Résultats de "James Lear" dans Toutes les catégories

Once a major in the U.S. Army, Dan Stagg fell afoul of Don't Ask Don't Tell. In his late 30s, tall, and muscular, Dan is prone to violence, always upholding what he views as justice. He's offered a great deal of money to protect the young male "secretary" of a powerful real estate broker. The vain, shallow - but most of all hot - young man's idea of protection includes sex. Dan quickly realizes something strange is going on: he's being used as a shield for a much more sinister operation and must choose between easy money and sex or the ideals that he embodied in the Army.

Paul Lemoyne is a callow but resourceful 18-year-old who leaves the hinterlands for the big city. A steamy tearoom tryst initiates him into London's gay underground and lands him a job at the seedy Palace of Varieties, where the nonstop backstage blow jobs make the tacky onstage acts seem tame. "As hairy as a donkey and hung like one as well!" as one of his astonished bedmates notes, the indomitable Paul rises quickly from stagehand doing every man in sight to well-heeled rent boy and reluctant thief.

Who is trying to kill the members of an elite special ops team that worked off the radar in Iraq in the '90s? It's up to Dan Stagg to track down the survivors - the men with whom he stormed an undefended surveillance station, killing everyone inside. And now, many years later, the team is being targeted in what seems like a series of unrelated attacks. Dan teams up with his old comrade Al Benson, once a rising star of the USMC, now a respectable married civilian with a few secrets to hide.

Handsome, muscular Edward "Mitch" Mitchell made a splash in James Lear's spicy variation on the British cozy mystery, The Back Passage. Now he's back in this steamy send-up of Agatha Christie's Murder on the Orient Express, travelling from Edinburgh to London for a reunion with his ex, "Boy" Morgan.

In A Sticky End, Mitch must face the possibility that his chum is involved in the chain of events that led to the suicide of Boy's own colleague and secret paramour, Frank Bartlett. To absolve Boy, Mitch races around London finding clues while bedding the many men eager to lend a hand-or more. As Mitch says himself, "Holmes has his fiddle, Poirot has his liqueurs - I have cock. We all have our methods."

To all appearances, Joe Heath is a typical straight married man, living with his wife and two teenage children, commuting to work, playing sports, enjoying a beer.... But there are things about Joe that his friends don’t know. For one thing, his relationship with his wife has deteriorated to the point that they’re sleeping in separate bedrooms, only staying together until the kids have left home. And there’s something else: for the last few years, Joe has wanted to have sex with another man.

A seaside village, an English country house, a family of wealthy eccentrics, a determined detective - all the ingredients are here for a cozy Agatha Christie-style whodunit. But wait. Edward "Mitch" Mitchell is no Hercule Poirot, and The Back Passage is no Murder of Roger Ackroyd. Mitch is a handsome, insatiable 22-year-old hunk who never lets a clue stand in the way of a steamy encounter, whether it's with the local constabulary, the house secretary, or his school chum and fellow athlete Boy Morgan, who becomes his Watson when they're not busy boffing each other.

Dance with a lobster, telephone an elephant or knock on a moonlit door - this collection includes magical, macabre, dramatic, funny, bizarre, absurd, delightful, moving and charming poems by Lewis Carroll, A.A. Milne, Edward Lear, Hilaire Belloc, Kenneth Grahame and many others. Readers such as Anton Lesser, Simon Russell-Beale and Timothy West bring the lines beautifully to life and make this an ideal introduction to some of the best-loved children's poetry.

Move over, Scarlett O'Hara! It's New England, 1861, and the troubles in the southern states seem a long way off for Jack Edgerton, the spoiled son of a prominent Vermont family. Howver, when he meets and falls in love with Aaron Johnson, the sexy son of a slave on the run from Virginia, Edgerton's world is turned upside down.