Old World Fantasy

In Boulder, Allison "Lex" Luther barely gets her niece to safety. In Los Angeles, Scarlett Bernard is nearly shot in the back. It seems that a powerful enemy is unhappy with the Old World leaders' plans to form a government, and they've coordinated a strike against those rare individuals who can undo magic itself.

After her twin sister’s brutal murder, former US Army Sergeant Allison “Lex” Luther vowed to protect her niece, Charlie. So when two vampires try to kidnap the baby, it quickly turns into a fight to the death - Lex’s death, that is.

Du denkst, dass unsere heutige Zivilisation der Höhepunkt des technologischen Fortschritts darstellt? Was wäre, wenn ich dir sage, dass dies nicht der Fall ist? The Old World, Tartaria oder das Millennial Kingdom. All diese Begriffe beschreiben ein Zeitalter, das vor etwa 250 Jahren zu Ende ging. In diesem Zeitalter lebten die Menschen mit Hilfe von Freier Energie in Frieden und Harmonie in einer weltweiten Hochkultur. Eine Hochkultur, die es verstand, die großartigsten technologischen Strukturen der Welt zu errichten.

Earth belongs to mankind once again. But not everyone has the same vision for the planet. Dean visits Earth, touring the colonies, and quickly learns that not all remaining humans are pleased with the new changes to their planet. The Restorers are determined to build a pre-Industrial Revolution state, claiming technology will only destroy them again. Dean must infiltrate the group and learn their master plan before they go too far.

Gwyneth knows her family is different than the others in her village in the northern reaches of the Tireoghain. The old ways are slowly fading, but she still believes in the Tuathe De, the Sidhe, even though many scoff at the ancient legends as children's stories. When she finds a wounded man in the forest just before Beltane, Gwyneth must choose between an ordinary life in her village or a chance to train as a daughter of the Blood as the veil thins between the mortal world and the fae world.

Mysterious spores spread across the Earth, unseen, undetected. They embed in the sinuses, move to the brain, and colonize the entire nervous system. When the takeover is complete, they kill the host and animate the body, making them truly undead, flesh-devouring zombies.

In an Empire run on necromancy, dead sorcerers are the lifeblood. Their corpses are wrapped in chains and drained of magic to feed the unquenchable hunger for imperial conquest. Born with magic, Arienne has become resigned to her dark fate. But when the voice of a long-dead sorcerer begins to speak inside her head, she listens. There may be another future for her, if she’s willing to fight for it. Miles away, beneath a volcano, a seven-eyed dragon also wears the Empire’s chains. Before the imperial fist closed around their lands, it was the people’s sacred guardian.

The girl doesn't remember a thing about her life, but the intricate tattoo on her arm is proof that she's from the Dragonfly Territories and that she's protected by the king. Which means a reward for Piper if she can get the girl home. The one sure way to the Territories is the 401, a great old beauty of a train. But a ticket costs more coin than Piper could make in a year. And stowing away is a difficult prospect - everyone knows that getting past the peculiar green-eyed boy who stands guard is nearly impossible.

The year 1904. On the banks of the Zambezi River, a few miles from the majestic Victoria Falls, there is a colonial settlement called The Old Drift. In a smoky room at the hotel across the river, an Old Drifter named Percy M. Clark, foggy with fever, makes a mistake that entangles the fates of an Italian hotelier and an African busboy. This sets off a cycle of unwitting retribution between three Zambian families (black, white, brown) as they collide and converge over the course of the century, into the present and beyond.

The Old-World is dead. What remains is the Empty, a desert husk that hides lost technology. What's left of humanity now race to find and unearth those technologies. Emma Pryce longs for that lost age and its mystery, so much so she scours the Empty hunting for ruins thought lost to time.

All her life, Sashi’s mother warned her not to get involved with werewolf problems. But Sashi, a witch who uses magic to heal sick and injured bodies, has never made a habit of ignoring trauma. When she meets an abused shapeshifter that no one else seems willing to help, Sashi will risk everything - including a budding romance with a human, Will - to save a woman who can’t save herself.

From California to Colorado, the Old World is filled with complicated women, volatile creatures, and nulls with attitude. This unmissable collection includes the stories that run in between and alongside the Old World novels, allowing listeners to catch up with favorite characters and find clues about the future of this bestselling series.

In a twisted game of life and death, dominance and destruction, humanity and colonizers - outside survivors struggle to find footing and reclaim what they've lost. Mary soon discovers she is the key - but will she be able to use her deadly gifts to defeat those who have created her?

The Reality Beneath is a collection of short stories written by SULI Daniel Johnson. They are written in his distinct brand of science fiction that can be defined as stories that make you think. The Reality Beneath encompasses a good example of SULI Daniel Johnson’s unique style. He takes current topics and situations and looks at them from a new perspective. The genre is technically science fiction, yet quite often, it comes very close to reality broadening the perspective to look at things in a new way. It includes:

Twelve-year-old Janie Rutland somewhat grudgingly befriends Reggie Rankin - the weird new kid at school - and finally has someone to investigate her curious sightings in the abandoned house next door. When they find there's an impossible world in danger of total destruction, they face a choice. Do they have what it takes to save it? An eccentric fellowship gathers as they embark on a perilous quest in a race against time and their own fears.

In this exquisite collection of children’s folktales, Zitkála-Šá shares the legends that were handed down to her through generations of Yankton storytellers. These tales display the wide range of insights and observations that accrue to such stories through repeated iteration, but they also benefit from the sharp ear and finely tuned sensibility of Zitkála-Šá as a writer. Her characters seem to speak to us—often crying out to us—in the same tones that Zitkála-Šá must once have heard.