Titres dans Théâtre

Featuring Steve Carell and Amy Morton, Sin is a contemporary morality play about a helicopter traffic reporter who is trying to keep herself above life's messiness. Her soon-to-be-ex-husband is a charming alcoholic, her roommate is a glutton, she's trapped daily in a helicopter with an envious coworker, and her blind dates are disasters. It takes her dying brother to make her see that pride is the deadliest of sins, and it takes an Act of God to bring her back down to Earth.

Showbiz is John Logan’s harrowing tale of life and death in the theatre. It tells the story of the brilliant young director Julian, whose single-minded determination drives those around him to personal and artistic extremes.

True friends help you through the consequences of poor judgment when no one else will. Best friends Gabby, Maxine, and Joy protect each other at all costs, even if it means keeping secrets that turn their lives upside down. Gabby has no boundaries when it comes to getting what she wants. She pulls out every trick in the book to keep her daughter's married father out of their lives but keep his money in her bank account...

In this survey of eighteenth and nineteenth century American drama, Tice L. Miller examines American plays written before a canon was established in American dramatic literature and provides analyses central to the culture that produced them. Entertaining the Nation evaluates plays in the early years of the republic, reveals shifts in taste from the classical to the contemporary in the 1840s and 1850s, and considers the increasing influence of realism at the end of the nineteenth century.

Orson Welles is a one-person play in two acts about the life and times of Orson Welles. Some say that Orson Welles was a genius, but he always denied that. He did give us Citizen Kane, considered by most critics to be the best film ever made, but after that, his career took one long downward plunge. The play finds Welles trying to find the financing for one of his film projects. It's a difficult task, since most of the Hollywood community considers him to be a "screwball".

In the most important theatrical audiobook of this or any other decade, twitter sensation @tips4actors gives you all the advice you need to take your acting to the next level. How to upstage your fellow cast members, what to wear on the first day of rehearsals, where to go for a poo in London's glamorous West End - it's all covered in here!

Joyce Carol Oates' hilarious take-off on a classic Southern play begins when liberated Hedda arrives home to visit the family estate, ruled by the family’s tyrannical patriarch, “Tiny” Culligan. Tiny doesn’t know what to make of Hedda’s intellectual boyfriend, Saul. But then, Saul doesn’t know what to make of Hedda’s sister, the slinky Maggie, who finds Jewish professors very sexy indeed. A full cast L.A. Theatre Works performance featuring: Charles Durning, Arthur Hanket, Gary Kroeger, Marsha Mason, Priscilla Pointer, William Schallert and JoBeth Williams.

Hip-hop meets history in this four-part series about Martin Luther, the Father of the Protestant Reformation. Not merely a retelling of Martin Luther's life, this musical indictment sheds a cold and questioning light on the controversial man of God. Will Luther's legacy be his salvation, or the nail in his coffin?

Moving Bodies is a chronicle of the brilliant life of Nobel Prize-winning scientist Richard Feynman. From his role in the development of the atomic bomb to his controversial testimony at the investigation of the Challenger disaster, Feynman casts a long shadow across the worlds of physics and mathematics. Through playwright Arthur Giron's eyes, we see how Feynman became one of the most important scientists of our time.

Gregory Itzin portrays the brilliant but flawed Lee Atwater, a self-styled master of negative campaigning and a tightly wound country boy from South Carolina, who rose to the chairmanship of the Republican Party. An L.A. Theatre Works full-cast performance starring Gregory Itzin as Lee Atwater, with Fran Adams, Ed Begley Jr., Judyann Elder, Arye Gross, Richard Masur, Daniel Passer, Harry Shearer, Fred Willard, and Kenny Williams.

Playwright Gil Landau is finally experiencing a Broadway smash after many years of draught and disaster. Gil has finally produced an overnight sensation, but his reverie quickly turns to panic when rumors begin circulating about the questionable authorship of his play. Adding to the mix is an unscrupulous agent, a boozy leading lady, and Gil's estranged son, who is recovering from a nervous breakdown after attempting to leap from the top of a building.

Tomas Kyd, the son of the notorious Captain William Kyd, had always had well enough. Yet enough was not at all satisfaction. Enough only stirred within him a desire for more: a desire for love, adventure, and a life of nobility that he felt he, too, so richly deserved. However, his father's curse, that which he shares with the pirate crew of his father's unfinished voyage, has always kept him from discovering a life he thought worth living.

A once-aspiring actress who never quite got over her dreams of Broadway stardom, Shukert lovingly sunk her teeth into analyzing (and often, inventing) every detail of NBC's embattled little-musical-that-couldn't, and before long, found herself at the center of the backstage drama behind the backstage drama that captivated America (or at least, the part of it that spends a lot of time handing out their head shots in Times Square).

The Hazel theme music plays to an applauding audience as 64-year-old Shirley Booth steps up to the stage for her second Emmy Award. As the character Hazel, her superb comedic and dramatic skills resulted from arduous years of perfecting her minimalist approach to acting. More than 50 years earlier, Shirley first stepped onto the stage against the wishes of her father. How could Shirley Booth achieve so much success as an actress, winning every major acting award possible without formal dramatic training?

Charles Dickens' classic story of redemption and Christmas spirit adapted into a 45-minute one-man show, retaining all the characters and brimming with Dickens' humor, recorded live in performance before an audience. Booking information and performance rights are available at andy.babinski@yahoo.com.

Hans-Christian Blech und Ernie Wilhelmi haben ihren festen Platz in der deutschen Theatergeschichte nach 1945. Auf der CD wurden alle verfügbaren Theater-Tondokumente mit Hans-Christian Blech und Ernie Wilhelmi aus den 50er und 60er Jahren zusammengestellt...

If you want to know the secrets of those who succeed in musical theater, then check out this How to Audition for a Musical guide. In this step-by-step guide, you will learn not only the basic but improvement tips as well to surpass musical theater auditions.

From the pen of the winner of the 2009 Pulitzer Prize for Drama! The Crump family is adrift and in trouble. Widowed Godfrey is under the spell of Sweet Father Divine, while his teen daughters, Ernestine and Ermina, immerse themselves in the illusions of Hollywood to escape racial prejudice. But things change quickly when free-spirited Aunt Lily shows up: Godfrey remarries a white woman, Ermina discovers boys, and Ernestine is torn between Communism and bebop!

In this Pulitzer Prize finalist by award winning playwright Gina Gionfriddo, Suzanna sets up Max, her best friend, on a blind date with her husband's co-worker, the mysterious Becky Shaw. What follows is a series of cataclysmic events that forever changes all their lives. Mixing sharp wit and humor with the taut suspense of a psychological thriller, the critically acclaimed Becky Shaw is a comedy of romantic errors that will keep audiences guessing. Directed by Bart DeLorenzo. Recorded before a live audience at the Skirball Cultural Center, Los Angeles, in February, 2011.

With his ongoing exploration into actor behavior and an ever-innovative body of work, Richard Maxwell has written a study guide to the art of making theater. This illuminating volume provides a deeper understanding of his work, aesthetic philosophy, and process for creating theater.