Résultats de "Leonid Andreyev" dans Toutes les catégories

Leonid Andreyev was born in Orel, Russia, on August 21, 1871. He died on September 12, 1919, in Finland, an exile from his beloved chaos-ridden fatherland. The main characters of Andreyev's stories are "people who stand apart," solitary, lonely characters, moving among their fellow men with a baneful cloud hanging over them. The hapless Father Vassily is a well-meaning but ineffectual man, whose best intentions are remoselessly crushed by fate.

Material dlja izuchenija russkoj literatury v 11 klasse. 30 hudozhestvennyh proizvedenij dany v kratkom izlozhenii v audioforme.

Uno de los mas pesimistas escritores rusos. Leonidas Andreyev (1871¿1919), describió en su novela (inspirada en un hecho real), Los Siete Ahorcados, la última noche de siete condenados a muerte; cinco terroristas y dos criminales, los primeros hallados culpables del atentado contra la vida de un importante miembro del gobierno.

Leonid Nikolaevich Andreev (9 [21] avgusta 1871, Orjol, Rossijskaja Imperija - 12 sentjabrja 1919, Nejvola, Finljandija) - russkij pisatel'. Predstavitel' Serebrjanogo veka russkoj literatury. Schitaetsja rodonachal'nikom russkogo jekspressionizma.

"Judas Iscaroit" is one of the most well-known stories written by the celebrated Russian writer Leonid Nikolaievich Andreyev (1871-1919). The work, which is based on the biblical story, highlights the issue of the disciple's betrayal of his teacher.

The Seven Who Were Hanged is one of the most famous novels by celebrated Russian writer Leonid Nikolayevich Andreyev (1871-1919). The story, recounting the final hours of seven people sentenced to death by hanging following a secret trial, shocked Russian society. Andreyev presents his characters - five would-be terrorists and two common criminals - with great pathos and human sympathy, forcing the listener to confront the uncomfortable moral realities of capital punishment.

Centering on the picaresque realism of Nikolai Gogol’s (1809-1852) mid-19th-century visions of the extraordinary in everyday life, this collection mines the ambiance and mind of pre-Revolutionary Russia. These seven stories take us from the Miracle Mile of St. Petersburg’s Nevsky Prospekt, and a summer night in a Ukrainian village, to the fantastical psychological geographies of fathers, sons, and madmen. Augmenting Gogol’s visions are two disturbing tales by the foremost storyteller of Russia’s “Silver Age”.

Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. In this volume we offer up a small selection of talents from the literary landscape of Continental Europe and its male authors whose time has now come again.

Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. In this volume we offer up a small selection of talents from the literary landscape of the Russian male author whose time has now come again.

Leonid Andreyev’in “Kızıl Kahkaha” adlı eseri, savaşın yıkıcı etkilerini ve insanın alışılmış düzenin yerini nasıl kaosa bıraktığını keskin bir dille ele alır. Eserde, çatışmanın sadece bedenleri değil, aklı, inancı ve değer yargılarını da altüst eden yönü anlatılır. Savaşın getirdiği sert gerçeklik, disiplinle örülü yüzeyin altında, bireylerin savunmasızlığı ve umutsuzluğu ile iç içe geçmiş; okuyucuyu, varoluşun kırılganlığını sorgulamaya davet ediyor.

Dark is a psychological novella about a desperate revolutionary hiding in a brothel to avoid arrest. As he forms a complex relationship with a prostitute, his internal turmoil grows, leading to deep existential conflict. A haunting and intense story by acclaimed Russian writer Leonid Andreyev.

“When Lazarus rose from the grave, after three days and nights in the mysterious thraldom of death, and returned alive to his home, it was a long time before anyone noticed the evil peculiarities in him that were later to make his very name terrible.” One of Andreyev’s best-known short stories, Lazarus follows the Eastern Orthodox tradition that Lazarus never smiled again, and it explores what happened to the biblical figure after his resurrection from the dead. The unsettling coldness that exudes from the man who cheated death cannot be denied by anyone who meets him.

When we read or listen, words can have a transforming effect. Our mood can alter in the space of a few sentences from joy to sadness. And not just our mood. These words can affect us physically, they can engage our emotions and even in their sadness bring a lump to our throat and tears to our eyes. Sometimes the relief can be palpable. Our authors, from Anton Chekhov, Stephen Crane, Willa Cather, Katherine Mansfield and a wealth of others, are well aware of what their talents will evoke. Genius has many names.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

The best collection of Russian short stories includes: Fyodor Dostoevsky: Notes from the Underground, The Dream of a Ridiculous Man, The Beggar Boy at Christ's Christmas Tree. Leo Tolstoy: The Death of Ivan Ilyich, Kholstomer, the Story of a Horse, Alyosha the Pot, A Letter to a Hindu, A Confession, God Sees the Truth, but Waits, A Russian Christmas Party. Anton Chekhov: Kashtanka, Gusev, The Darling, The Lady with the Dog, A Slander, The Horse-Stealers, The Petchenyeg, A Dead Body, A Happy Ending, The Looking-GlassOld Age, Darkness, The Beggar, In Trouble, Frost, Minds in Ferment, Gone Astray.

In this volume our classic authors turn their words to the religion of Christianity. It’s a fascinating subject for our authors who can explore faith and belief in ways that we rarely subject ourselves to. Whatever your faith these stories raise questions and that are of interest to us all.

In the ancient lands of Judea, where the boundary between life and death is both sacred and feared, one man crosses that divide and returns irrevocably changed. Lazarus, raised from the grave by the hand of Christ, emerges not as the man he once was but as a shadow of his former self, haunted by the specter of death. The miracle of Lazarus's resurrection reverberates across the land, drawing pilgrims and skeptics alike. Yet, as Lazarus walks among the living, he carries with him an unsettling aura that instills dread and despair in all who encounter him.

Leonid Nikolaievich Andreyev was born on 21st August in Oryol, Russia, to a middle-class family of Polish, Ukranian and Finnish ancestry. In 1898 his first short story ‘Bargamot and Garaska’, published in the ‘Kurier’ newspaper, caught the attention and friendship of Maxim Gorky. Andreyev now discarded any other career path apart from that of author. His classic story ‘Lazarus’ brilliantly tells the story of Christ’s disciple, forced to wander the earth for all time; it is both chilling and heart-breaking in its Russian setting.

Whilst faith can be practiced anywhere religious faith is usually at a church or temple. The stories in this volume are centered both in houses of worship and with those with a strong association to its calling. Of course, short story authors have a determined belief in their undoubted talents to make us look at this subject from different angles. In this volume they take us on literary journeys that are revealing and challenging yet always entertaining.

The story The Little Angel (1899) about a teenager - half-hungry, offended by the whole world "wolf cub". Once on a holiday in a rich house, he saw an angel on a Christmas tree. A toy becomes for him a sign of the "wonderful world where he once lived." She must belong to him! And the boy, who endured a lot, defending his pride, falls to his knees in front of the "unpleasant aunt."