gravity's Rainbow the most enjoyable?
I have Guidall's original recording of GR. Both are excellent. He doesn't try to act the characters too much...something which I find annoying in many other audiobooks. He also has a good sense of how to narrate this book.
What other book might you compare Gravity's Rainbow to and why?
People compare GR to Ulysses...I don't see that. Ulysses is a different beast of a book with a different writing style. Don't let the comparisons scare you away, or make you think you need to read Ulysses first to "get" this book.
Any additional comments?
My advice to those working your way through GR is to read a section first, then go back and listen to the section while reading along. You'll be amazed at how much you pick up and understand during that second pass. Also, this isn't a book to plough through over a weekend. Its going to take some time, so work slowly...you'll be rewarded. There is a reference guide to GR which you may find helpful but I don't think it's necessary. Just have fun.
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- Donna Kidby
- 2014-12-12
Grand
Any additional comments?
This book is a difficult read. The performance made the grand scale of the book and the scope of the detail more brilliant and enhanced my love of this book. Well done.
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- Doug D. Eigsti
- 2015-04-13
No Pot of Gold Just a Collection of Lead Coins
This book has a dream-like quality to it—but I am not saying that as an endorsement. Just as a dream is a Technicolor mélange of disjointed episodes that one struggles to fit together upon waking; this novel is elusive and seems to always be just out of reach. I admire the prose style of Pynchon in the same way that I enjoy the words of William Gibson in NECROMANCER. It has an edgy, detached quality to it; one that does not encourage emotional attachment. This book, however has less going on to hold my interest than does the aforementioned cyber-punk classic. No cool characters, no sense-of-wonder to make me marvel at the inventiveness of the fictional invention. What tipped the book against me, I think, was the excessive and emotionally uninvolved over-utilization of explicit sex scenes throughout. These scenes are spaced regularly in the novel, as if they are supposed to fit into some larger story arc. I could not find the interconnection so they just came off as crude assaults on my thought process with no redeeming social value. George Guidall has a fine pleasant voice and allowed me to hand in with this book for six hours before punching out.
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- El Briquet
- 2022-06-14
absolutely fantastic
a masterpiece. it demands a lot of concentration, but it ts worth it hundredfold.
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