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When Darcy becomes a thief for a crooked pawnshop owner who has the power to save her sister, she’s thrown into a world of magic, mystery, and romance. Once it’s discovered that she herself can wield magic, Darcy and her sister are uprooted from their home and brought to the Palace to train. There, they must learn to control their new powers if they wish to stay safe in this unfamiliar realm. Thrown into a war she wants no part in, Darcy must follow her instincts to keep herself, her sister, and those she cares about safe. However, nothing is quite as it seems.

Frances was not looking for a relationship when she met Elaine in a bar. She was, in fact, looking to drown her sorrows in a pint or twelve and nurse a broken heart, shattered by the gorgeous, electric Adrienne. But somehow (it involved a steady stream of beer and weed, as things often did with Frances) Elaine ended up in Frances’s bed and never left. Now, faced with mounting pressure from her drug dealer, Dom (and his goon, Betty), Frances comes up with a terrible idea: She asks Elaine to move in with her for real.

Mistress Gideon is a witch. The locals of Edda's Meadow, if they suspect it of her, say nary a word - Gideon has been good to them, and it's always better to keep on her good side. Just in case. When a foolish young shape-shifter goes against the wishes of her pack and gets herself very publicly caught, the authorities find it impossible to deny the existence of the supernatural in their midst any longer; Gideon and her like are captured, bound for torture and a fiery end.

After being sidelined for a pesky gunshot wound, typist-turned-field agent Evelyne Redfern is ready for her next assignment with Britain’s secretive Special Investigations Unit. When a British Intelligence informant in Portugal mysteriously disappears just after hinting that he has vital information about German plans that could tip the balance of World War Two, Evelyne and her dashingly irksome partner, David Poole, are sent headed to Lisbon to find him.

Nine years ago, with the world's eyes on her, Charlie Colbert fled. The press and the police called Charlie a "witness" to the nightmarish events at her elite graduate school on Christmas Eve―events known to the public as "Scarlet Christmas"―though Charlie knows she was much more than that. Now, Charlie has meticulously rebuilt her life: She's the editor-in-chief of a major magazine, engaged to the golden child of the publishing industry, and hell-bent on never, ever letting her guard down again.

As two-income families find themselves ever more time-poor, many look to outsource to cleaners, nannies, and care workers. More and more, it would seem, people are finding themselves without either the emotional or the financial resources to take care of themselves and each other. The home, rather than an escape from the work and its pressures, is in fact an extension of it. After Work is a crucial corrective to this trend, extending its attention beyond paid jobs to the impact of domestic work upon familial relationships, social bonds, and our conceptions of domestic space.

One stormy Irish summer night, Olive and her best friend, Rose, begin to lose things. It starts with simple items like hairclips and jewelry, but soon it's clear that Rose has lost something much bigger, something she won't talk about, and Olive thinks her best friend is slipping away. Then seductive diary pages written by a girl named Laurel begin to appear all over town. And Olive meets three mysterious strangers: Ivy, Hazel, and her twin brother, Rowan, secretly squatting in an abandoned housing estate.

Seventeen young adult authors across the queer spectrum have come together to create a collection of beautifully written diverse historical fiction for teens. From a retelling of Little Red Riding Hood set in war-torn 1870s Mexico featuring a transgender soldier, to two girls falling in love while mourning the death of Kurt Cobain, forbidden love in a 16th-century Spanish convent, or an asexual girl discovering her identity amid the 1970s roller-disco scene, All Out tells a diverse range of stories across cultures, time periods and identities, shedding light on an area of history often ignored or forgotten.

Way up in the Swiss mountains, there's an old grand hotel steeped in tradition and faded splendor. Once a year, when the famous New Year's Eve Ball takes place and guests from all over the world arrive, excitement returns to the vast hallways. Sophie, who works at the hotel as an intern, is busy making sure that everything goes according to plan.

Twenty-three years ago, Maggie D'arcy's family received a call from the Dublin police. Her cousin Erin has been missing for several days. Maggie herself spent weeks in Ireland, trying to track Erin's movements, working beside the police. But it was to no avail: No trace of her was ever found. The experience inspired Maggie to become a cop. Now, back on Long Island, more than 20 years have passed. Maggie is a detective and a divorced mother of a teenager. When the Gardaí call to say that Erin's scarf has been found and another young woman has gone missing, Maggie returns to Ireland.

