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Immerse yourself in a collection of captivating and eerie tales from the master of weird fiction, Algernon Blackwood. This anthology features the chilling legend of cryptid folklore, The Wendigo, alongside the haunting love triangle of twin brothers and an enchanting woman in The Lost Valley. Explore themes of reincarnation in the bizarre narrative of Old Clothes, revel in the dark humor of The Price of Wigginss Orgy, and experience the ethereal vision of altruism in The Eccentricity of Simon Parnacute. Each story is beautifully crafted, weaving together the mystical and the macabre. (Summary ...

Step into the haunting depths of the Canadian wilderness in this chilling camper tale. When a hunting party splits up to track moose, one member mysteriously vanishes, taken by the legendary Wendigo. Robert Aickman hailed this story as one of the (possibly) six great masterpieces in the field, promising an unforgettable experience. (Introduction by Wikipedia)

The Willows stands as one of Algernon Blackwoods most celebrated tales of the eerie and uncanny. Esteemed horror author H.P. Lovecraft hailed it as the pinnacle of supernatural fiction in the English language. In his influential work Supernatural Horror in Literature, Lovecraft praised the story for its masterful narrative and profound emotional impact, noting that it achieves a haunting resonance without a single forced moment or discordant note. This remarkable tale exemplifies early modern horror and is a cornerstone of the weird fiction genre.

In Centaur, the exploration of higher consciousness unfolds through the eyes of OMalley, Dr. Stahl, and the narrator. This thought-provoking journey delves into the interconnectedness of all living beings as reflections of a supreme consciousness. With its subtle yet powerful narrative, the podcast invites listeners to contemplate the nature of the paranormal—and whether it truly is abnormal. Summary by Yoganandh T.

Dive into the eerie and enthralling world of the supernatural with master anthologist Joseph Lewis Frenchs collection of the finest ghost stories ever penned. From the early influential works of Daniel Defoe and Edward Bulwer-Lytton to the chilling narratives of contemporary legends like M. R. James, Algernon Blackwood, and E. F. Benson, this anthology promises to deliver a treasure trove of haunting tales that will keep you on the edge of your seat and awake through the darkest hours of the night! - Summary by Ben Tucker

In the enchanting backdrop of the Jura Mountains, Julian LeVallon has always lived in solitude. When he is referred to psychiatrist Dr. Edward Fillery in London, questions arise Is LeVallon simply a schizophrenic with a secondary personality named N.H. (non-human), or could he truly be an Elemental Being—a bright messenger heralding a potential new age of human evolution? As the story unfolds, the pressing question remains Is humanity prepared to embrace such a monumental leap forward? [Summary by Mark Nelson]

On a remote, deserted island in the Baltic Sea, a group of campers finds their idyllic getaway turning into a nightmare as they are hunted by a massive wolf... or is it something more sinister lurking in the shadows?

Deep in the remote Canadian wilderness, a group of moose hunters make their way further into the woods. Rumors of a terrifying human-like monster that lurks in the forest are dismissed as mere “superstitions.” But, as their isolation becomes more apparent, they begin to smell something foul and feel shadows creeping in on them like slow death. After having “seen the Wendigo”, how long will they be able to survive?

Algernon Blackwood was born on 14th March 1869 in Shooter’s Hill, South East London, to a religious middle-class family. Blackwood was interested in the paranormal and the supernatural at an early age, and had a thirst for anything on Buddhism, other Oriental philosophies, mysticism and occultism. The Empty House is one of his most famous ghost stories. A man accompanies his adventurous aunt to a notorious haunted house. As the two exploring its dark, empty rooms, it becomes apparent that the house has not forgotten the earlier tragedy.

Algernon Blackwood was born on 14th March 1869 in Shooter’s Hill, South East London, to a religious middle-class family. His mother was a widowed Duchess and his father was a Post Office administrator. Blackwood was interested in the paranormal and the supernatural at an early age, and had a thirst for anything on Buddhism, other Oriental philosophies, mysticism and occultism. In his writings the weaving of the supernatural into his various works, from ghost stories and children’s stories to plays and long novels is clearly seen.

A monster lurks in the Canadian forests. If the legends are to be believed, a small band of hunters is about to meet the Wendigo. The legend of the Wendigo originates from folk stories from the Plains and Great Lakes Native Americans. The creature is a malevolent spirit, known to possess and even eat humans.

This collection contains a mixture of stories about ghosts and contacts from spirits, some by celebrated authors, together with essays on psychical research. As Joseph French notes in the preface, even for the skeptic, tales of ghostly activity retain a distinct fascination. The widespread interest in psychic phenomena in the early twentieth century proved to be a significant stimulus to literary production.

Enjoy a classic horror story that begins with a hair-raising "Canadian canoe" trip down the flooded Danube. The float trip lands two adventurers on a willow-covered island in the stream, amid sharp shale, rapids, rain, and howling winds. Disastrous erosion and danger soon engulfs the two men. But the campers survive a murderous attempt to secretly scuttle their canoe and steal their food supplies.

Can people come back from the dead? Can they bring something or someone back from there? If so, can they reach out to people who are still alive? "The Return" and "The Second Generation" are two stories about supernatural occurrences, about people returning from a world, which most of us do not know. Algernon Blackwood sets the readers in a scary and dreadful atmosphere which only the bravest can endure.

A tale of the New Forest in England, where Mr. and Mrs. Bittacy settle after years abroad. A painter with a certain talent for painting trees awakens something in the old man and he takes to wandering deep in the forest. Mrs. Bittacy, with her strong, Christian values, is appalled by the ancient woodland spirits that her husbands seems to seek out. She loves him and wants to protect him from the ancient force of the forest. But will her love and faith be enough?

Representing the dark underbelly of Romanticism and beyond, these stories reach the shadowy corners of the human soul as seen through the writings of some of the most prominent authors of the 19th and early 20th centuries.

"The Willows" is a novella by English author Algernon Blackwood, originally published as part of his 1907 collection The Listener and Other Stories. It is one of Blackwood's best known works and has been influential on a number of later writers. Horror author H.P. Lovecraft considered it to be the finest supernatural tale in English literature. "The Willows" is an example of early modern horror and is connected within the literary tradition of weird fiction.

The unifying factor of this collection is that, without exception, every author included here was in some way or another involved with or interested in the occult. In some cases, they were members of an occult organization, such as the Hermetic Order of the Golden Dawn, the Theosophical Society, or similar such groups. Others simply had a strong personal interest in the subject matter or practiced some form of the esoteric sciences in private.

Uno de sus relatos, "Los sauces" (1908), se considera una de las mejores historias sobrenaturales jamás escritas. Su obra es citada como una de las principales influencias de H. P. Lovecraft; de hecho, su célebre relato "La llamada de Cthulhu" se inicia con una cita de Blackwood.

Today we have ghosts that haunted our ancestors, as well as our own modern revenants, and there appears to be no earthly use trying to banish or exorcise them by such a simple strategy as refusing to believe in them. Since man knows that whether or not he has seen a ghost, presently he will become one, and thus he has become fascinated with the subject. Therefore he creates ghosts, not merely in his own image, but according to his dreams of power.