Résultats Éditeur "HighBridge, a Division of Recorded Books" dans Fiction policière

Kim Lord is an avant garde figure, feminist icon, and agent provocateur in the LA art scene. Her groundbreaking new exhibition, Still Lives, is comprised of self-portraits depicting herself as famous murdered women - the Black Dahlia, Chandra Levy, Nicole Brown Simpson, among many others - and the works are as compelling as they are disturbing, implicating a culture that is too accustomed to violence against women.

If not for the bodies discovered in the woods behind their new home, Garrick and Olivia Lockwood couldn't have afforded to buy number 25 The Avenue. It's the fresh start they and their two children badly need. Soon, these terrible crimes will be solved, they tell themselves, and once Garrick has remodeled, he's confident they'll sell the house for a profit. But the darkest secrets can reside on quiet, ordinary streets like this - behind the doors of well-kept houses and neighbors' friendly faces....

To all appearances, Dan Chase is a harmless retiree in Vermont with two big mutts and a grown daughter he keeps in touch with by phone. But most 60-year-old widowers don't have multiple driver's licenses, savings stockpiled in banks across the country, and a bugout kit with two Beretta Nanos stashed in the spare bedroom closet. Most have not spent decades on the run.

Kate Bishop is in a world of trouble. In the wake of several inexplicable and brutal murders, Kate is thrust into a police inquiry that reveals shocking family secrets. Suddenly exposed to a shadowy network of global evil, her life takes a dramatic turn with the arrival of Jack Raines, an author with a mysterious past who says he has the answers to her questions. What's more, he suggests that Kate herself might be the solution.

When Angela was young, before she came to realize she had a rare ability, she was a rather ordinary girl. At least, that was what everyone said. But Angela is anything but ordinary. The daughter of a meth addict, she is convinced she was born a freak. Haunted by an abusive childhood, she was forced to become a woman far too soon. And in the process, she became more.

It would take a miracle to keep Dortmunder out of jail. Though he cased the electronics store perfectly, the cops surprised him, turning up in the alley just as he was walking out the back door, a television in each hand. Already a two-time loser, without divine intervention he faces a long stretch inside. Then God sends J. Radcliffe Stonewiler, a celebrity lawyer who gets Dortmunder off with hardly any effort at all. Stonewiler was sent by Arnold Chauncey, an art lover with a cash-flow problem. He asks the thief to break into his house and make off with a valuable painting in exchange for a quarter of the insurance money.

It is 1969 and Glasgow is in the grip of the worst winter in decades, yet it is something else that has Glaswegians on edge: a serial killer whose name alone is enough to make them tremble with fear. The Quaker has killed another victim, snatching a young woman from a nightclub and dumping her body like trash in the back of a cold-water tenement. He leaves no clues, and the investigation has led police down one blind alley after another.

When a years-long case against a powerful mobster finally cracks and an unimpeachable witness takes the stand, federal prosecutor Nora Carleton is looking forward to putting the defendant away for good. The mobster, though, has other plans. As the witness's testimony concludes, a note is passed to the prosecution offering up information into the assassination of a disgraced former New York governor, murdered in his penthouse apartment just days before. It's enough to blow the case wide open, and to send Nora into a high-stakes investigation of conspiracy, corruption, and danger.

It's late Thursday night, and Inspector Ross Carver is at a crime scene in one of the city's last luxury homes. The dead man on the floor is covered by an unknown substance that's eating through his skin. Before Carver can identify it, six FBI agents burst in and remove him from the premises. He's pushed into a disinfectant trailer, forced to drink a liquid that sends him into seizures, and is shocked unconscious. When he awakens, Carver works to find out what happened to him, soon realizing he's entangled in a web of conspiracy that spans the nation.

Cameron Winter was born with the ability to recreate detailed crime scenes in his imagination and dissect the motives and encounters that produced them. And after reading a puzzling news story about a wealthy family killed in a small town in the Chicago suburbs, he can't resist the chance to apply this deductive power in the pursuit of justice for the victims. Three members of the family, along with their live-in nanny, were pulled from their burning mansion, already dead from gunshot wounds. The only survivor is a young boy whose memory of the event raises more questions than answers.

