Résultats de "Nicholas James" dans Toutes les catégories

David Rose interviews Declan MacGonagle about his appointment as the primary director of the Irish Museum of Modern Art, Kilmainham. They discuss in detail the director's view of a contemporary museum of art and his ambitions for its program within its local and international context. The dialogue probes previous appointments in Derry and at the ICA London.

The fourth volume of the Tracks directory gives information about career pathways in construction, land and sea work, sports, and fitness.

This book contains an interview by Sarah Batiste recorded in 1989 with Jill Dunkerton, senior conservator of Italian Painting at the National Gallery London. In it she considers works by Duccio, Jacopo Di Cione and other early Trecento painters from 1270 to 1370 exhibited in Art in the Making at The National Gallery 1989-90.

This book considers the work of the celebrated 17th century court painter Diego Velázquez (1599-1660) presented in a comprehensive exhibition at The National Gallery London from October to January 2006-2007. It follows the phases of development charted from rooms one to four in the Getty Wing, ranging from the initial scenes of workers in bars and domestic scenes to the paintings made at the Court of King Philip IV in Madrid.

With national coverage of the first edition in 1997, Tracks found an eager audience, including many parents needing to inform their children's choices for the future. Over 15 annual editions the title has been revised and updated. The new edition carries work descriptions, listing pay scales and qualifications to degree level, with advice from professionals in the field, and chartered institutes.

From Japan to Berlin, from Paris to Moscow, from London to Washington, DC, and all points between and beyond, his reputation for facing the most dangerous opponents and taking on the most difficult missions is well known. He is the nation's ace troubleshooter, the country's amazing master spy. Jeff Shannon is the Eagle - America's ultimate secret agent! The Eagle's mission: to wage a one-man war against America's enemies and those who threaten liberty across the globe.

First published as Journal of the Gallery London in 1993, with revised editions in 1998, 2001, 2008, and 2011, over 600 entries chronicle the life of the city: a powerfully driven arena of dysfunctional experience. Episodes record incidents and encounters in the streets, the movement of shoppers and travelers, and scenes of social and internal life. As the journal develops, fact and fiction blend into a filmlike sequence of events.

First published as Journal of The Gallery London in 1993 with revised editions in 1998, 2001, 2008 and 2011, over 600 entries chronicle the life of the city: a powerfully driven arena of dysfunctional experience. Episodes record incidents and encounters: in the streets, the movement of shoppers and travelers, and scenes of social and internal life.

With national coverage of the first edition in 1997, Tracks found an eager audience, including many parents needing to inform their children's choices for the future. Over 15 annual editions the title has been revised and updated. The new edition carries work descriptions, listing pay scales and qualifications to degree level, with advice from professionals in the field and chartered institutes.

With national coverage of the first edition in 1997, Tracks found an eager audience, including many parents needing to inform their children's choices for the future. Over 15 annual editions, the title has been revised and updated. The new edition carries work descriptions, listing pay scales and qualifications to degree level, with advice from professionals in the field and chartered institutes.

Cv/VAR 31 documents Francis Bacon, discussed in a seminar for the MA History of Art course at Kingston University in 1995. It considers varied aspects of the artist, the circumstances of his social milieu, his painting methods, and the iconography of his work comparing him with predecessors in Western art from Goya to Picasso as well as contemporaries such as Lucian Freud. A second part reviews works in an exhibition held at the Hayward Gallery London 1998.

Despite his short span of activity, from 1423 to 1428, Masaccio can be placed as the signifier of a radical break with the period of Italian painting known as the Trecento, and, alone among his contemporaries, in his use of dramatic realism points the way to the spectacular creations of the High Renaissance, in which artists such as Michelangelo, Raphael, and Palladio achieved a fusion of classic and humanist ideals in painting, sculpture, and architecture.

Renowned artist Lucian Freud (1922-2011) was commemorated in an exhibition of 50 portraits spanning his working life, held at The National Portrait Gallery London from February to May 2012. The review explored the development of his art from the potent and hypersensed studies of the 1940s to major paintings in the later phase, where the artist engaged in a complex and sometimes brutal meditation on the human being, drawn from an intimate engagement with the sitter.

Episodes record incidents and encounters in the streets, the movement of shoppers and travelers, and scenes of social and internal life. As the journal develops, fact and fiction blend into a film-like sequence of events. Reality is colored by a seamless flow of messages of promise and dereliction that gently gather strands of communal imagination into a protective shell. Entries recorded in 2010-11 of encounters and observations; citizens, builders, office workers, young and senior.

First published as Journal of The Gallery London in 1993 with revised editions in 1998, 2001, 2008, and 2011, over 600 entries chronicle the life of the city: a powerfully driven arena of dysfunctional experience. Episodes record incidents and encounters in the streets, the movement of shoppers and travelers, and scenes of social and internal life. As the journal develops, fact and fiction blend into a film-like sequence of events.

Artist Recordings 2 brings together leading artists active in the fields of painting, drawing, print, and sculpture. Conversations explore work in progress and the development of their practice. Patterns of personal experience link with a broader continuum of progressive ideas and show how their imaginative interventions bear on the world.

A presentation by exhibition curator Catherine David in 1997 describes her plans for Documenta X Kassel; title 'Retroperspective', including works by Joseph Beuys and Walter de Maria. She proposes the ambitions of the projects, in linking strands of modern and progressive art, with aspirations of different nationalities and cultures.

With its eccentric shape, tacked on like a long medieval shoe to Southern England, Cornwall is not the easiest shape of an area to research. I began by driving north to Kilkhampton and Morwenstow, then south via Bude to Bodmin and Padstow. From there I moved east to Launceston, visiting Antony and St Germans near the Tamar Valley, and down to Looe and St Austell.

First published as Journal of The Gallery London in 1993 with revised editions in 1998, 2001, 2008, and 2011, over 600 entries chronicle the life of the city: a powerfully driven arena of dysfunctional experience. Episodes record incidents and encounters: in the streets, the movement of shoppers and travelers, and scenes of social and internal life. As the journal develops, fact and fiction blend into a film-like sequence of events.

With national coverage of the first edition in 1997, Tracks found an eager audience, including many parents needing to inform their children's choices for the future. Over 15 annual editions, the title has been revised and updated. The new edition carries work descriptions, listing pay scales and qualifications to degree level, with advice from professionals in the field, and chartered institutes.