Showing results by narrator "Jim Moon" in All Categories

Come From Away: Welcome to the Rock - a fully illustrated companion volume to the hit Tony Award-winning Broadway musical, featuring the book and lyrics for the first time in print, backstage stories and the real history behind the show's events, character design sketches, and songs that ended up on the cutting room floor.

Ambrose Bierce's classic weird tale, first published in 1886, brings us the eerie visons of a feverish man, and introduces to the world the strange realm of Carcosa. Following this telling is a commentary tracing the origins, influence and importance of this Bierce story.

Some pictures tell a story, and a certain old print acquired by a collector proves to have a very dark tale to relate, and in a most uncanny fashion. A classic tale from the master of the English ghost story M. R. James. Originally written to read by the fireside to the members of the Chit Chat Club of Cambridge, this story was first published in James's first collection The Ghost Stories of an Antiquary in 1904. This telling comes with a short afterword which provides some notes and commentary on the text.

W. F. Harvey (1885-1937) was a prolific writer of short tales of the macabre and the strange, best known for the classic horror tale "The Beast With Five Fingers". "The Clock" also sees Harvey exploring the supernatural, with an eerie tale of an unexpected and unwelcome tenant in a deserted house.

As was the case for many Victorian classic novels, H. G. Wells's The Time Machine was first published as a serial in the magazine The New Review. However for publication of The Time Machine as a book, an entire chapter was cut out by Wells himself. Here is that excised chapter, originally Chapter 11, detailing the Time Traveller's adventures in the far future, complete with an afterword tracing the history of this missing text.

First published in 1842, The Masque of The Red Death is one of Edgar Allan Poe's most famous tales. This dark gothic fantasy has captured generations of listeners in its macabre spell, and its lyrical language lends itself perfectly to the audio medium. Included also is a short afterword which explores its themes and influence.