Résultats Éditeur "Tantor Audio" dans Criminologie

Based on interviews with currently and formerly incarcerated artists, prison visits, and the author's own family experiences with the penal system, Marking Time shows how the imprisoned turn ordinary objects into elaborate works of art. Working with meager supplies and in the harshest conditions - including solitary confinement - these artists find ways to resist the brutality and depravity that prisons engender. The impact of their art, Fleetwood observes, can be felt far beyond prison walls.

Beginning in Africa and ending in Europe, Incarceration Nations is a first-person odyssey through the prison systems of the world. Baz Dreisinger, a professor, a journalist, and the founder of the Prison-to-College Pipeline, looks into the human stories of incarcerated men and women and those who imprison them, creating a jarring, poignant view of a world to which most are denied access.

At 15, Victor Rios found himself a human target - flat on his ass amid a hail of shotgun fire, desperate for money and a place on the street. Faced with the choice of escalating a drug turf war or eking out a living elsewhere, he turned to a teacher, who mentored him and helped him find a job at an auto shop. That job would alter the course of his whole life - putting him on the road to college and eventually a PhD.

On an average September day, Stephen's world was shattered when a Rhode Island state trooper arrested him for the murder of a drug dealer named Joe Viscido, Jr., in Florida four years earlier. Though Stephen could prove that he was 1,500 miles away at the time of the murder, Peter Dallas admitted to the crime and named Stephen as his accomplice. Like something out of Kafka, Stephen found himself imprisoned for a non-bailable offense and was whisked away to a Rhode Island jail.

In September, 2008, Roanoke, Texas, police discovered a house of horrors: poisoned pudding, a bathtub set up for electrocution, a bloody butcher knife, and a hank of chopped-off hair. The worst was yet to come. Days before, 17-year-old Jennifer Bailey, her 13-year-old brother David, and their friends Paul Henson and Merrilee White had made a gruesome pact: they'd kill their parents, steal their cars and credit cards, and flee to Canada. Paul and Merrilee's parents thwarted their fates, but Jennifer and David's mother Susan Bailey wasn't so lucky.

Any murder causes pain and suffering that ripple through families and communities - of both the victims and the perpetrators - but premeditated murders cause the worst kind of damage. The Allure of Premeditated Murder is about the worst kinds of premeditated homicide in which the perpetrator plans an attack over a period of days, weeks, or months, leaving behind massive carnage and unspeakable suffering. Drawing on extensive research and interviews with murderers, sociologists Jack Levin and Julie B. Wiest help listeners understand why such vicious murders occur.

Miriam Giles ran away to Colorado to bury her violent past - but this seductive, charismatic widow has a dark side that could never stay buried. After finding the "sugar daddy" she was looking for in Alan Helmick, her new marriage seemed happy. Then, two years later, Alan meets a gruesome fate. Returning home from errands, Miriam finds him lying in a pool of blood. Miriam shows police a cryptic note warning her to "run, run, run". But Miriam is no distraught housewife.

Was murder part of the game? Seventeen-year-old Kat McDonough grew up with theater in her blood - and a penchant for make-believe. More than a decade older, Seth Mazzaglia was well-known in the community theater circle of Portsmouth, New Hampshire. He, too, had a rich inner life - and he soon had Kat convinced that they were soul mates. To intensify their bond, Seth lured Kat into a world of violent sex and role-playing, where she was his slave. Enter Lizzi Marriott, the new girl in town. And when she accepts an invitation to Kat and Seth's apartment....

When twenty-six-year-old recent college graduate Aswad Thomas was days away from starting a professional basketball career in 2009, he was shot twice while buying juice at a convenience store. The trauma left him in excruciating pain, with mounting medical debt, and struggling to cope with deep anxiety and fear. That was the same year the national incarceration rate peaked.

Since the 1950s, the American war on drugs has positioned white middle-class youth as sympathetic victims of illegal drug markets who need rehabilitation instead of incarceration. The Suburban Crisis traces how politicians, the media, and grassroots political activists crusaded to protect white families from perceived threats while criminalizing and incarcerating urban minorities, and how a troubling legacy of racial injustice continues to inform the war on drugs today.

In June 1985, a young Black man named Darryl Hunt was falsely convicted and sentenced to life in prison for the rape and murder of a white copyeditor at the local paper. Many in the community believed him innocent and crusaded for his release even as subsequent trials and appeals reinforced his sentence. Finally, in 2003, the tireless efforts of his attorney combined with an award-winning series of articles by Phoebe Zerwick in the Winston-Salem Journal led to the DNA evidence that exonerated Hunt.

During the 1970s, grassroots women activists in and outside of prisons forged a radical politics against gender violence and incarceration. Emily L. Thuma traces the making of this anticarceral feminism at the intersections of struggles for racial and economic justice, prisoners' and psychiatric patients' rights, and gender and sexual liberation. All Our Trials explores the organizing, ideas, and influence of those who placed criminalized and marginalized women at the heart of their antiviolence mobilizations.

While state and federal prisons like Attica and Alcatraz occupy a central place in the national consciousness, most incarceration in the US occurs within the walls of local jails. In This Is My Jail, Melanie D. Newport situates the late twentieth-century escalation of mass incarceration in a longer history of racialized, politically repressive jailing. Centering the political actions of people until now overlooked, Newport shows how local, grassroots contestation shaped the rise of the carceral state.

In this book, Katherine Beckett explains how and why mass incarceration persists despite growing recognition of its many failures, plummeting crime rates, and widespread efforts by state legislators and others to reduce prison populations. Beckett identifies three primary forces sustaining incarceration rates in this country: political dynamics around violence, resistance to criminal legal system reform in suburban and rural counties, and the failure of popular drug policy reforms to reduce the reach of the criminal legal system.