Showing results for "James Shapiro" in All Categories

1599 was an epochal year for Shakespeare and England. During that year, Shakespeare wrote four of his most famous plays: Henry the Fifth, Julius Caesar, As You Like It, and, most remarkably, Hamlet; Elizabethans sent off an army to crush an Irish rebellion, weathered an Armada threat from Spain, gambled on a fledgling East India Company, and waited to see who would succeed their aging and childless queen.

The plays of William Shakespeare are rare common ground in the United States. For well over two centuries, Americans of all stripes—presidents and activists, soldiers and writers, conservatives and liberals alike—have turned to Shakespeare’s works to explore the nation’s fault lines. In a narrative arching from Revolutionary times to the present day, leading scholar James Shapiro traces the unparalleled role of Shakespeare’s four-hundred-year-old tragedies and comedies in illuminating the many concerns on which American identity has turned.

In the years leading up to 1606, since the death of Queen Elizabeth and the arrival in England of her successor, King James of Scotland, Shakespeare's great productivity had ebbed, and it may have seemed to some that his prolific genius was a thing of the past. But that year, at age 42, he found his footing again, finishing a play he had begun the previous autumn - King Lear - then writing two other great tragedies, Macbeth and Antony and Cleopatra.

From 1935 to 1939, the Federal Theatre Project staged over a thousand productions in 29 states that were seen by thirty million (or nearly one in four) Americans, two thirds of whom had never seen a play before. At its helm was an unassuming theater professor, Hallie Flanagan. It employed, at its peak, over twelve thousand struggling artists, some of whom, like Orson Welles and Arthur Miller, would soon be famous, but most of whom were just ordinary people eager to work again at their craft. The Playbook takes us through some of its most remarkable productions.

For nearly two centuries, the authorship of William Shakespeare's plays has been challenged by writers and artists as diverse as Sigmund Freud, Mark Twain, Henry James, Helen Keller, Orson Welles, Malcolm X, and Sir Derek Jacobi. How could a young man from rural Warwickshire, lacking a university education, write some of the greatest works in the English language?

James Gleick, the author of the best sellers Chaos and Genius, now brings us a work just as astonishing and masterly: A revelatory chronicle and meditation that shows how information has become the modern era’s defining quality - the blood, the fuel, the vital principle of our world. The story of information begins in a time profoundly unlike our own, when every thought and utterance vanishes as soon as it is born.

Bestselling author James Kaplan redefines Frank Sinatra in a triumphant new biography that includes many rarely seen photographs. Frank Sinatra was the best-known entertainer of the twenti­eth century—infinitely charismatic, lionized and notori­ous in equal measure.

James Gleick's story begins at the turn of the 20th century, with the young H. G. Wells writing and rewriting the fantastic tale that became his first book, an international sensation: The Time Machine. A host of forces were converging to transmute the human understanding of time, some philosophical and some technological - the electric telegraph, the steam railroad, the discovery of buried civilizations, and the perfection of clocks.

It’s 2005, New Orleans, pre-Katrina, and Jed Walker has just started at the CIA. He’s sent on a mission by Harold Richter, CIA field operations legend and trainer of agents provocateur. The task is a one-way ticket—survive and succeed at all costs—and Walker is an off-the-grid, solo, deniable asset. As Katrina comes to town to forever change a city and a country, it’s clear to Walker that his life as a spy has the potential to shape global events.

A sinister group—code-named Zodiac—has launched a series of devastating global attacks. Twelve targets across the world, twelve code-named missions. Operating distinct sleeper cells, they are the ultimate terrorist organization, watching and waiting for a precise moment to activate the next group. It’s a frightening and deadly efficient way to stay one step ahead … and cause the most chaos. For ex–CIA operative Jed Walker, chaos is his profession. Burned by his former agency, he is determined to clear his name. Stopping Zodiac is the only way.

In war-torn Syria, the lone survivor of a massacre is pulled from beneath a pile of bodies. She is given one instruction: “Find Jed Walker.” Ex-CIA, Walker is a man who thought he was long out of the game. Discovering a terror outfit is smuggling people from the Middle East into the United States, he is drawn back in. At first Walker thinks these human traffickers are driven purely by profit and greed, but soon learns their motives are much worse—and they have ties to the highest levels of power.

Jed Walker, ex-CIA, is an outsider back in the game. He’s been chasing down a sinister group code-named Zodiac that the big guns—MI5, CIA, the Pentagon—have failed to eradicate. But as Walker follows the trail of bodies, uncovering secrets and making connections he’s not supposed to make, he finds the answers are closer to home than he ever imagined. Revenge is the obvious motive—but nothing is ever that simple in love and war. Can Walker find who’s responsible before the body count grows? Can he stop another terror attack before more innocents suffer?

The world is under cyber attack. The secretive terror outfit known as Zodiac is preparing to unleash chaos. The options for the hackers are endless. From massive data breaches, takedowns of critical infrastructure, and commandeering military hardware, nothing networked is safe. Knowing where they will strike is half the battle. The only thing certain is their intent to create a devastating global catastrophe. The US president has the power to enact the Internet Freedom Act—the “Kill Switch”—and turn off the Net, which will stop the attacks. But it’s not that simple.