Résultats Éditeur "McClelland & Stewart" dans Toutes les catégories

Ava Hart is the most reluctant cast member of a reality TV show based on her big city family's (mostly staged) efforts to run a B&B in small-town Nova Scotia. Every family has its problems, but Ava has grown up seeing her family's every up and down broadcast on national television, after the show becomes an unexpected success for reasons that will take a heavy toll on the Harts.

Powerful and provocative, These Memories Do Not Belong to Us masterfully explores how governments and media manipulate history to control the collective imagination. It forces us to see beyond the sheen of convenient truths and to unearth real stories of sacrifice and love that, despite all odds, refuse to be eradicated.

World War Two vet Art Kenning is the alcoholic first-aid man in an isolated sawmill village in the interior of BC, where he dreads the sound of the five whistles that summon him to the mill floor whenever a worker is hurt. Traumatized by an incident in Holland, when he stood by while members of his unit committed a horrific act, he loses himself in drink, and in memories of the love affair he had with a woman in wartime Paris. Then one of the most powerful men at the mill arrives at his door late one evening to ask for his help.

From the bestselling author of Superfan comes a haunting novel about the long-unacknowledged demons that are passed down through four generations of women in a Chinese Canadian family, and what it might take for them to finally break free of the past.

Layton Reid was a globe-trotting, risk-taking, sunshine-addicted bachelor - then came a melanoma diagnosis. Cancer startled him out of his arrested development - he returned home to Halifax to work as a wedding photographer - and remission launched him into a new, passionate life as a husband and father-to-be. When the melanoma returned, now at Stage IV, Layton and his family put all their stock into a punishing alternative therapy, hoping for a cure.

First published in 2007, Souvankham Thammavongsa's remarkable second collection was acclaimed for its originality and cemented her reputation as a poet with a rare, astonishing gift.

There are poems about a sparkle, about how to say light, about a scarecrow, a dung beetle, a fish without eyes. Known for her precision and elegance, for her small clear voice, for distilling meaning from details, for not wasting words, Thammavongsa confirms her gifts with these new poems. Light is a work that shines with rigour, humour, courage, and grit.

With propulsive, intimate stylings and an eye toward Black liberations, pop culture, sports, and familial fractures, Wires that Sputter meets the world with the posture of a portraitist and the deftness of a poet-as-acrobat, as seeker. Here in these wondrous poems is an attentiveness toward that which harrows as well as that which heals, toward the power of space-giving and fragmentation. Rupture and recovery, tribute and tribulation, a revivifying musicality, and room to breathe—all dapple within, where electricity manifests in every line.

In 1992, Brian Francis placed a personal ad in a local newspaper. He was a 21-year-old university student, still very much in the closet, and looking for love. He received 25 responses, but there were 13 letters that went unanswered and spent years tucked away, forgotten, inside a cardboard box. Now, nearly 30 years later, and at a much different stage in his life, Brian has written replies to those letters.

Jankele Kuperblum was just nine years old when he returned home and found his family gone. The night before, Germans had come to his town in rural Poland and taken away all the Jews. Now alone in the world, he has to change his name, forget his language, and abandon his religion in order to survive. Jack wanders through Nazi-occupied Poland for four years, with no place to hide and no one to trust.

On a small island in the South Pacific nation of Vanuatu, the Tabés are a family mourning the death of their son in the aftermath of a devastating cyclone, while worrying over the looming departure of another. Desperate to find a way to change their fates, David Tabé places a phone call halfway around the world to the Stewarts, a family bound to his own through a fraught connection in the distant past—their ancestors met on the island two hundred years earlier, with calamitous results.

Elin Henriksen is a middle-aged single parent under pressure. Her formidable mother's health is declining, her fearless teenage daughter wants to leave but won't say where, and the new high school principal has problems with her unorthodox teaching of physics. And then there is the upcoming ceremony at the Art Museum. In 10 days, a gallery will be named after her late father, Tig Henriksen, a modernist furniture designer whose sought-after cult pieces hide a troubled narrative.

The 12 essays in Voices of Change, by 15 inspiring youth leading the climate change movement in Canada, explore the most challenging issues around climate change, from sustainability to activism. The contributors, from all across the nation, describe their own work developing successful initiatives that have positively brought about environmental change.

In this volume, Shaun Usher turns to the cat - a subject of fascination, amusement, reverence, and joy. Even before they reigned supreme on the internet, their idiosyncratic ways and hold on our affections had long been written about in many forms. Letters of Note collects together the most engaging missives that celebrate eulogize, rail against and analyze the ways of our feline companions. Includes letters by Nikola Tesla, Rachel Carson, Anne Frank, John Cheever, and many more.

The story of the pandemic is the story of women. This riveting narrative offers an account of COVID-19, reminding us of women's leadership and resilience, reflecting back hope and humanity as we all figure out a new normal, together. Through intimate portraits of Canadian women in diverse situations and fields, Women of the Pandemic is a gripping narrative record of the early months of COVID-19, a clear-eyed look at women's struggles that highlights their creativity, perseverance, and resilience as they charted a new path forward during impossible times.

As a Nisga'a writer, Jordan Abel often finds himself in a position where he is asked to explain his relationship to Nisga'a language, Nisga'a community, and Nisga'a cultural knowledge. However, as an intergenerational survivor of residential school—both of his grandparents attended the same residential school—his relationship to his own Indigenous identity is complicated to say the least.

Benedict is an inventor whose life’s work is a clean energy machine. It has just made him an overnight sensation and his family is suddenly wealthy. Benedict’s wife, Karen, and his teenage daughters, Charlotte and Poppy, are proud of him. But there are problems Benedict is too busy to see: Karen is deeply unhappy in the marriage and contemplating an affair, Charlotte, who is dealing with a chronic illness, is growing more and more distant, and Poppy is cracking under the pressures of her social circle. And there’s another problem.

Growing up, R. Renee Hess didn’t care about hockey. In fact, she was barely aware of it. She was born and raised in Southern California, hardly a hotbed for the game, despite the state having three NHL teams. But, as Hess puts it, she is “a fan of being a fan,” and when she found herself stuck in traffic after a Pittsburgh Penguins game, the streets filled with cheers, something sparked within her. Ever since Hess made that discovery, she has been actively trying to bust the myth that “Black folks don’t like hockey.”

Ferociously in love and in their own universe, Lydie and Nico’s first year together was so beautiful that they've been recreating it, day by day, ever since. The anniversaries, sometimes elaborate, sometimes small, become the couples' own internal logic, tethering them to a reality they've built together. But the real world is starting to creep in. As the people around them start to get married, get pregnant, get serious, Lydie wonders what it is they're really doing—and why it leaves her so little time to focus on what she moved to the city for: creating art.

When Colin Barrett’s debut Young Skins published, it swept up several major literary awards, and, in both its linguistic originality and sharply drawn portraits of working-class Ireland, earned Barrett comparisons to Faulkner, Hardy, and Musil. Now, in a blistering follow-up collection, Barrett brings together eight character-driven stories, each showcasing his inimitably observant eye and darkly funny style.