Lady Kay Matheson is truly the bad luck bride. Her first try at matrimony was a disastrous failed elopement with handsome rake Devlin Sharpe. Soon after, Devlin departed for Africa without even saying goodbye, leaving Kay unwed and her heart in a million pieces. Her second attempt with the boy next door was the ideal match everyone wanted, until rumors of her previous elopement hit the papers and her perfect groom dumped her due to the scandal. Now Kay is forced to face life as a ruined and disgraced spinster.

Long Island homicide detective Maggie D'arcy and her teenage daughter, Lilly, are still recovering from the events of last fall when a strange new case demands Maggie's attention. The body of an unidentified Irish national turns up in a wealthy Long Island beach community, and with little to go on but the scars on his back, Maggie once again teams up with Garda detectives in Ireland to find out who the man was and what he was doing on Long Island.

In this deeply researched, immersive history, Adam Kuper tells the story of how foreign and prehistoric peoples and cultures were represented in Western museums of anthropology. Originally created as colonial enterprises, their halls were populated by displays of plundered art, artifacts, dioramas, bones, and relics.

It's 1911, and Greta Goldbaum is forced to move from glittering Vienna to damp England to wed Albert, a distant cousin. The Goldbaum family are one of the wealthiest in the world, with palaces across Europe, but as Jews and perpetual outsiders, they know that strength lies in family. But World War I looms, and even the influential Goldbaums cannot alter its course. For the first time in 200 years, the family will find itself on opposing sides, and Greta will have to choose: the family she's created, or the one she left behind.

It is strange enough that Odo and Eleanor have stumbled upon a sword in a dried-up river outside their village. It is even stranger that Odo is able to remove it from where it's buried. And it's remarkably strange when the sword starts to talk. Odo and Eleanor have unearthed Biter, a famous fighter from earlier times. By finding Biter, Odo instantly becomes a knight - a role he is exquisitely unsuited for. Eleanor, however, would make a perfect knight - but she's not the one with the sword.

The plan was simple: Elizabeth would ignore the fact that she was unjustly fired from her dream job, fly across the pond to settle an unexpected inheritance in her father’s home country, and quickly return to reclaim her position among the Silicon Valley elite. But when Elizabeth stumbles upon an abandoned puppy, she’s shocked to realize that her brief trip to England might turn into an extended stay. Her strict itinerary is upended completely by the pup’s dogged devotion, and soon the lovable puppy helps her to connect with a tight-knit community of new friends.

Poor Princess Anya. Forced to live with her evil stepmother's new husband, her evil stepstepfather. Plagued with an unfortunate ability to break curses with a magic-assisted kiss. And forced to go on the run when her stepstepfather decides to make the kingdom entirely his own. Aided by a loyal talking dog, a boy thief trapped in the body of a newt, and some extraordinarily mischievous wizards, Anya sets off on a quest that, if she plays it right, will ultimately free her land - and teach her a thing or two.

For the Sake of the Game is the latest volume in the award-winning series from New York Times best-selling editors Laurie R. King and Leslie S. Klinger, with stories of Sherlock Holmes, Dr. Watson, and friends in a variety of eras and forms. King and Klinger have a simple formula: Ask some of the world's greatest writers-regardless of genre - to be inspired by the stories of Arthur Conan Doyle. The results are surprising and joyous.

Where is Wendy? Leading a labor strike against the Lost Boys, of course. In Jane Yolen's first full collection in more than 10 years, discover new and uncollected tales of beloved characters, literary legends, and much more. A Scottish academic unearths ancient evil in a fishing village. Edgar Allan Poe's young bride is beguiled by a most unusual bird. Dorothy, lifted from Kansas, returns as a gymnastic sophisticate. Emily Dickinson dwells in possibility and sails away in a starship made of light. Winner of the 2018 World Fantasy Award.

What is to be done with Mary Bennet? She possesses neither the beauty of her eldest sister, Jane, nor the high-spirited wit of second-born Lizzy. Even compared to her frivolous younger siblings, Kitty and Lydia, Mary knows she is lacking in the ways that matter for single, not-so-well-to-do women in 19th-century England who must secure their futures through the finding of a husband. As her sisters wed one by one, Mary pictures herself growing old, a spinster with no estate to run or children to mind, dependent on the charity of others.