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Publisher's Summary

A savvy, addictive novel about a woman torn between her husband and the man she thought she'd marry. 

Annie Adams is days away from her 32nd birthday and thinks she has finally found some happiness. She visits the world's most interesting places for her syndicated travel column and she's happily cohabiting with her movie director boyfriend Nick in Los Angeles. But when Nick comes home from a meeting with his therapist (aka "futures counselor") and announces that he's taking a break from their relationship so he can pursue a woman from his past, the place Annie had come to call home is shattered. 

Reeling, Annie stumbles into her neighborhood bar and finds Griffin - a grounded, charming chef who seems to be everything Annie didn't know she was looking for. Within three months, Griffin is Annie's husband and Annie finds herself trying to restart her life in rural Massachusetts.

©2011 Laura Dave (P)2020 Tantor

What listeners say about The First Husband

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  • Overall
    2 out of 5 stars
  • Performance
    4 out of 5 stars
  • Story
    2 out of 5 stars
  • Caitlyn M.
  • 2021-05-28

Middle of the Road

Another step – and my penultimate one – down my somewhat-random-and-not-entirely-reasonable recent trek through Laura Dave’s books. The First Husband is third in her repertoire, and my fifth of her books, after The Last Thing He Told Me (her 6th), London Is The Best City in America (her 1st), 800 Grapes (her 4th), and Hello, Sunshine (her 5th). It feels important to clue everyone up on this order – both mine and hers – because her final two were definitely my favourite of the bunch (with Sunshine being my personal choice).
If you’re coming to First Husband already a fan of Dave’s, then it’s fairly enjoyable. Annie, the main character in this outing, is trying to find herself. She is a little less in-depth than some of Dave’s other protagonists, perhaps in an effort to give her more relatability to a broader swath of readers. Griffin, the husband she married in a six-month rebound after ending a long-term relationship with Nick, is a likable chef with more personality than some of the other men Dave has written. This book is nowhere as good as Sunshine or Last Thing, but I liked it far, far better than London. I found myself surprisingly amused by some of the dialogue, enjoying some of the side characters (particularly Peter, and the briefly-seen Melinda).
I didn’t like Annie. I suppose I should be used to that by now – most of Dave’s books have centred on a female character I haven’t liked. Annie is self-centred, immature, indecisive and often moping. Everything she does focuses on her and her feelings, and rarely on others (until they directly impact her life). She fails to ask basic questions, and then gets angry that she doesn’t have the answers. She is directionless, and then surprised to find she is lost. All these men throughout the novel fall all over her, despite her apparent lack of any particularly noteworthy or interesting traits. And though her profession apparently plays a huge role in her figuring out her life/marriage/who she is, we don’t see her actually engaging in it until the very end (actually, I’d forgotten what it is she does until she gets fired and then unfired in the novel’s third act). I also didn’t like Jordan -the best friend who really steps out of line several times in this novel. But she, like most of the non-Annie characters in this book and many of Dave’s supporting cast members in every novel, is underdeveloped and serves mainly as a backdrop to Annie’s life.
The other thing about this novel that really got to me is the repetitiveness. There are so many ‘he said’ and ‘she said’s used in this book, I was actually distracted in the audiobook holding my breath for the next one to fall. A few of Dave’s ingrained bad habits are present here too – the tendency to use ‘I wish I could explain’ or ‘I wish I could say’ to short-cut or emphasise actual description, the pacing difficulties, teetering between describing each meal in excruciating detail and suffering white-room syndrome. I also noticed a lot of repetition from her other novels: the tendency to integrate food into everything (not necessarily a draw-back, but it is a bit repetitive), the seeming need to introduce British and/or Australian characters into each supporting cast (this book had both, though at least the narrator could do passable accents), the aforementioned tendency to give the main-character a personality that’s hard to root for; the need to force semi-cliché quotes into scenes they don’t belong for, with the express purpose of trying to seem ‘deep’.
A more casual reader looking for a light ‘beach book’ might have found a bit more enjoyment in this novel than I did. Not a bad read, but not a great one either. For Dave, it rides about middle of the pack.

  • Overall
    4 out of 5 stars
  • calyca
  • 2021-05-18

ok story terrible narration

constantly he said, she said. very annoying. no different voices to identify characters. took away from the story which wasn't bad.

  • Overall
    3 out of 5 stars
  • Performance
    1 out of 5 stars
  • Story
    3 out of 5 stars
  • Bernice Holland
  • 2021-05-16


The book itself was ho hum. Lots of loose ends, like, what was up with her boss in the bar in England? I thought that was going somewhere.
But the narrator...I’ve listened to hundreds of audio books. I don’t say this lightly, that was the worst narration of all time. Could hardly get through the very stilted reading.