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Malgré sa longue expérience en terre sicilienne, le commissaire Montalbano doit reconnaître que jamais il n'a été confronté à pareille affaire : un homme tué deux fois. Barletta, affairiste détesté, usurier qui a ruiné bien des malheureux, don juan compulsif qui n'hésite pas à recourir au chantage pour parvenir à ses fins libidineuses, a d'abord été empoisonné par une femme qui a passé la nuit avec lui, puis a reçu une balle dans la tête par quelqu'un qui le croyait encore vivant.

In Montalbano's First Case and Other Stories, Andrea Camilleri has selected 21 short stories, written with his trademark wit and humor, that follow Italy's famous detective through highlight cases of his career. From the title story, featuring a young Deputy Montalbano newly assigned to Vigàta, to "Montalbano Says No", in which the inspector makes a late-night call to Camilleri himself to refuse an outlandish case, this volume is an essential addition to any fan's collection and a wonderful way to introduce listeners to the internationally best-selling series.

In una vecchia discarica è stato trovato il cadavere di una ragazza. Parte l'indagine con un Montalbano svogliato, stanco di ammazzatine. Ci sono altre ragazze con una farfalla tatuata sulla scapola, sono tutte dell'Europa dell'est, hanno trovato lavoro grazie all'associazione cattolica "La buona volontà" che le ha salvate da un destino di prostituzione. Montalbano non è persuaso. C'è qualcosa di poco chiaro all'interno di quell'organizzazione benefica?

Early one morning, Silvio Lupanello, a big shot in the village of Vigata, is found dead in his car with his pants around his knees. The car happens to be parked in a rough part of town frequented by prostitutes and drug dealers, and as the news of his death spreads, the rumors begin. Enter Inspector Salvo Montalbano, Vigata's most respected detective, who has his doubts about the way Silvio died.

Montalbano's latest case begins with a mysterious tête à tête with a Mafioso, some inexplicably abandoned loot from a supermarket heist, and some dying words that lead him to an illegal arms cache in a mountain cave. There the inspector finds two young lovers, dead for 50 years and still embracing, watched over by a life-sized terra-cotta dog. Montalbano's passion to solve this old crime takes him on a journey through Sicily's past and into a family's dark heart.

Vigàta is bustling as the new filming location for a Swedish television series set in 1950. In the production frenzy, the director asks the locals to track down movies and vintage photos to faithfully recreate the air of Vigàta in that time. Engineer Ernesto Sabatello, while rummaging in the attic of his house, finds some films shot by his father from 1958 to 1963 - always on the same day, March 27; and always the same shot, the outside wall of a country house. Montalbano hears the story and, intrigued by the mystery of it, begins to investigate its meaning.

A "wild west" tale of two brothers who battle both the state and a mafia empire in 1920s Italy, from famed Italian author Andrea Camilleri. Raffadali, province of Agrigento, 1920s. The Sacco brothers are free men with strong ideas about socialism and the state. Their lives change radically one morning when their father, Luigi Sacco, receives an anonymous letter from the local Mafia demanding protection money and is the victim of a robbery attempt. Luigi tells the police of the extortion letters he received, but the police don't know what to do.

Montalbano receives an early-morning phone call, but this time it’s not Catarella announcing a murder, but a man called Riccardino, who’s dialed a wrong number and asks him when he’ll be arriving at the meeting. Montalbano, in irritation, says: “In 10 minutes." Shortly after, he gets another call, this one announcing the customary murder. A man has been shot and killed outside a bar in front of his three friends. It turns out to be the same man who called him.

A "financial wizard" entrusted with the savings of nearly half the retirees of Vigata mysteriously disappears with the money and a young man who worked for him. In a rather atypical case for Montalbano, the inspector finds himself initially shut out of the investigation by the ever hostile commissioner Bonetti-Alderighi, and forced to work from the shadows.

When a colleague extends his summer vacation, Inspector Salvo Montalbano is forced to stay in Vigàta and endure the August heat. Montalbano’s long-suffering girlfriend, Livia, joins him with a friend - husband and young son in tow - to keep her company during these dog days of summer. But when the boy suddenly disappears into a narrow shaft hidden under the family’s beach rental, Montalbano uncovers something terribly sinister.

