Humor Shakespeare

Set adrift by his pirate crew, Pocket of Dog Snogging - last seen in The Serpent of Venice - washes up on the sun-bleached shores of Greece, where he hopes to dazzle the Duke with his comedic brilliance and become his trusted fool. But the island is in turmoil. Egeus, the Duke’s minister, is furious that his daughter Hermia is determined to marry Demetrius, instead of Lysander, the man he has chosen for her. The Duke decrees that if, by the time of the wedding, Hermia still refuses to marry Lysander, she shall be executed...or consigned to a nunnery.

Now is the fall of his discontent, as Jason Fitger, newly appointed chair of the English Department of Payne University, takes arms against a sea of troubles, personal and institutional. His ex-wife is sleeping with the dean who must approve whatever modest initiatives he undertakes. The fearsome department secretary Fran clearly runs the show (when not taking in rescue parrots and dogs) and holds plenty of secrets she's not sharing. The lavishly funded Econ Department keeps siphoning off English's meager resources and has taken aim at its remaining office space.

Felix is at the top of his game as artistic director of the Makeshiweg Theatre Festival. His productions have amazed and confounded. Now he's staging a Tempest like no other: Not only will it boost his reputation, it will heal emotional wounds. Or that was the plan. Instead, after an act of unforeseen treachery, Felix is living in exile in a backwoods hovel, haunted by memories of his beloved lost daughter, Miranda. And brewing revenge.

In Shakespeare plays the tragic and the comic often fade into each other, turning into a harmonious blending of these two elements. Shakespeare takes a special delight in the employment of such harmonies. His tragedies never fail having their comic interludes, and his comedies often have a serious undertone. Still, the comic is not the tragic, and in this collection we offer some of the more humorous and witty tales from Shakespeare. The following Shakespeare adaptations are included here: A Midsummer Night's Dream, As You Like It and Measure for Measure.

Shakespeare's most popular comedy, set in an enchanted forest with fairies, sparring lovers and a group of amateur actors who are putting on a play. Four Athenians run away to the forest only to have Puck the fairy make both of the boys fall in love with the same girl. The four run through the forest pursuing each other while Puck helps his master play a trick on the fairy queen. In the end, Puck reverses the magic, and the two couples reconcile and marry.

The hilarious niche of British comedic writing has a new contender. At the heart of this riotous laugh-a-paragraph farce that will delight members of amateur dramatic societies everywhere lies a forgotten village in a remote valley where the "real valley folk" live.

Wenn ein Mann und eine Frau sich das Leben teilen, ist das ja schon schwierig. Aber wenn Mann und Frau sich auch noch ein und denselben Körper teilen...

Star-crossed lovers. Naughty Greeks getting up to mischief in the woods. Scottish kings losing their minds. Young men with daddy issues. Dads who just need some positive affirmation from their daughters*. (*Okay, that's maybe putting it a bit mildly) But when Imogen brings 14 amateur actors together to perform one of the Bard's great works in a bid to save their local community centre, it becomes apparent that she - or anyone who reads this book for that matter - will never see Shakespeare's greatest works in the same light again...

This production is abridged and in plain English. Timon of Athens (The Life of Tymon of Athens) is perhaps Shakespeare's sharpest satire on wealth, greed, and betrayal. Scholars generally classify Timon either as a tragedy or a problem play.

Willie Shakespeare Greenberg is not living up to his name. It's 1986, and instead of finishing his thesis on the Bard, this grad student is saying "yes" to drugs, bedding coeds, and delivering a giant psychedelic mushroom to a mysterious collector. Meanwhile (or rather, back in 1582), would-be playwright William Shakespeare is an 18-year-old Latin teacher whose world is turned upside down when a stranger entrusts him with a sacred relic from Rome.

The Capulets and the Montagues have some deep and essential differences. Blood differences. Of course, the Capulets can escape their vampire fate, and the Montagues can try not to kill their undead enemies. But at the end of the day, their blood feud is unstoppable. So it's really quite a problem when Juliet, a vampire-to-be, and Romeo, the human who should be hunting her, fall desperately in love. What they don't realize is how deadly their love will turn out to be - or what it will mean for their afterlives....

Historiker wie Literatursachverständige streiten seit Jahrhunderten über die wahre Identität des englischen Autors William Shakespeare (1564 - 1616). Unumstritten ist, dass dieser ein ganz besonders Talent hatte, dem Volk wie auch der Obrigkeit direkt aufs Maul und ins Herz zu schauen. Der Zyklus "Da Shakespeare auf Bairisch" verweist hier mit viel hintergründigem Humor und großem Augenzwinkern darauf, dass der wahre Ursprung des Shakespeare'schen Œuvre in Leben und Tradition jenes eigensinnigen Volkes am Nordrand der Alpen inmitten in der Föhnzone zu finden ist.

Die Erzählungen des Zyklus "Da Shakespeare auf Bairisch" verweisen mit hintergründigem Humor und kabarettistischem Augenzwinkern darauf, dass die wahre Quelle von Shakespeares weltbekannten Dramen in Leben und Tradition jenes eigensinnigen Volkes am Nordrand der Alpen, inmitten in der "Föhnzone", zu finden ist. So gelingt es Prinz Hamlet, auch Hamlodi genannt, mit Unterstützung der Wandetruppe eines bairischen Volkstheaters den schnöden Mord an seinem königlichen Vater zu enträtseln.

Join "The Knave" and Sir Walter on a wild tale of mistaken identity, kidnapping, bowling, and a rug that, in faith, really tied the room together - in a sidesplitting Shakespearean comedy of errors and ninepins, told in five glorious acts of iambic pentameter and impeccable period prose.

Much Ado About Nothing is generally considered one of Shakespeare's best comedies, because it combines elements of robust hilarity with more serious meditations on honor, shame, and court politics. The play includes two quite different stories of romantic love. Hero and Claudio fall in love almost at first sight, but an outsider, Don John, strikes out at their happiness. Beatrice and Benedick are kept apart by pride and mutual antagonism until others decide to play Cupid.