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"The Haunter of the Dark" is a horror short story by American author H. P. Lovecraft, written between 5-9 November 1935 and published in the December 1936 edition of Weird Tales. It was the last written of the author's known works, and is part of the Cthulhu Mythos. The epigraph to the story is the second stanza of Lovecraft's 1917 poem "Nemesis".

"The Nightingale and the Rose" A nightingale overhears a student complaining that the professor's daughter will not dance with him, as he is unable to give her a red rose; a lizard, a butterfly and a daisy laugh at the student for doing so. The nightingale visits all the rose-trees in the garden, and one of the roses tells her there is a way to produce a red rose, but only if the nightingale is prepared to sing the sweetest song for the rose all night with her heart pressing into a thorn, sacrificing her life.

"The Remarkable Rocket" This story concerns a firework, who is one of many to be let off at the wedding of a prince and princess. The rocket is extremely pompous and self-important, and denigrates all the other fireworks, eventually bursting into tears to demonstrate his "sensitivity". As this makes him wet, he fails to ignite, and, the next day, is thrown away into a ditch. He still believes that he is destined for great public importance, and treats a frog, dragonfly, and duck that meet him with appropriate disdain. Two boys find him, and use him for fuel on their camp-fire.

"The Selfish Giant" Owns a beautiful garden which has 12 peach trees and lovely fragrant flowers, in which children love to play after returning from the school. On the giant's return from seven years visiting his friend the Cornish Ogre, he takes offence at the children and builds a wall to keep them out. He put up a notice board "TRESPASSERS WILL BE PROSECUTED". The garden falls into perpetual winter.

Dating to the ninth century B.C., Homer's timeless poem still vividly conveys the horror and heroism of men and gods wrestling with towering emotions and battling amidst devastation and destruction, as it moves inexorably to the wrenching, tragic conclusion of the Trojan War. Renowned classicist Bernard Knox observes in his superb introduction that although the violence of the Iliad is grim and relentless, it coexists with both images of civilized life and a poignant yearning for peace.