Showing results by narrator "Lucy Paterson" in All Categories

Zoe didn't meet her daughter the way most mothers do. She finds five-year-old Maddie alone and dirty on a countryside road. Frightened for Maddie's safety, she picks her up and takes her back to her father, not knowing what she's about to step into. Because Maddie wasn't just lost; she was there to lure her serial killer dad's new victim. After escaping from the clutches of Maddie's dangerous father, she bonds with the little girl. Only Maddie knows what it was like to be at that house. And when no family members come forward to claim Maddie, Zoe decides to adopt her.

Perhaps one of the best known of the English monarchs, Queen Victoria forever shaped a chapter of English history, bequeathing her name to the Victorian age. In Queen Victoria, Lucy Worsley introduces this iconic woman in a new light. Going beyond an exploration of the queen merely as a monarch, Worsley considers Victoria as a woman leading a truly extraordinary life in a unique time period.

The only witness to a shocking murder is the victim's 10-year-old daughter, Margret. The police turn to the Children's House for their expertise in childhood trauma. The manager, Freyja, doesn't much like the police - especially the detective in charge, Huldar. But she does want to help them protect Margret. And when more people die - their murders heralded by strange messages, texts, and strings of numbers - they will have to work together to crack the riddle before they become targets themselves.

It seemed such an innocent deception. All Flora Waring had to do was play the part of Rose, her long-lost twin, for one weekend and meet the family of Rose’s fiancé. But when Flora is introduced to the Armstrong family, she realizes that she has inherited the secret scandal Rose created five years before...and left wounds that turn the man Flora loves against her.

The Battle of Galen’s Vale is over, but the war for the Empire’s future has just begun. Concerned by rumors that the Magistratum’s authority is waning, Sir Konrad Vonvalt returns to Sova to find the capital city gripped by intrigue and whispers of rebellion. In the Senate, patricians speak openly against the Emperor, while fanatics preach holy vengeance on the streets. Yet facing down these threats to the throne will have to wait, for the Emperor’s grandson has been kidnapped—and Vonvalt is charged with rescuing the missing prince.

For years, Aidan Cullen has dreamed of becoming a successful crime writer. When his hard work finally pays off and his first book is published, what should have been a night of celebration unravels into an evening of horror. Left for dead after a brutal attack, trauma leaves him paranoid and reclusive, and he retreats to the remote countryside with only his dog Nanook for company. With the world kept at arm’s length, he begins to feel safe. That is, until a woman is murdered at the end of his road.

Phoebe, an eight-year-old girl, lies comatose following a car accident—a body without a spirit. Ceres, her mother, can only sit by her bedside and read aloud the fairy stories Phoebe loves in the hope they might summon her back to this world. But an old house on the hospital grounds, a property connected to a book written by a vanished author, is calling to Ceres. Something wants her to enter, to journey to a land colored by the memories of childhood, and the folklore beloved of her father—a land of witches and dryads, giants and mandrakes; a land where old enemies are watching and waiting…

Anna and Zoe are twins. Identical in appearance, utterly different in personality, they share a bond so close that nothing - or no one - can rip them apart. Until Anna meets charismatic Nick. Anna is trusting, romantic and hopeful; she thinks Nick is perfect. Zoe is daring, dangerous and extreme; she thinks Nick is a liar. Zoe has seen Anna betrayed by men before. She'll stop at nothing to discover if Nick is as good as he seems. The problem is, lies may hurt. But honesty can kill.

The Empire of the Wolf simmers with unrest. Rebels, heretics, and powerful patricians all challenge the power of the Imperial throne. Only the Order of Justices stands in the way of chaos. Sir Konrad Vonvalt is the most feared Justice of all, upholding the law by way of his sharp mind, arcane powers, and skill as a swordsman. At his side stands Helena Sedanka, his talented protégé, orphaned by the wars that forged the Empire.

We last saw Eve and Villanelle in a spy-vs.-spy race around the world, crossing powerful criminal organizations and dangerous governments, each trying to come out on top. But they aren't finished yet. In this sequel, Eve, the former MI6 operative and the novel's heroine, reveals a new side to her strengths, while coming ever closer to a confrontation with Villanelle, the evasive and skilled assassin Eve is hunting.

A terrifying ghost story from the Queen of Icelandic crime, Yrsa Sigurdardottir, author of the Thora Gudmundsdottir novels. The crunching noise had resumed, now accompanied by a disgusting, indefinable smell. It could best be described as a blend of kelp and rotten meat. The voice spoke again, now slightly louder and clearer: Don't go. Don't go yet. I'm not finished.

In Wild, Amy Jeffs journeys—on foot and through medieval texts—from landscapes of desolation to hope, offering the listener an insight into a world at once distant and profoundly close to home. The seven chapters, entitled Earth, Ocean, Forest, Beast, Fen, Catastrophe, Paradise, open with fiction and close with reflection. They blend reflections of travels through fen, forest and cave, with retelling of medieval texts that offer rich depictions of the natural world.

Though the cat-and-mouse chase between these two lethal adversaries has seemingly ended, the sophisticated, deadly thrill of Eve and Villanelle's relationship is far from over.

On a cold day in Reykjavik, a baby goes missing from her pram. When the child's blanket washes up on the beach, and the mother is found dead, everyone's worst fears seem to have been realised. Eleven years later, and detective Huldar and child psychologist Freyja are now working in the same police building, on the same team. Freyja believes that personal and professional relationships must remain separate, however hard that may be.

Storyland begins between the Creation and Noah's Flood, follows the footsteps of the earliest generation of giants, covers the founding of Britain, England, Wales, and Scotland, the birth of Christ, the wars between Britons, Saxons and Vikings, and closes with the arrival of the Normans. These are retellings of medieval tales of legend, landscape, and the yearning to belong, inhabited by characters now half-remembered: Arthur, Brutus, Albina, and more.

I haven’t lived here long. The house is small and a little run-down, but each piece of faded floral wallpaper I peel away feels like unwrapping the second chance I never thought I’d get. I’m finally free to wear what I want, and I don’t flinch when I accidently burn dinner. My new home is warm, and the kids are safe inside. Anywhere would feel idyllic after the nightmare marriage I’ve just escaped.

Caroline travels to Scotland, hoping to make contact with a brother she hasn’t seen for years, and return in time for her wedding to the man her strong-willed stepmother thought so suitable. Then a sudden snow strands her in an isolated house with a young man recovering from tragedy. Both are on the brink of terrible mistakes, but perhaps they can save each other.

Oliver Dobbs was a writer first and a man second. To him other people were tools. Even though he had broken Victoria Bradshaw’s heart once, when he arrived on her doorstep with a two-year-old son, she found she could not refuse him, and the three of them set out for a castle in Scotland. There, Victoria meets the new laird and finds her crushed spirit awakening.

Strangers meet, romance blossoms. But there's a test...A classic fairytale retold. Good English families all have a house in the country with a deer park, a trout stream, and an army of gardeners. They should have a son and if it can be managed, he should be handsome. Cleverness isn't important. Daughters in limited quantities are fine so long as they are pretty. Bastards are inconvenient and best ignored. It's not a big problem, unless you are one. Unfortunately, Sophy is.

From a child’s first knowledge of death, through city and country, to an elderly woman's newfound freedom, Pilcher’s The Blue Bedroom & Other Stories is “breathtaking...a book you want to keep....” (Grand Rapids Press).