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In the thick of lockdown, 2020, poet, critic, and memoirist Jamie Hood published her debut, how to be a good girl, an interrogation of modern femininity and the narratives of love, desire, and violence yoked to it. The Rumpus praised Hood’s “bold vulnerability,” and Vogue named it a Best Book of 2020. In Trauma Plot, Hood draws on disparate literary forms to tell the story that lurked in good girl’s margins—of three decades marred by sexual violence and the wreckage left behind.

In the thick of winter 2020, when so many books were buried beneath the catastrophe of the COVID-19 news cycle, one unlikely debut seemed to cut through the noise. Jamie Hood’s How to Be a Good Girl was an inventive and hybrid work of self-making, mingling diary entries, poetry, literary criticism, and love letters to interrogate the archetype of the “good girl,” and the ideas of femininity, passivity, desire, and trauma that come with it.

This fever dream of a novel features a protagonist who shares the same name as its author. Elaine first entered the house as moral support for her friend and fellow schoolteacher, Florence, but now there are no exits in sight. All the inexplicable residents of the space—Florence’s beguiling brother, her inattentive lover, distant mother, wizard father, and even her and Elaine’s school principal—are under the control of the mysterious Madelaine.