Literary Fiction

Mr. Redlaw is a chemistry professor tormented by painful memories of the sorrow, wrong, and trouble he has suffered in his life. On Christmas Eve, he is visited by a phantom, the double of himself, who offers him the gift of forgetting these painful memories. The catch is that others who come into contact with the professor will also lose the remembrance of their past hurts and sorrows. Redlaw is hesitant at first but, believing his life will be better and happier, he accepts the ghost's bargain.

London, 1965. An unworldly young woman believes that a charismatic psychotherapist, Collins Braithwaite, has driven her sister to suicide. Intent on confirming her suspicions, she assumes a false identity and presents herself to him as a client, recording her experiences in a series of notebooks. But she soon finds herself drawn into a world in which she can no longer be certain of anything. Even her own character.

Orphaned at birth, Oliver Twist is born into the grimmest of 19th century English workhouses with a life of grinding poverty ahead of him. But the boy is a fighter and after being evicted from the workhouse for asking for 'more' and surviving a stint as an undertaker’s assistant, he walks many miles to London and finds a whole new life with a gang of young pickpockets led by the Artful Dodger and their guardian Fagin.

Two people meet in the Art Institute by chance. Prior to their encounter, he is a doctoral student who manages his destructive thoughts with compulsive calculations about time travel; she is a bipolar counterfeit artist, undergoing court-ordered psychotherapy. By the end of the story, these things will still be true. But this is not a story about endings. For both, life has been a matter of resigning themselves to the blueprints of inevitability—until the two meet. Could six conversations with a stranger be the variable that shakes up the entire simulation?

A groundbreaking masterpiece of early European modernism, originally published in 1910, The Notebooks of Malte Laurids Brigge unspools the vivid reflections of the titular young poet and nobleman. From his Paris garret, Brigge records his encounters with the city and its people, muses on his family history, and lays bare an alternately exquisite and grotesque atmosphere of death. With a poet’s attention to language, Rainer Maria Rilke forges a dazzlingly visual coming-of-age narrative, kaleidoscopic in its approach to time and its portraits of Parisian life.

Tommo has been aboard a whaling ship for six grueling months when he decides, with his friend Toby, to escape and hide on a wild island. They are not alone. The island is home to a tribe called the Typees known for being cannibals. But when Tommo breaks his leg, they can no longer avoid the valley the Typees call home. They venture down into the tribe’s territory, but instead of violence, the Typees greet them happily with food and shelter. Tommo and Toby quickly become accustomed to life in the tribe and even prefer aspects of island life to their so-called “civilized” society.

From the author of Before the Coffee Gets Cold and Tales from the Cafe comes another story of four new customers, each of whom is hoping to take advantage of Café Funiculi Funicula's time-traveling offer. Along with some familiar faces from Kawaguchi's previous novels, listeners will also be introduced to a daughter, a comedian, a sister and a lover, each with something they wish they had said differently.

Children of divorce, Haley and Ben live with their mother. But their dad believes there’s a new, much deadlier pandemic coming and is determined to keep them alive. He wants to take them to his prepper hideaway where they will be safe from other people. NOW. But there’s no way their mother will go along with his plan. Saving them requires extreme measures.

In the early 1970s, in Stovall, Texas, seventeen-year-old Earl—a loner, dreamer, lover of music and words—meets Tina, the new girl in town. Tina convinces Earl to drive her to see her mother in Austin, where Earl and Tina are quickly separated. Two days later, Earl is being questioned by the police about Tina’s disappearance and the blood in the trunk of his car. But Earl can’t remember what happened in Austin, and with little financial support from his working-class family, he is sentenced for a crime he did not commit.

Akari is a high school student obsessed with “oshi” Masaki Ueno, a member of the popular J-Pop group Maza Maza. She writes a blog devoted to him, and spends hours addictively scrolling for information about him and his life. Desperate to analyze and understand him, Akari hopes to eventually see the world through his eyes. It is a devotion that borders on the religious: Masaki is her savior, her backbone, someone she believes she cannot survive without—even though she’s never actually met him.

Sixteen-year-old Frankie Budge—aspiring writer, indifferent student, offbeat loner—is determined to make it through yet another summer in Coalfield, Tennessee, when she meets Zeke, a talented artist who has just moved into his grandmother’s house and who is as awkward as Frankie is. Romantic and creative sparks begin to fly, and when the two jointly make an unsigned poster, shot through with an enigmatic phrase, it becomes unforgettable to anyone who sees it. The edge is a shantytown filled with gold seekers. We are fugitives, and the law is skinny with hunger for us.

It’s December 22nd, and siblings Henry, Kate, and Martin have converged with their spouses on Henry’s house in upstate New York. This is the first Christmas the siblings are without their mother, the first not at their mother’s Florida house. Over the course of the next three days, old resentments and instabilities arise as the siblings, with a gaggle of children afoot, attempt to perform familiar rituals, while also trying to decide what to do with their mother’s house, their sole inheritance. 

Edith and Ashley have been best friends for more than 42 years. They’ve shared the mundane and the momentous together: trick or treating and binge drinking; Gilligan’s Island reruns and REM concerts; marriages, infertility, and children. But now the unthinkable has happened. Edi is dying of ovarian cancer and spending her last days at a hospice near Ash, who stumbles into heartbreak surrounded by her daughters, ex(ish) husband, dear friends, a poorly chosen lover (or two), and a rotating cast of beautifully, fleetingly human hospice characters. 

Four strangers and six weeks: This is all that separates Mara from one life-changing payday. She was surprised when reality TV producers came knocking and even more shocked to be cast in their new show, Civilization. Now she just has to live off the land with her fellow survivors for long enough to get the prize money. When the cast wakes one morning to find something has gone horribly wrong, fear ripples through the group. Are the producers giving them an extra challenge? Or are they wrapped up in something more dangerous?

In The Narrow Road to the Deep North, Richard Flanagan displays the gifts that have made him one of the most acclaimed writers of contemporary fiction. Moving deftly from a Japanese POW camp to present-day Australia, from the experiences of Dorrigo Evans and his fellow prisoners to that of the Japanese guards, this savagely beautiful novel tells a story of the many forms of love and death, of war and truth, as one man comes of age, prospers, only to discover all that he has lost.