Holland Taylor is comfortable in interrogation rooms. For years the cold dark cells of the St. Paul Police Department homicide squad were his turf, and with the help of his partner he wrung confessions out of countless killers. But that was long ago. Tonight Taylor is on the other side of the desk. Tonight he is the suspect.

On New Year's Eve, Rhys Lloyd has a house full of guests. His vacation homes on Mirror Lake are a success, and he's generously invited the village to drink champagne with their wealthy new neighbors. But by midnight, Rhys will be floating dead in the freezing waters of the lake. On New Year's Day, Ffion Morgan has a village full of suspects. The tiny community is her home, so the suspects are her neighbors, friends and family—and Ffion has her own secrets to protect. With a lie uncovered at every turn, soon the question isn't who wanted Rhys dead . . . but who finally killed him.

From its launch in 1920 until its demise in 1951, the magazine Black Mask published pulp crime fiction. The first hard-boiled detective stories appeared on its pages. Dashiell Hammett and Raymond Chandler, Erle Stanley Gardner and John D. MacDonald got their start in Black Mask. The urban crime stories that appeared in Black Mask helped to shape American culture. Modern computer games, films, and television are rooted in the fiction popularized by "the seminal and venerated mystery pulp magazine" ( Booklist).

As a shaky truce between suburban gangsters starts to unravel, schlubby civilian Scott Clark has other things on his mind: if he can't afford to buy out his ex-father-in-law, Scott's about to lose the only house he's ever called home. In the red-hot urban housing market, he doesn't have a chance - until he and his best friends take the desperate measure of staging a fake drive-by shooting on the property to push down the asking price. But then Scott's mobster-posturing stunt attracts the attention of the real criminals.

Losing her mother to a hit-and-run at age fifteen threw Beatrice "Beans" Bennett's life into turmoil. Bereft, she developed a life-threatening eating disorder, and went through a challenging recovery process which paved the way for her work as a clinical psychologist decades later. When a new patient arrives at her office and insists that Beans's mother is still alive—and in danger—Beans is forced to revisit her past in order to uncover the truth.

From its launch in 1920 until its demise in 1951, the magazine Black Mask published pulp crime fiction. The first hard-boiled detective stories appeared on its pages. Dashiell Hammett and Raymond Chandler, Erle Stanley Gardner and John D. MacDonald got their start in Black Mask. The urban crime stories that appeared in Black Mask helped to shape American culture. Modern computer games, films, and television are rooted in the fiction popularized by the magazine.

Rookie cop Carrie Santero has always been fascinated by serial killers. As a teenager, she wrote a letter to Charles Manson in prison - and received a chilling reply. Then she came face to face with a child murderer in her small Pennsylvania town, an encounter that haunts her to this day. Now, as a detective in training, she finally has her chance to make a difference; to hunt down a psychopathic sadist who embodies the very nature of evil itself.

Mafia hit-man-turned-rabbi Sal Cupertine is ready to get out of the life. But it's not going to be easy. His once-brilliant plan to pass himself off as Rabbi David Cohen is unraveling. Enemies on both sides of the law are hot on his trail. His wife and son are unreachable in witness protection and are probably in danger. In order to find his family, get out of the desert alive, and salvage his long-sought-after happy ending, Sal is going to have to confront some very bad people from his past.

Almost twenty-five years after the infamous art heist at the Isabella Stewart Gardner Museum - still the largest unsolved art theft in history - one of the stolen Degas paintings is delivered to the Boston studio of a young artist. Claire Roth has entered into a Faustian bargain with a powerful gallery owner by agreeing to forge the Degas in exchange for a one-woman show in his renowned gallery. But as she begins her work, she starts to suspect that this long-missing masterpiece - the very one that had been hanging at the Gardner for one hundred years - may itself be a forgery.

Of the real-life serial killers whose gruesome acts have been splashed across headlines, none has reached the mythical status of Jack the Ripper. In the Ripper's wake, terror swept through the streets of London's East End in the fall of 1888. As quickly as his nightmarish reign came, Saucy Jack vanished without a trace - leaving future generations to speculate upon his identity and whereabouts. He was diabolical in a way never seen before - a killer who taunted the police, came up with his own legendary monikers, and, ultimately, got away with his heinous crimes.