Titres dans Femmes

Hundreds of women studied and interpreted the Bible between the years 100-2000 CE, but their stories have remained largely untold. In this book, Schroeder and Taylor introduce listeners to the notable contributions of female commentators through the centuries. They unearth fascinating accounts of Jewish and Christian women from diverse communities—rabbinic experts, nuns, mothers, mystics, preachers, teachers, suffragists, and household managers—who interpreted Scripture through their writings.

In The Silver Women, Joan Flores-Villalobos argues that Black West Indian women made the Panama Canal construction possible by providing the indispensable everyday labor of social reproduction. West Indian women built a provisioning economy that fed, housed, and cared for the segregated Black West Indian labor force, in effect subsidizing the construction effort and the racial calculus that separated pay in silver for Black workers and gold for white Americans.

During the 1970s, grassroots women activists in and outside of prisons forged a radical politics against gender violence and incarceration. Emily L. Thuma traces the making of this anticarceral feminism at the intersections of struggles for racial and economic justice, prisoners' and psychiatric patients' rights, and gender and sexual liberation. All Our Trials explores the organizing, ideas, and influence of those who placed criminalized and marginalized women at the heart of their antiviolence mobilizations.

Edith Hamilton didn’t publish her first book until she was 62. But over the next three decades this former headmistress would become the twentieth century’s most famous interpreter of the classical world. Today, Hamilton’s Mythology (1942) remains the standard version of ancient tales. During the Cold War, her influence even extended to politics, as she argued that postwar America could learn from the fate of Athens after its victory in the Persian Wars. Victoria Houseman tells the fascinating life story of a remarkable classicist whose ideas were shaped by—and aspired to shape—her times.

Fearless Women tells the story of women who dared to take destiny into their own hands. They were feminists and antifeminists, activists and homemakers, victims of abuse and pathbreaking professionals. Inspired by the nation's ideals and fueled by an unshakeable sense of right and wrong, they wouldn't take no for an answer. In time, they carried the country with them. Elizabeth Cobbs gives voice to fearless women on both sides of the aisle, most of whom considered themselves patriots.

Heroines in History: A Thousand Faces moves beyond stories of individual heroines, taking a thematic, synthesizing, and global in scope approach to challenge previous understandings of heroines in history. Responding to Joseph Campbell's Hero with a Thousand Faces, Katie Pickles explores the idea of a transcultural heroine archetype that recurs through time. Each chapter addresses an archetypal theme important for heroines in history.

Kvinder - i hvert fald i de førende kredse - kunne omkring år 1800 leve et meget friere liv end deres formødre. Det blev kun en lille tidslomme med frihed, for allerede omkring 1825 begynder mulighederne igen at lukke sig. Man skulle helt ind i det 20. århundrede, før kvinder igen for alvor kunne sprænge grænser og leve selvstændigt. Der er opstået en del misforståelser omkring denne frie periode, og Maria Helleberg vil med VILDE KVINDER, MILDE KVINDER vise, hvor overskridende der (også) blev levet i guldalderens borgerlighed. Her er i levende biografisk form tolv kvindeliv fra guldalderen.

From her start playing paddle tennis on the streets of Harlem as a young teenager to her eleven Grand Slam tennis wins to her professional golf career, Althea Gibson became the most famous Black sportswoman of the mid-twentieth century. In her unprecedented athletic career, she was the first African American to win titles at the French Open, Wimbledon, and the U.S. Open. In this first full-scale biography, Ashley Brown narrates the public career and private struggles of Althea Gibson (1927–2003).

Relevante ensayo de la autora e investigadora Cristina Martín Jiménez en el que se demuestra sin espacio para la duda que las mujeren tuvieron el poder social y político en épocas pasadas, pero que fueron apartadas poco a poco por el patriarcado. Un texto esencial para entender de dónde venimos y quiénes somos en realidad.

From the trenches of the Western Front to the rice fields and jungles of South-east Asia, Australian women have served as doctors and medical specialists from World War I until the present day.