A wave of refugees has arrived on the Sicilian coast, and Inspector Montalbano and his team have been stationed at port, alongside countless volunteers, to receive and assist the newcomers. Meanwhile, Livia has promised their presence at a friend's wedding, and the inspector, agreeing to get a new suit tailored, meets the charming master seamstress Elena Biasini. But while on duty at the dock one late night, tragedy strikes, and Elena is found gruesomely murdered. Between managing the growing crowds at port, Montalbano works to weave together the loose threads of the unsolved crimes.

Montalbano's gruesome discovery of a lovely, naked young woman suffocated in her bed immediately sets him on a search for her killer. Among the suspects are her aging husband, a famous doctor; a shy admirer, now disappeared; an antiques-dealing lover from Bologna; and the victim's friend Anna.

The day gets off to a bad start for Montalbano: while trying to break up a fight on Marinella beach, he hits the wrong man and is stopped by the Carabinieri. When he finally gets to the office, the inspector learns about a strange abduction: a woman was abducted, drugged, and then released unharmed a few hours later. A few days later, the same thing happens again, but this time the woman abducted is the niece of Enzo, the owner of Montalbano's favorite trattoria. The only link between the two events is that both women are 30 years old and work in a bank.

While swimming along the Sicilian shore, Inspector Montalbano discovers a corpse. His pursuit of the cause of death intersects with the inquiry into a hit-and-run accident that claimed the life of a young boy who may have been victimized by human traffickers. The buying and selling of immigrant children, for slave labor, sex, and as a source of illegal organ transplants, is part of the evil underside of the opening of Europe's borders.

Inspector Montalbano and his colleagues are stumped when two bombs explode outside empty warehouses - one of which is connected to a big-time drug dealer. Meanwhile the alluring Liliana Lombardo is trying to seduce the inspector over red wine and arancini. Between pesky reporters, amorous trysts, and cocaine kingpins, Montalbano feels as if he's being manipulated on all fronts.

Il pleut depuis une semaine à Vigàta et ce matin, le commissaire Montalbano doit se rendre sur un chantier boueux où l'on a retrouvé le corps sans vie de Giugiu Nicotra. La victime, expert-comptable, vivait avec Inge, une Allemande de 25 ans qui, malgré le drame, reste introuvable. Autre particularité, le cadavre a été découvert en caleçon et un mystérieux vélo a été abandonné sur les lieux du crime. Voilà de quoi attiser la curiosité du commissaire.

Un robo absurdo en un supermercado, el encarcelamiento un tanto estrambótico de un capo de la mafia, un asesinato cometido durante la Segunda Guerra Mundial. Sin embargo, a pesar de la firme determinación con que Montalbano afronta la resolución de estos casos, su auténtica pasión es descifrar el contenido simbólico que encierran. «Todo crimen conlleva un mensaje, la cuestión es conocer el código de quien lo ha escrito», le recuerda un excéntrico sacerdote al comisario.

Two deaths, the suicide of a newly laid-off worker and an unscrupulous businessman found murdered, lead Inspector Montalbano to inspect the Halcyon, a nearly abandoned mysterious ship with no passengers.

"Sono otto le "mosse" narrative che Camilleri si concede lungo le otto colonne e le otto traverse della sua geometrica scacchiera del racconto: tra i quattro lati del libro, e nell'ordine chiuso di un romanzo-matrioska che dentro di sé inclina, procedendo di racconto in racconto, di tensione in tensione, sull'asse unico dell'attività investigativa del commissariato di Vigàta. Più che racconti lunghi sono romanzi ristretti quelli che qui si spintonano a vicenda e concorrono al disegno unitario: uno compie un giro, l'altro ricomincia.

With their dark sophistication and dry humor, Andrea Camilleri’s classic crime novels continue to win more and more fans in America. The latest installment of the popular mystery series finds the moody Inspector Montalbano further beset by the existential questions that have been plaguing him of late. But he doesn’t have much time to wax philosophical before the gruesome murder of a man—shot at point-blank range in the face with his pants down—commands his attention.