In the wake of World War II, four agents were critical in helping build a new organisation now known as the CIA. Adelaide Hawkins, Mary Hutchison, Eloise Page, and Elizabeth Sudmeier, called the "wise gals" by their male colleagues because of their sharp sense of humour and even quicker intelligence, were not the stereotypical femme fatale of spy novels. They were smart, courageous, and groundbreaking agents at the top of their class, instrumental in both developing innovative tools for intelligence gathering—and insisting that they receive the credit and pay their expertise deserved.

This amazingly wise and nimble collection investigates the horrors inflicted on so-called “witches” of the past. The Witch of Eye unearths salves, potions, and spells meant to heal, yet interpreted by inquisitors as evidence of evil. The author describes torture and forced confessions alongside accounts of gentleness of legendary midwives.

For over eighty years, tourists have flocked to Natchez, Mississippi, seeking the "Old South," but what they encounter is invention: a pageant and rewrite of history first concocted during the Great Depression. Paul Hardin Kapp explores how meaning is assigned to place and how meaning evolves over time. In showing how and why the Natchez buildings of the "Old South" were first preserved, commercialized, and transformed into a brand, this volume makes a much-needed contribution to debates over the meaning attached to cultural patrimony.

It is 1887 in Amsterdam, and Johanna Bonger wants to do something different with her life than teaching, translating languages, and managing the back office of her father’s business. She fears she will spend the rest of her days growing old, lonely, and bitter. But all of that is about to change when she is introduced to Theo van Gogh.

No se entiende a Cleopatra sin César ni Marco Antonio, ni a Helena de Troya sin Paris, ni a Frida Kahlo sin Diego Rivera, ni a Simone de Beauvoir sin Jean-Paul Sartre o a Virginia Woolf sin Leonard Woolf... Este libro es un relato personal, un viaje a través de mis inquietudes y lecturas, mi encuentro con historias protagonizadas por mujeres, ya sean reales o criaturas literarias, sin olvidar el papel de los hombres que estuvieron cerca de ellas, para bien o para mal.

La herencia de las mujeres resulta tan rica, tan diversa y aún hoy día tan desconocida que desborda la manera convencional de contarla. Al igual que las mujeres han encontrado huecos para sobrevivir o imponerse, para escribir o pintar, para llegar a la educación o al poder, para que el dolor disminuyera o el trabajo resultara más liviano, es preciso que la historia que las estudia recurra a miradas y a formatos nuevos.

August 1943. As World War II consumes much of the globe, Americans at home have no idea the extent of the horror their servicemen face. What they also don’t know is that Eleanor Roosevelt has boarded a military transport plane, heading to the Pacific theater on a mission to discover and report first hand accounts of the war. Anticipating familiar backlash from those who would prefer a prim and proper First Lady, as well as to help ensure her safety, Eleanor and the rest of the White House keep the journey a closely guarded secret.

Da Agrippina a Sarah Bernhardt, da Trotula de Ruggiero a Jackie Kennedy, da Caterina la Grande a Rita Levi-Montalcini, da Isabella d'Este Gonzaga a Emmeline Pankhurst, da Elisabetta I Tudor ad Anna Magnani, "Le Indomabili" sono state donne rivoluzionarie, ribelli e audaci, che hanno infranto tabù, scardinato regole, sovvertito consuetudini. Indomite, impavide, inarrendevoli, hanno vissuto controvento e agito controcorrente, hanno lottato, e all'occorrenza disubbidito, per realizzare sogni, perseguire ideali, affermare la propria identità.

As we grow and move through the world, it shrinks us and puts us in boxes - tells us who we should be, what we're capable of, and who to love. As a queer child of immigrants, Maria Thattil knows what it is like to struggle with belonging. To have confusing, disparate identities, none of them fitting traditional ideas of worth, power or success. In Unbounded, she shares galvanising stories of what she has lived and learned through experiencing racism, sexism, financial hardship, intergenerational trauma, homophobia and mental health challenges.

The Nineteenth Amendment was an incomplete victory. Black and white women fought for voting rights and doubled the number of eligible voters, but the amendment did not enfranchise all women or even protect the rights of those women who could vote. A century later, women are still grappling with how to use the vote and their political power to expand civil rights, confront racial violence, improve maternal health, advance educational and employment opportunities, and secure reproductive rights. Formidable chronicles the efforts of white and Black women to advance sometimes competing causes.